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Activism
(57)
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(89)
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(195)
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(44)
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(150)
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(165)
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(154)
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(89)
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(56)
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(211)
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(46)
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(280)
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(50)
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(65)
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(14)
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(61)
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(157)
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(52)
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(27)
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(81)
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(64)
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(81)
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(40)
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(44)
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(133)
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(24)
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(54)
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(27)
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(199)
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(78)
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(98)
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(440)
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(462)
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(50)
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(35)
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(54)
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(173)
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(31)
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(43)
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(58)
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(208)
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(304)
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(33)
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(23)
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(348)
Typefaces
▼
Abril
(7)
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(8)
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(12)
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(6)
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(10)
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(45)
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(9)
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(9)
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(13)
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(9)
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(20)
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(14)
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(7)
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(18)
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(21)
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(6)
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(7)
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(6)
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(11)
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(11)
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(19)
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(10)
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(30)
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(10)
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(7)
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(22)
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(12)
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(8)
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(17)
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(11)
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(12)
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(12)
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(11)
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(6)
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(8)
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(8)
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(13)
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(6)
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(29)
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(13)
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(6)
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(114)
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(15)
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(9)
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(9)
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(23)
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(32)
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(43)
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(10)
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(97)
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(30)
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(10)
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(27)
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(8)
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(10)
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(6)
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(9)
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(9)
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(6)
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(11)
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(6)
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(20)
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(7)
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(7)
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(12)
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(7)
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(14)
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(10)
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(9)
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(8)
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(43)
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(20)
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(16)
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(7)
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(6)
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(7)
Platform
(8)
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(8)
Profil
(7)
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(20)
Quiosco
(6)
Replica
(8)
Rockwell
(8)
Sabon
(7)
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(7)
Salvo Sans
(7)
Siri
(11)
Stag
(6)
Swift
(6)
Tiempos
(11)
Times New Roman
(14)
Titling Gothic
(14)
Trade Gothic
(32)
Trim
(9)
Tungsten
(9)
unidentified typeface
(14)
Univers
(35)
Univers Ultra Condensed
(6)
Verdana
(8)
Verlag
(14)
Volta
(7)
Whitney
(8)
Windsor
(11)
These are the most common typefaces in the database, but there are many more.
Try a search!
Review by
Florian Hardwig
Apr 29th, 2013
The Great Gatsby
(2013) Film Promotion
Deco chrome type adds to the glam glitz of Baz Luhrmann’s ultra-stylized ’20s.
Read More…
Review by
Stephen Coles
Apr 1st, 2013
Foxy Brown
and
Jackie Brown
Ed Benguiat’s buxom, flamboyant type is the recurring companion of an equally luscious Pam Grier.
Read More…
Review by
Stephen Coles
Mar 11th, 2013
The Other Times Modern
From the “Where are they now?” files, an undocumented paperback version of the classic newspaper typeface.
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Review by
Stephen Coles
Feb 1st, 2013
Hessian
Ben Pieratt built the cart. Now he needs a horse.
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Review by
Roger Black
Jan 10th, 2013
The New Republic’s
New Logo
As a partner at Font Bureau, I welcome the use of Antenna as the basis of the new logo of The New Republic. We haven't …
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Sponsor
Typekit is the easiest way to use real fonts on your website.
https://typekit.com
Review by
Florian Hardwig
Jan 7th, 2013
Traffic Snack
A Frankfurt food stand serves up the provoking question: are we too dumb for smart fonts?
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Review by
Florian Hardwig
Dec 11th, 2012
Medium
The Twitter co-founders’ latest venture is another sign that professional typography on the web is the new norm.
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Review by
Patch Hofweber
Dec 4th, 2012
Hard Graft
The understated but luxurious feel of these products is echoed in the brand typography.
Read More…
Review by
Stephen Coles
Nov 27th, 2012
W
Magazine, September 2012
A grand glossy dresses up for her 40th, invites both fashion and font lovers to the party.
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Review by
Florian Hardwig
Nov 26th, 2012
Deutsche Guggenheim Magazine
The Berlin arm of the Guggenheim issues its last beautiful breath of Verlag.
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Review by
Indra Kupferschmid
Nov 20th, 2012
Frankfurter Rundschau
Some newspapers look for design to be lifeboat, but it obviously doesn’t prevent them from sinking.
Read More…
Review by
Stephen Coles
Nov 1st, 2012
Bloomberg Businessweek
, Nov. 5–11, 2012
Richard Turley just comes out and says it.
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Review by
Florian Hardwig
Oct 25th, 2012
Komische Oper Berlin
Guided by the local institution’s history and irreverence, Blotto creates an atypical opera house identity.
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Review by
David Nguyen
Oct 12th, 2012
Wuthering Heights
Andrea Arnold’s raw, gritty retelling of the Brontë classic is at odds with the machined, modernist type that presents it.
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Review by
Florian Hardwig
Oct 9th, 2012
Familienmacher
The idea of family — both human and font — is stretched to its limits in Austria’s “Family Maker” exhibition.
Read More…
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