Blog - Fonts In Use

Review by Stephen Coles
Jan 31st, 2011

Schauspielhaus Zürich

Gill’s most awkward offspring finds a home on the stage.

Review by Sam Berlow
Jan 26th, 2011

The Typographic Monotony of American Retail

15 of the 20 most common shopping brands use Helvetica.

Review by Stephen Coles
Jan 26th, 2011

All About Tea

A brand for those who take theirs without milk or sugar.

Review by Stephen Coles
Jan 20th, 2011

Tzegoh

Austere and contemporary, Jigsaw defines this clothing brand.

Review by Stephen Coles
Jan 18th, 2011

Need Supply

Type sells clothes. Clothes sell type.

Review by Stephen Coles
Jan 13th, 2011

Comedy Central

Two new typefaces perfectly complement the successful rebrand of a more mature — but still funny — cable network.

Review by Nick Sherman
Jan 12th, 2011

Pioneers of Change

Experimental Jetset evoke Dutch sensibility using one of the most American typefaces of all time.

Review by Marc Oxborrow
Jan 11th, 2011

Ford Trucks TV Spots

These pickups are built Franklin Gothic tough.

Review by Stephen Coles
Jan 9th, 2011

Rooftop Cinema

A Melbourne institution gets a colorful treatment on the web.

Review by Stephen Coles
Jan 7th, 2011

Shots in the Attic

This flyer isn’t shy about contrast.

Review by Stephen Coles
Jan 5th, 2011

The Glif

A minimal gadget accessory adorned only with four glyphs of Estilo Script.

Review by Stephen Coles
Jan 4th, 2011

The Basement at London’s Science Museum

Rosemary Sassoon’s well-researched typeface guides youngsters through the children’s wing of the museum.

Review by Stephen Coles
Jan 3rd, 2011

Neography

An old style serif makes the web look new.

Review by Indra Kupferschmid
Dec 31st, 2010

Stories & Novels

Fine typography, crisp black on white, and an underused typeface provide a welcome break for reading on the web.

Review by Stephen Coles
Dec 30th, 2010

The Chop Shop

Ptarmak designed an identity so appealing, someone should launch a meat market just to adopt it.

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