“Evidently, LL Brown owes a lot to the type designs of both Edward Johnston and Arno Drescher, who with their Johnston and Super Grotesk each created immensely influential and successful geometric typefaces nearly one hundred years ago.
Yet Aurèle Sack was not aiming at a revival font. Using the historic predecessors for formal cues, he kept developing his hybrid more freely, adding a similarly purist and technical flavour as in some of his earlier typefaces, most notably the Futura variant he drew as Omega's corporate typeface a few years back.” — Lineto
Harry and the Thief poster2013
- Luke Williams
- Mary Krupka
Contributed by Nick Sherman
Die Andere Bibliothek – Spring 2013 Preview2013
Contributed by Florian Hardwig