Every month, Chicago’s commuter rail system releases a new ticket design. We examine the typographic diversity found in this batch of early 1990s ephemera from the collection of Nick Rougeux.
The identity for the emancipatory books by the radical West German publisher consists of two simple ingredients: the Block typeface and the color combo yellow, red and black.
The classic Christmas TV special opens with letterforms that can be traced back to the Lettera alphabet book series, Ben Shahn lettering, and Romanesque capitals.
Over almost two decades, Roslyn Gothic graced dozens of covers with works by the writer, building a visual identity for the master of dystopian fiction.
