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Activism
(534)
Architecture
(742)
Art
(2331)
Automotive
(179)
Business/Finance
(370)
Education/Academia
(1170)
Entertainment
(874)
Event
(1565)
Fashion/Apparel
(823)
Film/TV
(1037)
Food/Beverage
(1663)
Governmental/Civic
(399)
Graphic Design
(1978)
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(437)
Home/Interior
(458)
Industrial Design
(313)
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(624)
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(429)
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(755)
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(1679)
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(695)
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(3290)
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(422)
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(484)
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(453)
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(741)
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(221)
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(568)
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(498)
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(691)
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(157)
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(378)
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(765)
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(189)
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(459)
Formats
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Advertising
(1250)
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(2196)
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(364)
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(1269)
Books
(3419)
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(4027)
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(676)
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(550)
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(535)
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(343)
Magazines/Periodicals
(1244)
Mobile
(234)
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(200)
Object/Product
(592)
Packaging
(1156)
Posters/Flyers
(3002)
Signs
(1223)
Software
(168)
Tablet/iPad
(133)
Web
(2799)
Typefaces
▼
Adobe Caslon
(57)
Adobe Garamond
(37)
LL Akkurat
(68)
Aktiv Grotesk
(42)
Akzidenz-Grotesk
(272)
Akzidenz-Grotesk Condensed
(50)
Albertus
(60)
Alternate Gothic
(101)
Amelia
(40)
GT America
(82)
ITC American Typewriter
(51)
Ano
(43)
Antique Olive
(60)
Aperçu
(61)
Apoc
(89)
Archer
(38)
Arial
(125)
Atlas Grotesk
(44)
ITC Avant Garde Gothic
(197)
Avenir
(75)
Avenir Next
(37)
Baby Teeth
(49)
Baskerville
(59)
Benton Sans
(81)
Bodoni
(96)
Bookman
(60)
Brandon Grotesque
(82)
LL Brown
(72)
Brush Script
(43)
Bureau Grot
(49)
Calibre
(48)
Century Expanded
(43)
Century Schoolbook
(37)
Cera
(38)
Cheltenham
(42)
LL Circular
(62)
Clarendon
(103)
Compacta
(77)
Cooper Black
(185)
Copperplate Gothic
(47)
Davida
(72)
FF DIN
(105)
Druk
(43)
Druk Condensed
(45)
Druk Wide
(58)
Elephant (Alias)
(49)
Euclid Flex
(72)
Eurostile
(138)
Favorit
(49)
Folio
(68)
Founders Grotesk
(98)
ITC Franklin Gothic
(44)
Franklin Gothic
(192)
Freight Text
(38)
Futura
(760)
Futura Black
(77)
Futura Condensed
(86)
Futura Display
(52)
Geogrotesque
(56)
Georgia
(83)
Gill Kayo
(82)
Gill Sans
(220)
Gotham
(193)
Graphik
(95)
Grotesque No. 9
(37)
Harbour
(149)
Helvetica
(734)
Helvetica Condensed
(64)
Hobo
(56)
Interstate
(82)
Kabel
(69)
Kabel Black
(67)
Knockout
(116)
Lausanne
(117)
Lydian
(58)
Lyon
(63)
Maison Neue
(49)
Marvin (Face)
(40)
Microgramma
(42)
Miller
(44)
Minion
(54)
Monotype Grotesque
(64)
Motter Ombra
(65)
Myriad
(37)
Neue Haas Grotesk
(96)
Neue Helvetica
(212)
Neutraface
(71)
News Gothic
(156)
Noe Display
(37)
Ogg
(62)
Omnes
(59)
Open Sans
(36)
Optima
(102)
Palatino
(47)
Plantin
(48)
Proxima Nova
(89)
Roboto
(39)
Rockwell
(37)
Sabon
(42)
GT Sectra
(66)
ITC Serif Gothic
(76)
Sharp Grotesk
(42)
ITC Souvenir
(87)
Sporting Grotesque
(45)
Suisse Int’l
(195)
Suisse Works
(58)
Surt
(61)
Tempo
(42)
Tiempos
(71)
Times
(75)
Times New Roman
(148)
FB Titling Gothic
(48)
Trade Gothic
(138)
Tungsten
(37)
Univers
(363)
Venus
(63)
Verlag
(42)
Volta
(38)
GT Walsheim
(78)
Windsor
(68)
These are the most common typefaces in the database, but there are many more.
Try a search!
Review by
Florian Hardwig
May 24th, 2017
Bayerische Bauindustrie A.-G. Notgeld coupons
Hyperinflation currency from the Weimar Republic helps to date a classic modernist typeface.
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Review by
Nick Sherman
May 17th, 2017
Fact
magazine covers
Stark typography to deliver stark criticism in the politically charged 1960s.
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Review by
Nick Sherman
Apr 18th, 2017
Kendrick Lamar –
DAMN.
album cover
The cover of Kendrick Lamar’s new album, DAMN., is very basic: A four-letter word and a period set on top of a photo of Lamar …
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Review by
Stephen Coles
Mar 6th, 2017
Hold, Sold, & 2nd Grade Butterfat
Mid-century shop tags showcase the rough-and-ready utility of Ludlow’s
Tempo.
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Review by
Blythwood
Sep 28th, 2016
Haüy’s
Essay on the Education of the Blind
(1786)
One of the earliest forms of sans serif type ever seen in a book was designed for those who couldn’t see at all.
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Review by
Stephen Coles
Aug 13th, 2016
Massimo Vignelli’s
A Few Basic Typefaces
Vignelli presented his (now famous) type philosophy at an SVA exhibition in 1991, revisiting it 20 years later for his
Canon
.
Read More…
Review by
Stephen Coles
Jul 14th, 2016
Mastercard identity (2016)
Pentagram hits the Mark in an iconic brand’s return to simplicity. (Still, a few words of warning to geo-sans fans.)
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Review by
Ivar Sakk
Jun 1st, 2016
Zhurnalnaya Roublennaya: A Poor Man’s Futura
An unusual geometric sans, born out of necessity in a Soviet Union of limited type choices, sparks new study and revivals.
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Review by
Andreas Kofler
Apr 22nd, 2016
Stedelijk Museum
identity (2012)
Four years after the dust settled, a look back at the controversial rebranding of Amsterdam’s home for contemporary art.
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Review by
Stephen Coles
Apr 13th, 2016
Charlie Rose
One of the strongest talk shows on television finally has a typographic identity that carries as much weight.
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Review by
Stephen Coles
Mar 20th, 2016
Design Museum identity (2003, 2016)
The British institution gets a new home and refined look, but still speaks with that Swiss/German accent we’ve grown to love.
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Review by
Florian Hardwig
Jan 4th, 2016
Tourism Ireland, c. 2010–2014
Bram de Does’ elite typefaces are usually found in work of the highest standard. This bizarre mangling of Trinité is a rare exception.
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Review by
Stephen Coles
Dec 14th, 2015
VELOCIDADE
by Ronaldo Azeredo (1957/8 & 1968)
After more than a half century, the work of this Brazilian concrete poet is as vital as ever.
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Review by
Stephen Coles
Dec 4th, 2015
Tasting Table (2015 redesign)
The foodie site tastes much better with fresh type, but it’s still just slightly undercooked.
Read More…
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