An independent archive of typography.
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(534)
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(1610)
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(1165)
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(2225)
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(1147)
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(1480)
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(2280)
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(530)
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(615)
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(435)
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(779)
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(1514)
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(515)
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(232)
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(831)
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(1715)
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(4179)
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(224)
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(3930)
Typefaces
▼
ABC Favorit
(74)
ABC Monument Grotesk
(48)
Adobe Caslon
(73)
Adobe Garamond
(50)
LL Akkurat
(77)
Aktiv Grotesk
(58)
Akzidenz-Grotesk
(342)
Akzidenz-Grotesk Condensed
(64)
Albertus
(69)
Alternate Gothic
(134)
Amelia
(49)
GT America
(119)
ITC American Typewriter
(72)
Ano
(55)
Antique Olive
(71)
Anzeigen-Grotesk / Neue Aurora IX
(57)
Aperçu
(80)
Apoc
(148)
Arial
(165)
Atlas Grotesk
(60)
ITC Avant Garde Gothic
(254)
Avenir
(87)
Avenir Next
(54)
Baby Teeth
(53)
Baskerville
(73)
Benton Sans
(87)
Berthold Block
(50)
Bodoni
(131)
Brandon Grotesque
(96)
LL Brown
(74)
Brush Script
(59)
Bureau Grot
(55)
Calibre
(52)
Century Expanded
(61)
Century Schoolbook
(51)
Cheltenham
(58)
LL Circular
(71)
Ciutadella
(50)
Clarendon
(122)
Compacta
(97)
Cooper Black
(231)
Copperplate Gothic
(63)
Courier
(53)
Davida
(81)
FF DIN
(121)
Druk
(53)
Druk Condensed
(53)
Druk Wide
(70)
Elephant (Alias)
(56)
Euclid Flex
(78)
Eurostile
(200)
Everett
(102)
Folio
(99)
Founders Grotesk
(125)
ITC Franklin Gothic
(72)
Franklin Gothic
(239)
Futura
(973)
Futura Black
(92)
Futura Condensed
(105)
Futura Display
(67)
Geogrotesque
(61)
Georgia
(93)
Gill Kayo
(89)
Gill Sans
(268)
Gotham
(236)
Grand Slang
(55)
Graphik
(124)
Grotesque No. 9
(49)
Haas Inserat-Grotesk / Neue Aurora VIII
(49)
Harbour
(176)
Helvetica
(1050)
Helvetica Condensed
(115)
Hobo
(71)
Interstate
(91)
Kabel
(84)
Kabel Black
(79)
Knockout
(131)
Lausanne
(164)
Lydian
(69)
Lyon
(72)
Maison Neue
(61)
Microgramma
(69)
Minion
(69)
Monotype Grotesque
(74)
Montserrat
(63)
Motter Ombra
(72)
Neue Haas Grotesk
(162)
Neue Helvetica
(309)
Neutraface
(79)
News Gothic
(242)
Ogg
(84)
Omnes
(76)
Open Sans
(52)
Optima
(134)
Palatino
(72)
Plaak
(51)
Plantin
(61)
Proxima Nova
(102)
Roboto
(60)
Rockwell
(49)
GT Sectra
(69)
ITC Serif Gothic
(98)
Sharp Grotesk
(59)
ITC Souvenir
(123)
Sporting Grotesque
(48)
Suisse Int’l
(267)
Suisse Works
(82)
Surt
(81)
Tempo
(51)
Tiempos
(85)
Times
(107)
Times New Roman
(229)
FB Titling Gothic
(51)
Trade Gothic
(165)
Univers
(509)
Venus
(54)
Venus Extended
(72)
Volta
(49)
GT Walsheim
(88)
Windsor
(92)
These are the most common typefaces in the database, but there are many more.
Try a search!
Review by
Stephen Coles
Jul 14th, 2016
Mastercard identity (2016)
Pentagram hits the Mark in an iconic brand’s return to simplicity. (Still, a few words of warning to geo-sans fans.)
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Review by
Ivar Sakk
Jun 1st, 2016
Zhurnalnaya Roublennaya: A Poor Man’s Futura
An unusual geometric sans, born out of necessity in a Soviet Union of limited type choices, sparks new study and revivals.
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Review by
Andreas Kofler
Apr 22nd, 2016
Stedelijk Museum
identity (2012)
Four years after the dust settled, a look back at the controversial rebranding of Amsterdam’s home for contemporary art.
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Review by
Stephen Coles
Apr 13th, 2016
Charlie Rose
One of the strongest talk shows on television finally has a typographic identity that carries as much weight.
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Review by
Stephen Coles
Mar 20th, 2016
Design Museum identity (2003, 2016)
The British institution gets a new home and refined look, but still speaks with that Swiss/German accent we’ve grown to love.
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Review by
Florian Hardwig
Jan 4th, 2016
Tourism Ireland, c. 2010–2014
Bram de Does’ elite typefaces are usually found in work of the highest standard. This bizarre mangling of Trinité is a rare exception.
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Review by
Stephen Coles
Dec 14th, 2015
VELOCIDADE
by Ronaldo Azeredo (1957/8 & 1968)
After more than a half century, the work of this Brazilian concrete poet is as vital as ever.
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Review by
Stephen Coles
Dec 4th, 2015
Tasting Table (2015 redesign)
The foodie site tastes much better with fresh type, but it’s still just slightly undercooked.
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Review by
Stephen Coles
Nov 29th, 2015
Tomy Blip / World Tennis / Blip-o-mat
This odd little Pong wannabe was a microcosm of video game typography, using all three MICR-style fonts popular in the ’70s.
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Review by
Stephen Coles
Nov 19th, 2015
Konst & Teknik (2015)
The Stockholm studio reaches a new maturity with a portfolio site as thoughtful and attractive as their work.
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Review by
Florian Hardwig
Sep 1st, 2015
New Zealand banknotes (Series 7)
The Kiwis’ catch-all currency illustrates the danger of appeasing too many interests.
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Review by
Stephen Coles
May 18th, 2015
Pentagram Papers 44:
Hear, All Ye People; Hearken, O
Earth!
Errol Morris’s declaration of Baskerville as the most truthworthy typeface isn’t particularly trustworthy, but his study is interesting, and Pentagram’s book looks great.
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Review by
Stephen Coles
Apr 13th, 2015
Hillary for America website and logo
Hillary Clinton’s 2016 presidential campaign launched today with a website, video, and brand identity. …
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Review by
Patch Hofweber
Nov 25th, 2014
Future Exhibitions Nº 1
Our Swedish outpost explores a smorgasbord of modular miniatures created with the online font editor FontStruct.
Read More…
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