Review by Stephen Coles May 18th, 2015

Pentagram Papers 44: Hear, All Ye People; Hearken, O Earth!

Errol Morris’s declaration of Baskerville as the most truthworthy typeface isn’t particularly trustworthy, but his study is interesting, and Pentagram’s book looks great.

Pentagram Papers 44: <cite>Hear, All Ye People; Hearken, O</cite><span class="nbsp"> </span><cite>Earth!</cite>

Review by Stephen Coles Apr 13th, 2015

Hillary for America website and logo

Hillary Clinton’s 2016 presidential campaign launched today with a website, video, and brand identity. …

Review by Patch Hofweber Nov 25th, 2014

Future Exhibitions Nº 1

Our Swedish outpost explores a smorgasbord of modular miniatures created with the online font editor FontStruct.

Review by Peter Hofmann Nov 18th, 2014

From Larisch’s Plinius to Larish Alte and Larish Neue

15th-century roots and 21st-century revivals: our resident archaeologist excavates a lesser-known but classic Austrian face.

From Larisch’s Plinius to Larish Alte and Larish Neue

Review by Laurence Penney Oct 22nd, 2014

Library Way, New York City

An Englishman in New York takes a walk to the library and stumbles on some peculiar plaques.

Review by Stephen Coles Jul 27th, 2014

Snowpiercer opening title sequence

These sci-fi titles are nicely done, but are more impressive if you consider the effort required to use a half-baked font.

<cite>Snowpiercer</cite> opening title sequence

Review by Florian Hardwig Jun 20th, 2014

FF Franziska for Bündner Tagblatt and ZEITmagazin Online

Concurrent editorial uses of the same new typeface demonstrate its versatility while teaching us lessons about print and web.

FF Franziska for <cite>Bündner Tagblatt</cite> and <cite>ZEITmagazin Online</cite>

Review by Tal Leming Jun 10th, 2014

US Soccer Identity

As FIFA World Cup Brazil 2014 nears kick-off, Tal Leming is already a winner.

Review by Stephen Coles Feb 27th, 2014

The Best of Fonts In Use in 2013

We mark our third anniversary by honoring some of
our favorite typography from the year that was.

The Best of <cite>Fonts In Use</cite> in 2013

Review by Jennifer Kennard Feb 6th, 2014

The Story of Our Friend, the Fat Face

Journey back to a time when serifs were Antique, sans serifs were Grotesque, and extra bold faces were Fat.

Review by André Mora Nov 18th, 2013

Gotham City Chronicle

The San Francisco Chronicle honors a child’s wish with a Batman-themed front page.

Review by Stephen Coles Oct 29th, 2013

Cheers Logo and Opening Titles

A clever Halloween costume triggers nostalgic memories of classic TV typography.

Review by Stephen Coles Oct 17th, 2013

Square Cash & Square Market

Any antidote to PayPal calls for clarity, simplicity, confidence — and a typeface to match.

Review by Stephen Coles Oct 9th, 2013

“Dear Ketel One Drinker” Ad Campaign

How an odd old font became the unmistakable face of a vodka brand.

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Pentagram Papers 44: Hear, All Ye People; Hearken, O Earth!

Hillary for America website and logo

Future Exhibitions Nº 1

From Larisch’s Plinius to Larish Alte and Larish Neue

Library Way, New York City

Snowpiercer opening title sequence

FF Franziska for Bündner Tagblatt and ZEITmagazin Online

US Soccer Identity

The Best of Fonts In Use in 2013

The Story of Our Friend, the Fat Face

Gotham City Chronicle

Cheers Logo and Opening Titles

Square Cash & Square Market

“Dear Ketel One Drinker” Ad Campaign