An independent archive of typography.
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Typefaces
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Acumin
(51)
Adobe Caslon
(78)
Adobe Garamond
(52)
LL Akkurat
(79)
Aktiv Grotesk
(61)
Akzidenz-Grotesk
(360)
Akzidenz-Grotesk Condensed
(70)
Albertus
(71)
Alternate Gothic
(138)
GT America
(131)
ITC American Typewriter
(76)
Ano
(58)
Antique Olive
(77)
Anzeigen-Grotesk / Neue Aurora IX
(59)
Aperçu
(84)
Apoc
(155)
Arial
(176)
Atlas Grotesk
(63)
ITC Avant Garde Gothic
(278)
Avenir
(88)
Avenir Next
(58)
Baby Teeth
(56)
Baskerville
(76)
Benton Sans
(87)
Bodoni
(138)
Brandon Grotesque
(99)
LL Brown
(74)
Brush Script
(66)
Bureau Grot
(58)
Calibre
(52)
Caslon No. 471 & 540
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Century Expanded
(69)
Century Schoolbook
(55)
Cheltenham
(66)
LL Circular
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Ciutadella
(51)
Clarendon
(126)
Compacta
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Cooper Black
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Copperplate Gothic
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Courier
(56)
Davida
(85)
FF DIN
(122)
Druk
(56)
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(54)
Druk Wide
(76)
Elephant (Alias)
(59)
Euclid Flex
(78)
Eurostile
(227)
TWK Everett
(113)
ABC Favorit
(79)
Folio
(109)
Founders Grotesk
(131)
Franklin Gothic
(244)
ITC Franklin Gothic
(77)
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(1012)
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(94)
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(110)
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(69)
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(62)
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(95)
Gill Kayo
(89)
Gill Sans
(271)
Gotham
(239)
Goudy Oldstyle
(51)
Grand Slang
(61)
Graphik
(129)
Haas Inserat-Grotesk / Neue Aurora VIII
(52)
Harbour
(190)
Helvetica
(1133)
Helvetica Condensed
(128)
Hobo
(74)
Interstate
(92)
Kabel
(86)
Kabel Black
(82)
Knockout
(134)
TWK Lausanne
(182)
Lydian
(70)
Lyon
(73)
Maison Neue
(63)
Microgramma
(77)
Minion
(73)
Monotype Grotesque
(75)
Montserrat
(70)
ABC Monument Grotesk
(51)
Motter Ombra
(74)
Neue Haas Grotesk
(181)
Neue Helvetica
(328)
Neue Montreal
(54)
Neutraface
(80)
News Gothic
(264)
Ogg
(85)
Omnes
(77)
Open Sans
(54)
Optima
(147)
Palatino
(74)
Plaak
(53)
Plantin
(65)
Proxima Nova
(102)
Roboto
(64)
Rockwell
(51)
Romie
(57)
GT Sectra
(69)
ITC Serif Gothic
(105)
Sharp Grotesk
(65)
ITC Souvenir
(124)
Suisse Int’l
(283)
Suisse Works
(87)
Surt
(86)
Tempo
(57)
Tiempos
(87)
Times
(113)
Times New Roman
(248)
Trade Gothic
(176)
Univers
(530)
Venus
(65)
Venus Extended
(79)
GT Walsheim
(89)
Windsor
(98)
Work Sans
(52)
These are the most common typefaces in the database, but there are many more.
Try a search!
Review by
Stephen Coles
May 18th, 2015
Pentagram Papers 44:
Hear, All Ye People; Hearken, O
Earth!
Errol Morris’s declaration of Baskerville as the most truthworthy typeface isn’t particularly trustworthy, but his study is interesting, and Pentagram’s book looks great.
Read More…
Review by
Stephen Coles
Apr 13th, 2015
Hillary for America website and logo
Hillary Clinton’s 2016 presidential campaign launched today with a website, video, and brand identity. …
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Review by
Patch Hofweber
Nov 25th, 2014
Future Exhibitions Nº 1
Our Swedish outpost explores a smorgasbord of modular miniatures created with the online font editor FontStruct.
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Review by
Peter Hofmann
Nov 18th, 2014
From Larisch’s Plinius to Larish Alte and Larish Neue
15th-century roots and 21st-century revivals: our resident archaeologist excavates a lesser-known but classic Austrian face.
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Review by
Laurence Penney
Oct 22nd, 2014
Library Way
, New York City
An Englishman in New York takes a walk to the library and stumbles on some peculiar plaques.
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Review by
Stephen Coles
Jul 27th, 2014
Snowpiercer
opening title sequence
These sci-fi titles are nicely done, but are more impressive if you consider the effort required to use a half-baked font.
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Review by
Florian Hardwig
Jun 20th, 2014
FF Franziska for
Bündner Tagblatt
and
ZEITmagazin Online
Concurrent editorial uses of the same new typeface demonstrate its versatility while teaching us lessons about print and web.
Read More…
Review by
Tal Leming
Jun 10th, 2014
US Soccer Identity
As FIFA World Cup Brazil 2014 nears kick-off, Tal Leming is already a winner.
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Review by
Stephen Coles
Feb 27th, 2014
The Best of
Fonts In Use
in 2013
We mark our third anniversary by honoring some of
our favorite typography from the year that was.
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Review by
Jennifer Kennard
Feb 6th, 2014
The Story of Our Friend, the Fat Face
Journey back to a time when serifs were Antique, sans serifs were Grotesque, and extra bold faces were Fat.
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Review by
André Mora
Nov 18th, 2013
Gotham City Chronicle
The
San Francisco Chronicle
honors a child’s wish with a Batman-themed front page.
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Review by
Stephen Coles
Oct 29th, 2013
Cheers
Logo and Opening Titles
A clever Halloween costume triggers nostalgic memories of classic TV typography.
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Review by
Stephen Coles
Oct 17th, 2013
Square Cash & Square Market
Any antidote to PayPal calls for clarity, simplicity, confidence — and a typeface to match.
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Review by
Stephen Coles
Oct 9th, 2013
“Dear Ketel One Drinker” Ad Campaign
How an odd old font became the unmistakable face of a vodka brand.
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