Review by Stephen Coles Feb 1st, 2013

Hessian

Ben Pieratt built the cart. Now he needs a horse.

Review by Roger Black Jan 10th, 2013

The New Republic’s New Logo

As a partner at Font Bureau, I welcome the use of Antenna as the basis of the new logo of The New Republic. We …

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Review by Florian Hardwig Jan 7th, 2013

Traffic Snack

A Frankfurt food stand serves up the provoking question: are we too dumb for smart fonts?

Review by Florian Hardwig Dec 11th, 2012

Medium.com (2012)

The Twitter co-founders’ latest venture is another sign that professional typography on the web is the new norm.

Review by Patch Hofweber Dec 4th, 2012

Hard Graft

The understated but luxurious feel of these products is echoed in the brand typography.

Review by Stephen Coles Nov 27th, 2012

W Magazine, September 2012

A grand glossy dresses up for her 40th, invites both fashion and font lovers to the party.

Review by Florian Hardwig Nov 26th, 2012

Deutsche Guggenheim Magazine

The Berlin arm of the Guggenheim issues its last beautiful breath of Verlag.

<cite>Deutsche Guggenheim Magazine</cite>

Review by Indra Kupferschmid Nov 20th, 2012

Frankfurter Rundschau

Some newspapers look for design to be lifeboat, but it obviously doesn’t prevent them from sinking.

Review by Stephen Coles Nov 1st, 2012

Bloomberg Businessweek, Nov. 5–11, 2012

Richard Turley just comes out and says it.

<cite>Bloomberg Businessweek</cite>, Nov. 5–11, 2012

Review by Florian Hardwig Oct 25th, 2012

Komische Oper Berlin

Guided by the local institution’s history and irreverence, Blotto creates an atypical opera house identity.

Review by David Nguyen Oct 12th, 2012

Wuthering Heights

Andrea Arnold’s raw, gritty retelling of the Brontë classic is at odds with the machined, modernist type that presents it.

Review by Florian Hardwig Oct 9th, 2012

Familienmacher

The idea of family — both human and font — is stretched to its limits in Austria’s “Family Maker” exhibition.

Review by André Mora Sep 11th, 2012

New York Magazine, Aug–Sep 2012

Tom Alberty’s cover for New York’s Fall Preview pops off the newsstand with 1950s–’60s verve.

<cite>New York</cite> Magazine, Aug–Sep 2012

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MVB Mascot™ is the digital interpretation of a familiar varsity script. Collectible postcards are available free with purchase, while supplies last: here

Review by Stephen Coles Aug 24th, 2012

The New Microsoft Logo

The old tech giant freshens up, but still looks like a follower.

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Hessian

The New Republic’s New Logo

Typekit is the easiest way to use real fonts on your website.

Traffic Snack

Medium.com (2012)

Hard Graft

W Magazine, September 2012

Deutsche Guggenheim Magazine

Frankfurter Rundschau

Bloomberg Businessweek, Nov. 5–11, 2012

Komische Oper Berlin

Wuthering Heights

Familienmacher

New York Magazine, Aug–Sep 2012

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The New Microsoft Logo