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(607)
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(1972)
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Typefaces
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Acumin
(54)
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(79)
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(53)
LL Akkurat
(80)
Aktiv Grotesk
(60)
Akzidenz-Grotesk
(374)
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(77)
Albertus
(72)
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(145)
Amelia
(54)
GT America
(139)
ITC American Typewriter
(80)
Ano
(59)
Antique Olive
(76)
Anzeigen-Grotesk / Neue Aurora IX
(63)
Aperçu
(89)
Apoc
(156)
Arial
(183)
Atlas Grotesk
(65)
ITC Avant Garde Gothic
(293)
Avenir
(90)
Avenir Next
(63)
Baby Teeth
(57)
Baskerville
(75)
Benton Sans
(87)
Bodoni
(141)
Brandon Grotesque
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Brush Script
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Copperplate Gothic
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Davida
(86)
FF DIN
(123)
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(57)
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(54)
Druk Wide
(80)
Elephant (Alias)
(59)
Euclid Flex
(80)
Eurostile
(236)
TWK Everett
(118)
ABC Favorit
(87)
Folio
(117)
Founders Grotesk
(136)
Franklin Gothic
(263)
ITC Franklin Gothic
(80)
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(1046)
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(98)
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(112)
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(72)
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(64)
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(95)
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(93)
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(279)
Gotham
(245)
Grand Slang
(67)
Graphik
(136)
Grotesque No. 9
(60)
Harbour
(196)
Helvetica
(1191)
Helvetica Condensed
(137)
Hobo
(77)
Inter
(54)
Interstate
(98)
Kabel
(87)
Kabel Black
(85)
Knockout
(136)
TWK Lausanne
(189)
Lydian
(70)
Lyon
(75)
Maison Neue
(63)
Microgramma
(81)
Minion
(74)
Monotype Grotesque
(81)
Montserrat
(76)
ABC Monument Grotesk
(56)
Motter Ombra
(75)
Neue Haas Grotesk
(196)
Neue Helvetica
(346)
Neue Montreal
(57)
Neutraface
(80)
News Gothic
(279)
Ogg
(87)
Omnes
(77)
Open Sans
(56)
Optima
(157)
Palatino
(78)
Plaak
(57)
Plantin
(66)
Proxima Nova
(102)
Roboto
(64)
Rockwell
(53)
Romie
(68)
GT Sectra
(69)
ITC Serif Gothic
(107)
Sharp Grotesk
(66)
ITC Souvenir
(131)
Suisse Int’l
(301)
Suisse Works
(91)
Surt
(89)
Tempo
(57)
Tiempos
(92)
Times
(118)
Times New Roman
(262)
Trade Gothic
(181)
Univers
(557)
Venus
(68)
Venus Extended
(83)
Vogue
(53)
GT Walsheim
(91)
Windsor
(102)
These are the most common typefaces in the database, but there are many more.
Try a search!
Review by
Indra Kupferschmid
Mar 2nd, 2012
Philips Script
Custom kitchen type whipped up by Fred Smeijers in the ’90s was the base for the delectable Fresco Script.
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Review by
Florian Hardwig
Feb 23rd, 2012
Caméra Stylo, Festival de Cinéma
Nouvelle Vague was the right pick for this French film festival, and not by name alone.
Read More…
Review by
Florian Hardwig
Jan 20th, 2012
German Stamps by Henning Wagenbreth
Designs from the Berlin illustrator tell colorful stories on a few square centimeters.
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Review by
Marc Oxborrow
Jan 12th, 2012
Michael Chabon E-Books for Open Road Media
Connie Gabbert’s repackaging of five Chabon novels strikes a vintage note.
Read More…
Anorak
(Sample unavailable)
Review by
Stephen Coles
Dec 2nd, 2011
BostonGlobe.com
One of the first major newspapers to use webfonts in its digital edition, the
Globe
always feels like the
Globe
, on paper or screen.
Read More…
Review by
Frode Helland (Monokrom Skriftforlag)
Nov 29th, 2011
Norwegian Bible, 2011 Editions
This worthy but inconsistent effort makes a great case for text families that cater to both literary and editorial needs.
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Review by
Stephen Coles
Oct 27th, 2011
8th Light
Software developers with a respect for fine craftsmanship — in code and typography.
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Review by
Stephen Coles
Sep 22nd, 2011
Cloudberry
A smart typeface choice helps this UX firm feel approachable despite its list of megacorp clients.
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Review by
Stephen Coles
Sep 15th, 2011
Fortune
Magazine, “500” Issue
A wealth of typefaces go to work in the 2011 edition.
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Review by
Stephen Coles
Sep 7th, 2011
GOOD/Corps
Corporate goodness begets typographic goodness in this long, beautiful page from GOOD.
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Review by
Stephen Coles
Aug 31st, 2011
Readmill
This app and website combination feels like the future of reading … and design.
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Review by
Stephen Coles
Jul 24th, 2011
Arts Council of Princeton Donor Wheel
Smart, kinetic type stimulates visitors while it thanks donors.
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Review by
Stephen Coles
Jul 18th, 2011
Brooklyn Superhero Supply Co.
Your trusted source for crime fighting provisions.
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Review by
Indra Kupferschmid
Jul 5th, 2011
Typography for Lawyers
Butterick bends his own rules in the name of typographic eclecticism.
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