True Type of the Bauhaus1919

• Bauhaus
• Herbert Bayer

Contributed by Indra Kupferschmid

From Larisch’s Plinius to Larish Alte and Larish Neue1903

• Rudolf von Larisch
• Koloman Moser
• Carl Otto Czeschka

Contributed by Peter Hofmann

The Story of Our Friend, the Fat Facec. 1826

• Paul Rand
• Herbert Bayer
• Bruno Munari

Contributed by Jennifer Kennard

The Dunlap Broadside1776

• John Dunlap

Contributed by Nick Sherman

Sweet & Flower

• Celeste Provost

Contributed by Stephen Coles

The Specimen: from Type Catalog to Design Meme

• Paula Scher
• Fred Woodward

Contributed by Sam Berlow

A Letter from the Editor

Contributed by Stephen Coles

The Chop Shop

• Ptarmak

Contributed by Stephen Coles

The Basement at London’s Science Museum

• Norman Hathaway

Contributed by Stephen Coles

Need Supply

Contributed by Stephen Coles

Tzegoh

• Thomas Manss & Company

Contributed by Stephen Coles

All About Tea

Contributed by Stephen Coles

The Typographic Monotony of American Retail

Contributed by Sam Berlow

Delights of Sweden

• A-B-D

Contributed by Stephen Coles

100 Days of Fonts In Use

Contributed by Stephen Coles

Norwegian Short Film Festival

Contributed by Stephen Coles

Fast Food Fonts, Part 1: Wendy’s

Contributed by Sam Berlow

tegut…

Contributed by Indra Kupferschmid

Arts Council of Princeton Donor Wheel

• Joshua Kirsch

Contributed by Stephen Coles

Cloudberry

Contributed by Stephen Coles

Michael Chabon E-Books for Open Road Media

• Connie Gabbert

Contributed by Marc Oxborrow

Philips Script

• Fred Smeijers

Contributed by Indra Kupferschmid

Dr. Bronner’s Magic Soaps

• Emanuel Bronner

Contributed by Nick Sherman

Welcome to the New Fonts In Use

Contributed by Stephen Coles

Designscheiß

• Jan König

Contributed by Florian Hardwig