Written by Ian Gibson, La vie effrénée de Salvador Dalí is not just a biography—it’s a nearly 700-page bible on the man behind the mustache. The baroque red and gold cover reveals an intimate Dalí through ovoid cutouts. Inside, the layout, inspired by illuminated bibles, blends text, images, and surreal details, such as a procession of ants crawling across the pages or egg-shaped bullet points.

On the typography side, the combination of the organic Cooper* Regular and the expressive Agipo Bold Condensed reflects the evolution of the Catalan painter. Le King serves for drop caps. Finally, the book concludes with a book plate designed like a museum exhibition, it offers a fresh and enlightening perspective on his journey.

La vie effrénée de Salvador Dalí is available from Le Cherche midi éditeur.

After its comeback in March 2024, Gonzaï finally publishes its second issue. On its green cover, the famous producer and artist Mirwais breaks his silence in a surprising interview. Also in this issue: the story of an engineer who became an internet star; the comeback of Suzi Ronson (David Bowie’s former hairdresser); the must-have book, album, show of the summer and much more to discover inside. All guaranteed free of adverts — except the fake ones.

The French tabloid periodical designed by Quentin Hourie is set in News No. 2 and Etrusco Now and printed in two colors.

The Gonzaï logo is based on Futura. Secondary typefaces used in issue Nº2 include FT88 and Brush Script.

Launched in January 2013, Gonzaï magazine is one of the first French media to jump on the direct-to-fans system. This underground independent title talks about music, cinema, literature, geek and pop culture.

After its suicide at the end of 2022, Gonzaï came back in March 2024 as a newspaper that’s free of adverts – except for false ones. Its purpose? To tell the story of today's underground culture by revisiting the fundamentals of yesterday’s freepress. This new tabloid periodical, designed by Quentin Hourie, is set in News No. 2 and Etrusco Now and printed in two colors.

The Gonzaï logo is based on Futura. Secondary typefaces used in issue Nº1 include FT88 and Tiny.