Andiamo is a neighbourhood bar and eatery in Herne Bay, a suburb of Auckland, New Zealand. They recently partnered with Studio 024 to reinvigorate a much-loved legacy brand, using AF Stelios by Abbr. Foundry as the main typeface, including for the wordmark. It is used together with Sharp Type’s Cordier Script.

From Studio 024:

The challenge was to modernise the identity while staying true to its history and local roots. The refresh introduces a new wordmark grounded in heritage and sophistication, alongside a refined palette of rich greens and buttery yellows. Together, these elements bring warmth, confidence, and renewed clarity to the brand. The result is a considered evolution, honouring Andiamo’s past while setting it up for its next chapter on Herne Bay’s main strip.

Homepage detail

Web footer

Heatmap is a climate newsroom monitoring the busy intersection of science, technology, economics, and culture. Before publishing their first article, the Heatmap leadership – a fiercely curious group of former editors hailing from a range of widely circulated magazines – tapped Abbr. Projects to design a new identity and apply it to the tidy wireframes created by the site’s development partner, RebelMouse.

Avoiding the obvious graphical representations of heat maps, often seen as cloudy, organic gradients, Abbr. Projects landed on a concept that zooms into single pieces of data, abstracting individual data points as colorful enlarged pixels. We then used this system to frame content, indicate categories, and emphasize text or imagery on the new site. Equal parts pop art and popular science, the system is endlessly applicable, from newsletters to subway ads, always in the service of bringing new color to the climate conversation.

We utilized the Dinamo Font Customizer tool, turning to their ABC Diatype, activating its friendlier alternate schoolbook characters as defaults. Body copy uses Optimo’s Stanley, a more beautiful and flavorful take on Times New Roman. When neatly framed within the four points of the graphic system, every headline is truly screenshot worthy.

Italian poster, 39×55 inches, credited to Compagnie Pubblicitarie Associate, and printed by Rotopress Roma. Artist/designer unknown. The secondary typeface is ITC Avant Garde Gothic.

Inferno is a 1980 Italian supernatural horror film written and directed by Dario Argento. A thematic sequel to Suspiria (1977), the film is the second part of Argento’s Three Mothers trilogy. The primary typeface used on posters, the trailer, and in the film itself is Vivaldi.

Italian Photobusta poster #2, 18×26 in.

Italian Photobusta poster #5, 18×26 in.

French poster, 47×63 in. The small type in this version is set in Forma.

The titles in the trailer use Charleston.

Still from the trailer.

Movie logo as presented in the trailer. The skull is shown mirrored in comparison to the posters.

The trailer presents the cast with a perspective animation.

The opening titles in the movie are set in Optima. Head titles are credited to Studio Verzini.

The title is here presented in Vivaldi, too, but without the skull.

The end credits likewise use Optima.