From Gwennina Moigne:

Visual identity for Xaius, the debut LP by Erkalium. Art direction, vinyl packaging, and title card design for the album’s music videos.

3D conception & animation by Bertran Suris
Photo by Laureen Burton
Produced by Noé Benita, Allan Broomfield, El Duende

The typeface is Rauschen B by Out of the Dark.

Mothering Myths: An ABC of Art, Birth and Care is a 300-page book by Laurie Cluitmans and Heske ten Cate. It was designed by Bart de Baets in a softcover 24×32 cm format and published by Valiz (Amsterdam):

Motherhood is a theme that touches upon the core of life, but has nevertheless been kept in the private sphere, haunted by clichés, stigmas and myths for a long time. Motherhood has always been seen as trivial, not as a subject for real art. At the same time, artists with a womb faced the cliché that they had to decide between making art or having a child, as they both would take up all the time and energy of the mother.

Mothering Myths unravels these clichés, stigmas and myths, through the lens of art, and a transhistorical and intersectional perspective, at the same time being very playful and open to many interpretations. It breaks the perspective of the individual mother-figure and makes space for collectivity, different forms of ‘mothering’ and political questions around self-determination. Mothering Myths presents the emancipatory nature of the artist- mother, the voluntarily childless woman, the non-female mother and the raven mother, through concepts as kinship, revolutionary parenting, womb consciousness and reproductive justice.

The accompanying catalog for the exhibition Alles Sehen / See All at Aargauer Kunsthaus is set in Syncro Mono and Syncro Mono Italic throughout.

Johannes Robert Schürch (1895–1941), a leading representative of early modernism in Switzerland, left behind an impressive oeuvre of over 7,000 works.

His art is characterized by a touching confrontation with the vulnerability of human existence. The publication focuses on the zenith of his work – the drawings of the 1920s and early 1930s – and presents excerpts from previously unpublished sketchbooks.

The hardback publication has 208 pages with 181 color illustrations and measures 20×32 cm. It was published by Scheidegger & Spiess. ISBN 978-3-03942-218-0

Sudanese–Canadian poet and musician Mustafa the Poet has released his first literary work, Nour (نور). The title, Arabic for “light,” captures the essence of the book: a collection that moves between poetry, photography, Arabic calligraphy, and collaborative writing, exploring faith and memory in the face of grief. It was published in collaboration with WePresent and designed by Turbo Studio.

A polyphonic portrait of the Klanghaus Toggenburg, revealing connections between architecture and timber construction, sound art, acoustics, ethnomusicology, art history, philosophy and tourism. The book was designed by Norm, Zürich, using Atak Semibold throughout. It was published by Lars Müller Publishers in 2025.

Common Goal is a charitable movement that encourages players, managers, and other industry professionals to pledge 1% of their earnings toward grants in its community network. They collaborated with the Scandinavian creative agency Barkas to design a new narrative and visual identity.

Raw by Out of the Dark is used as key typeface throughout, supported by Ladna from Tüpokompanii.

On The Brand Identity, Amelie Borman from Barkas declares:

We envisioned a font that broke away from the traditional ‘sporty’ or technical aesthetic, something that felt bold yet approachable, […] It’s opinionated and bold, yet its handmade details give it a sense of humanity and accessibility, which felt spot-on for Common Goal.

Campari Bold is a bespoke typeface for Campari Group. It was developed in 2018 by Out of the Dark in a single style in collaboration with Landor Milan. Campari Bold can here be seen a wild mix of applications.

Alternate swashed characters together with superior and inferior characters provide possibilities for playful designs. In terms of the space required for the text, they offer more typographic flexibility.

The accompanying sans is GT Eesti Display.

160th anniversary stamp designed by Francesco Poroli

Excerpt from the Type Manual (PDF)

Performance Sources identifies and showcases performance artists in a constantly evolving archive, enriched with interviews, analyses, reflections, and news.

Syncro Book and Italic in use for the website, designed by studio F451. The accompanying sans is ES Klarheit Grotesk.

Tentacular Writing is a summer course organized by Metaxia Markaki and Johanna Just of the ETH Zürich and Sila Karatas of the EPFL. The visual identity was designed by Onlab who describe the project as follows:

The summer school intended to experiment with the ways researchers and spatial practitioners perform writing in a non-hierarchical learning format. Set up as a collective retreat, the course offered an experience of community building and a collective exploration in creative writing and collaboration. Based on a typewriter-like monospaced font, the design is a radical and kinetic interpretation of the overall topic. It creates an original visual language for the call for participants as well as a powerful system for showcasing the results of the week online.

Designer Camille Moreau writes (translated from the French):

To coincide with the 2024 Olympic Games, the Archives nationales d'outre-mer has published its first collection of stories drawn from political archives, colonial personnel files, private archives, photographic collections and sports newspaper collections. Histoires sportives offers an overview of sport in the French colonies: a political and media object, a mirror of a society in tension, it was used by the French state as an instrument of control over colonized populations, who also seized upon it in the fight for their independence. Designed as a newspaper that unfolds as a poster, Histoires sportives reinvents the graphic and typographic codes found in newspapers of the time, which I had the pleasure of consulting in the Archives' incredible collection.

Rauschen B in use for the third mini album by South Korean singer and songwriter Chen (첸), titled Last Scene (사라지고 있어). It includes a CD, a booklet, photocards, and a poster and was released by SM Entertainment. The typefaces used for Korean text are unidentified [edit: there’s Sanuwha and Sandoll GothicNeo, see comments].

[More info on Discogs]

Tobias Bolliger designed this F4 poster announcing the open door event of Kulturbüro Bern a.k.a. KuBü (in English: “Cultural Office”) using Crack for all information.

Blitz Script and G2 Erika in use for a typographic poster announcing a Klubnacht at Neubad Luzern, featuring Shubostar, Contenance & Miles Away, and Flo Dalton. Format: 895×1280 mm (F4 Weltformat).

Rauschen Max and Remix B Regular and Italic in use for Not Us Now. The book with poems by Zoë Hitzig
 was published by Changes in New York City on June 1, 2024. 
ISBN 979-8-9889042-4-3


Customized Rza in use for the rebrand of Upwork by Porto Rocha and Alto, alongside Neue Montreal. Description of the project by Porto Rocha:

Grounding the typographic system is Upwork Neue Montreal, a matter-of-fact sans serif; the custom serif Upwork RZA adds a warmer, personal sensibility. Working together, this pairing strikes a balance of technical precision and human warmth — a duality embodied in Upwork’s product.

Edgar Sarin is a painter and sculptor born in Marseilles, France, in 1989. This monograph was edited by Mathilde de Croix and published by Manuella Editions.

Description of the project by Agnès Dahan Studio (translated from the French):

As part of the Parade exhibition at the Biennale de Chaumont 2023, we designed a newspaper commenting on 23 full-scale book covers produced by the studio. At Vanina Pinter's request, we tried to describe our creative drivers, our working methods, recount our encounters and the anecdotes that punctuate our projects and make each book a unique experience. We've also specified the techniques and materials we use to best reflect the materiality of each edition.

The newspaper is entirely set in Remix B. It measures 332×475 mm and has 48 pages. The Parade exhibition took place from May 27 to November 21, 2023 at Le Signe in Chaumont.

Remix B in use for Schimelrych bis Chrottehalde – an exhibition in Laufenburg which is a cooperation between the Jurapark Aargau and the Rehmann Museum. It takes place both in the museum and as a tour outside.

Description of the project on the website of Museums Pass Musées:

Art and landscape are in a reciprocal relationship with each other: in the Rehmann Museum, works are shown that focus on the relationship with nature, while on the tour through the town of Laufenburg and the surrounding forest area, works of art can be discovered that are specifically exposed to the natural conditions at the respective location and interact with them.

Design by Bureau Mia and ROLE Studio
Code: Andreas Läber

Rauschen B Regular together with JHA Times Now Light in use for the Norbergfestival 2023 visual arts program, designed by Agga Stage and Alexander Söder.

Norbergfestival is a 24-year-running festival, held on the abandoned iron mine site of Mimerlaven in Norberg, Sweden:

Our visual arts program showcases a mix of exhibitions, transforming the very fabric of Norberg itself. Ordinary spaces, now transformed into exhibition sites, offer a remarkable backdrop for a diverse array of artistic works.

Cosplay used throughout the new season graphics for Robert Johnson Club in 2024, by Dominik Keller Studio.