Golova showcases its brand with PragmataPro as the default typeface across its app, websites (golova.ai, golova.one, golova.io, golova.help) and social networks.

The combination of this font with geometric and minimalistic illustrations creates an impressive visual identity that enhances user engagement and brand recognition.

The secondary font used for the website menu is Roboto Flex.

For Beton Asfalti’s rebranding, design studio eDesign selected the variable font Nure as the primary typeface, a deliberate and strategic choice for industrial applications.

Its geometric proportions, combined with the harmonious balance between solid and open spaces, create a strong visual impact and ensure instant legibility, even from afar.
This quality is essential in industrial packaging, where shelf presence and the clarity of information define the brand’s strength.

The Eastern Mediterranean University Faculty of Communication and Media Studies of the city of Famagusta in Cyprus has involved Cristina Chiappini as a teacher in the project/exhibition Othello International Art and Design, asking her to interpret the story of William Shakespeare's Othello in a modern key.

In the words of Christina Chiappini’s student team members:

Within the Communication Design Laboratory 1, managed by Cristina Chiappini, and thanks to the help of Enrico Gisana for the motion design part and Karen Venturini for having introduced us to the theme of femicide and gender violence, we have developed with the class a path in a contemporary key to what was the tragedy of Desdemona, perhaps one of the most spectacularized feminicides in the history of the theater, which reminds us so much how the media amplify current cases of feminicide.

The team worked with “moving images”: static images that tell other stories through movement and the duplication of parts. In the movement, in the speed, in the slowness a path of identity and narration is created, in which there is no need for sound.

The sentences taken from Othello are still lacerating, in the distrust and superficiality of a blind and full of himself Othello. Shakespeare’s words are dressed in contemporary images of 20th century women, normal women and symbolic women. They are all part of that tragedy, in which psychological and physical violence takes them all, regardless of age, historical context, their socioeconomic status, by color.

It’s crazy but it's true to see that after 420 years nothing has changed!

Project by Cristina Chiappini with the special collaboration of Enrico Gisana and Karen Venturini
Teaching assistant: Thomas Monaldi
Students: Giorgio DeLazzari Pinnelli, Sophia Manconi, Elia Mosconi, Beatrice Bonelli, Martina Damiani, Francesco Volpini, Samantha Fabbri, Francesco Pergolini, Luca Vulpinari, Alessia Curti, Caroline Riva, Marco Zelotti, Peter Lazzari

text composed in Nure by Fabrizio Schiavi

CP Company Light in use for the all-lowercase slogan (“special for everyone”).

Dutch public-service broadcaster NTR uses CP Company by Fabrizio Schiavi Design as the default typeface for their visual identity. From Wikipedia:

NTR was created in 2010, following the merger of the Nederlandse Programma Stichting (NPS) and two educational broadcasters, Televisie Academie (Teleac) and the Radio Volksuniversiteit (RVU).

CP Company is used in all of its four weights, from on-screen graphics to the website and annual reports. Gast Producties have worked on the design of the TV station at least since 2013.

Exemplary name title

Exemplary end titles

Exemplary end titles

NTR website

Website detail (program overview with filters)

Website detail (program information)

Logo for NTR’s SchoolTV

Spread from NTR’s annual report 2018.

The NTR building in Hilversum in 2010, with a banner announcing the new station and its key topics (youth, education, information, culture, school TV, diversity).

Peloton is a cardio machine for fitness. Peloton uses technology and design to connect a user with others in a easy way. A clear user interface needs a clear typeface. Abitare Sans seems designed for uses like that.

One of the most successful projects by Fabrizio Schiavi Design is certainly Siruca, the typographical system created in 2006 for the wayfinding of the complex Al Hamra in Kuwait City.

On the occasion of Milan Design Week 2018, a special stencil in plexiglass containing the essential letters of the Siruca alphabet was exhibited in via Ventura 12. As a part of the presentation, every visitor could write whatever he or she wishes on a 100 meter paper roll.

Hanging sign, saying: “This way for drawing with Siruca stencil”

A stack of Siruca Stencil stencils

Every visitor can leave a message on the walls, using the Siruca stencil

The synopsis wall

Waiting room pictogram

Makeshift sign saying “If you are in need of a strong character, do come in!“

A very good annual report designed by agency Lichtwitz-Leinfellner.
Sys™ is the CeMM’s corporate typeface and Lichtwitz-Leinfellner used it like no one before.

If you want to download the pdf of CeMM’s annual reports, go to this page

Cristina Chiappini used Siruca™ for the identity and for entry wall of the exhibition “Italy and Russia for Graphic Design”

The event is the first of the exchange programme between 'Italy and Russia for Graphic Design' for 2011, initiated by AIAP Lazio Italian Association of Communication Design and the Association of Poster Designers of Moscow.
The project is part of the 'Year of Italian Culture and Language in Russia and Year of Russian Culture and Language in Italy'.

Identity for FAR (Fabbrica Arte Rimini) by Stefano Tonti

Poster for the exhibition

Signage system