Design and identity by Yitong Ha for the exhibition Murse and Camera Obscura, using DaVinci Regular and Italic by Virgile Flores plus an unidentified typeface for Chinese text. The exhibition shown during the 11th Jimei × Arles International Photo Festival in Xiamen presented photographs by artist Xiang Sun (孙瑞祥) and was curated by Qilan Shen (沈奇岚).

Erha is “the world's first functional beverage infusing super herbs and powerful nutraceuticals, proven to optimize wellness for a healthy, vibrant life.”

Graphic design and creative direction by Morgan Light, who comments:

I imagined a future where wellness is explored like space: curious, bold, beautifully designed. That’s why we chose aluminum—recyclable, futuristic, and striking on shelf. We pictured the can not just on Earth, but in orbit—floating between ancient ritual and tomorrow’s discovery. Wordmark created using DaVinci using custom characters. 3D by Marcio Flausino, Saxon Campbell and yours truly. Sound by Giovanni Dubini. Website development by Kevin Cabano. Photographs by Ryan Duffin with props by Julia Rose..

Concerto is a contemporary patisserie dedicated to crafting artistic and delectable pastries, located in the HMart store, located in Los Angeles’ Koreatown. The text-based visual identity of the bakery pairs DaVinci by Virgile Flores with Apple Myungjo; both are softened with a contour line that makes the letters appear like stencils, virtually dissolving into the white background.

The image shows a detail of the Porsche Taycan by Fabian Bergmark Näsman.

Porsche SCOPES is a multidisciplinary and global platform and festival series by car brand Porsche, aiming to connect diverse pioneers from the fields of design, art, music, tech and social.

The campaign typography for their Stockholm edition, held in May 2024, pairs DaVinci by Virgile Flores and ABC Diatype by Dinamo. The two are supported by Editorial Old from Pangram Pangram.

Spaces of The Animals is an exhibition by the class for spatial design (Raumklasse) at the Berlin University of the Arts.

The graphic design was created by Ezra Alvarez, Malte Andersen, Artemisia Astolfi, Teresa Carretta, Veronika Froch, Seoyoung Park, Aisha Ramm, and Viktoria-Alice Stegmann, using DaVinci by Virgile Flores and ABC Monument Grotesk by Dinamo.

The visual identity for the Halftime Orange Wine Festival was designed by Chai Kunpeng (After Path Design), who describes the project as follows:

Organized by thewinepool, the first Orange Wine Festival in China was held at the outdoor basketball court in the north section of Beijing's China World Trade Center. thewinepool's posters were based on a half-symmetrical design based on the keyword of the "basketball court" half of the court. The graphic of the basketball court was used as the soil from which the tools used to make orange wine, such as clay pots and grapes, sieves and scissors, were grown to create a visual image of natural vitality.

The same material was used for both the poster and the derivatives package: PE woven bag, screen printed with environmentally friendly ink. The reason for using the traditional printing method and the specificity of the material is that we are trying to express the organic raw material, the sustainability and the vitality of the brewing method of "Orange Wine" in a more relevant way. The idea is to bring the participants closer to "Orange Wine", "Natural Brewing" and "Freshness".

Typefaces: DaVinci by Virgile Flores and Hosei FW Chikushi Mincho by Founder Type and Fontworks.

To celebrate their tenth anniversary, music label TT is releasing A Place Outside Time, a compilation of friends and family, past, present, and future. A special digipak CD was produced to mark the occasion, packaged beautifully with details such as a foil-stamped cover logo and a custom obi.

Visual identity for Going to Ground, using DaVinci by Virgile Flores, Exposure by Federico Parra Barrios, and ABC Diatype by Dinamo.

Description of the project by The Greenway, a contemporary public park in Boston:

Going to Ground is a site-specific sculpture from artist Larissa Rogers that engages with the life of Zipporah Potter Atkins. In 1670, Potter Atkins became the first-known Black woman to own a home in Boston on land which is now cared for by The Greenway. Her history was brought to light by Dr. Vivian Johnson, Professor Emerita of Boston University, after 6 years of archival research.

DaVinci by Virgile Flores is the brand typeface of de Mamiel. From the About page:

Founded by acclaimed skin health specialist Annee de Mamiel, de Mamiel is a collection of natural formulas activated by science and designed to treat the impact of stress on the skin. Every product is made by hand in the lab of de Mamiel in the British countryside and is powered by Annee’s extensive expertise, clinical practice and skin health know-how.

The accompanying sans is Moskau Grotesk by Björn Gogalla.

DaVinci by Virgile Flores and ABC Marist by Dinamo were used for Yuk Hui’s anthology Technodiverzita, translated to the Czech by Vít Bohal and Václav Jánoščík and published by Hope Recycling Station and UMPRUM.

From Anymade Studio:

Yuk Hui is a Hong Kong-based philosopher and author of several monographs. (...) The book brings together political texts on the rise of the neo-reactionaries, the end of the Enlightenment, the future of cosmopolitanism, post-pandemic politics and planetary thinking. His analysis is based on a historical, anthropological and philosophical exploration of the question of technology, which opens up a new perspective.

DaVinci by Virgile Flores, and Haffer by Martin Vácha are the brand typefaces of Quality Experience. From design studio &Walsh:

Quality Experience (QX) is an independent, full-service advertising agency on a mission to foster purposeful interactions between brands and their audiences by creating quality experiences. QX applies meticulous care to every aspect of their work, creating an environment where bold ideas can flourish. We tapped into this by embracing tension and duality, creating brand assets that showcase a striking balance between safety and danger. The brand centers around a dynamic logo system that adapts to the different personalities and tones of QX’s clients and projects.

Mes Rêves M’épuisent (“My Dreams Are Exhausting Me”) is the latest EP release by Cashmire.

The album art was designed by Arthur Connault, using DaVinci by Virgile Flores and photography by Cyril Gaborit.

DaVinci and The Met Sans in use for an event at The Met (Metropolitan Museum of Art) titled “Apollo Circle Benefit”. The invitation was designed by Sarah Pulvirenti, member of The Met’s internal design team. Description from the museum’s website:

The Apollo Circle is an important part of The Met’s philanthropic community. You provide our curators, educators, and conservators with a reliable source of funding that enables the Museum to meet the needs of our diverse audiences.

Description from the cultural center Rote Fabrik:

In July various indoor and outdoor spaces of Rote Fabrik will become a playground. Summer Camp is an open, participatory platform for cultural projects. Summer Camp is an opportunity to bring socio-political topics to the table and exchange views. Summer Camp is a possibility to transfer knowledge and share skills. At Summer Camp the unknown can be discovered and you can make ideas happen.

Summer Camp is a place where all visitors and participants meet on a common ground: Zero tolerance towards destructive and discriminatory behaviour. Together we create a space where constructive action is encouraged and contradictions clash constructively into co-existence. Summer Camp is an open space without obligation to consume.

Liturgy is “a journey into the uncanny realm of the senses that dives into histories of perception and intuition”. Multi-artist Flora Yin-Wong deploys a variety of images and texts to explore issues related to cosmic principles, conspiracies, and parallel universes.

The book, designed by NMR, was co-published by Pan Books and Primary Information as a paperback in an edition of 2,200 copies.

Description from the Black Experience Month website:

Black Experience Month is a Utah Jazz initiative designed to educate, empower, and uplift the Black community in Utah. Through a series of activations in the month of February and beyond, we will use our platform to ensure the totality of the Black experience is displayed for all to see.

Graphic Sample by Jérémy Fiévet is a graphic design thesis made for acquiring a DNMADE in the “Image et médiation” program at Saint-Etienne Cahors.

The book/portfolio measures 20×25 cm and was inkjet printed on Munken White 80 g/m². It’s set in DaVinci by Virgile Flores, supported by ITC Franklin Gothic and ITC Edwardian Script.

DaVinci Italic and Neue Helvetica are paired on the poster for the Baiser Mortel project at Trabendo, Paris. From the PAN Bandcamp page:

PAN presents Baiser Mortel, the original soundtrack to the acclaimed theatrical performance of the same name. Staged at the Bourse de Commerce – Pinault Collection over four days last October, the original production – collaboratively realized by composer and director Low Jack, composer and rapper Lala &ce, choreographer Cecilia Bengolea with costumes designed by Marine Serre and Oriana Bekka as creative director and co- director of the performance – merged ballet and urban folklore; sound art and soap opera.

A modern-day danse macabre, Baiser Mortel (trans. ‘The Kiss of Death’) cast Lala &ce in the title role. Unfolding over thirteen songs, the musical narrative follows Death as she navigates the realm of the living, and the encounters – desire, romance, spiritual awakening, and adventure – which validate the human experience. […]

From bar/cinema Trauma:

2023 will start with a BANG ?. Unguarded, the Berlin based experimental music label invites a special line up to their 4th label night at Trauma Bar und Kino.

Join us on Friday the 13th of January for a musical encounter with Virgile, Petra Hermanova with her earthly choir, Uxile, Sin Maldita, bela, and a performative intervention by Dilery Sanchez with textile scenography by Diane Esnault and light design by Theresa Baumgartner. The night will continue in the club with sets by eea fka. M.E.S.H., GIL and x/o.

Poster as part of the visual communication campaign that Panama Papers Office directed for L’atlante di e meraviglie (“The Atlas of Marvels”), a duo exhibition showing the work of Zeyn Joukhadar and Matteo Rubbi, held by the Regional Funds for Contemporary Art (Frac Corsica) in Corte.

Taking as their starting point the Book of Fixed Stars by the astronomer Abd-Al-Rahman Al-Sûfi around 964, Zeyn Joukhadar and Matteo Rubbi have conceived the exhibition as a collection of fragments of an imaginary manuscript, in order to bring back the erased sky. Each piece refers to a part of a book entitled L'atlante di e meraviglie, which reminds us that the stars cannot be reduced to data.

DaVinci is used for headlines, paired with Aisha for Arabic, and Helvetica Bold for credits on the bottom of the poster.