Verner Panton, The Panthella, Light, Form, Color, Totality, Radicalism, Time and Décor and The Self is a pocket-sized publication containing one hundred aphorisms by Danish designer Verner Panton (1916–1998). Titles, numbers and informational pages are typeset in JN Messenger, whilst the aphorisms are typeset in Univers Black. The publication also contains a series of text set in Univers, and projected on one of Verner Panton’s famous designs: the Panthella lamp.

Commissioned by Louis Poulsen and For Scale, and designed by Studio Lowrie, the publication launched with a physical party in New York.

Following the acclaim of MUTT, PHOLKS doubles down on raw creativity – marking a movement as bold as it is timeless, an experience meant to be disruptive, not just heard. Blending the groove of funk, the golden age of R&B, and the raw defiance of classic rock, the EP showcases Leon Thomas’s command as a multi-instrumentalist and visionary.

The project was recorded by Leon Thomas and Anthony Vega at Lions Share, The Playground, and Ameraycan (USA). Creatively directed by Rick Ramirez and creatively produced by Sink or Swim Creative. Design and 3D by EverythingMoves.

The project solely uses three weights of Canon-Standard – 75 Bold, 65 Semibold and 45 Regular. The logotype utilises a customised version of Canon-Standard with a distinctive LK ligature.

[More info on Discogs]

Design Everything presents A Seat At The Table, a mobile exhibition showcasing a collection of 36 seats designed by some of the most exciting emerging talent. Installed in the back of a Luton van – a vehicle synonymous with moving furniture across the capital – the exhibition travelled between key design districts including the Shoreditch Design Triangle, Brompton Design District, and Dalston to Stokey Design District. The project offered a dynamic platform for designers to present their work and practice to new audiences across London.

The project also debuted JN Messenger, a digital re-interpretation of Courier, expanding on the legacy of one of the most iconic typefaces of the last century. JN Messenger was used as the hero typeface across the identity of the show.

Designed by Izi Thexton, the publication reflects the concept of the mobile exhibition, with all components becoming unbound into their own booklets, posters, and essays.

Alongside the mobile exhibition, a series of panel discussions were held at key venues, with established designers, such as Alexandra Gerber, Andu Masebo, Gareth Neal, John Tree, Petko Tashev and many, many more.

Nick Waplington presented his latest zine, Make It Rain, limited to 75 copies, along with the same number of posters, which launched at Record 28 Books in Shoreditch:

These photographs were taken in 2014 in Atlanta at D.O.A. and Magic City strip clubs. Andrew Richardson arranged the shoot for his magazine, Richardson magazine. This project would not have been possible without the help of the performers and staff. Their commitment to the process enabled me to complete this project with care and consideration. Now, ten years later, this seems like an appropriate moment to share more of the photographs with the world.

Designed by Jonny Lu Studio.

From designer Lorenz Klingebiel:

A 62-page poetry book written by David Plante, designed by Wolfe Hall with Gregorio Magnani. Proofed by Anna Lisa Reynolds. Edition of 200, self-published by David Plante, 2024.

The book solely uses an early version of BST Spyre, released by British Standard Type in 2024. This is one of the first printed and documented uses of BST Spyre, utilizing a single weight—medium—across the entire publication.

London Swiss Medical are private consultants in endocrinology, the branch of medicine that cares for hormone-related conditions.

BOB created an identity and website with the concept of ‘find, fit, flourish’. Hormones seek cells shaped to fit them, almost like pieces in a puzzle. They use shapes and counter shapes to illustrate this process which, in their bold, pared back geometry, also bring an echo of Swiss-ness.

The designers added a sense of London to this mix with Albis – a typeface inspired by William Morris’s Golden Type. The typeface is used across the entire identity, website and print. The llustrations from Matthew Lewis, website built by Archive Studio, with copywriting by Emma Keyte. Printed matter was handled by Opal Print, using Modigliani Candido paper by Fenner Paper.

This exhibition catalog for the Tate Britain's exhibition The Rossettis – shown at Tate Britain in 2023 – was designed by Lorenz Klingebiel with Louis Hunt. The publication was edited by Carol Jacobi and James Finch and produced in hardback and paperback versions.

The Rossettis’ approach to art, love and lifestyles are considered revolutionary. Their work and its impact is explored through a range of short thematic essays containing fresh and surprising research, accompanied by iconic Pre-Raphaelite illustrations.