Design of the visual identity for Galette Party, a Lyon-based event dedicated to tasting traditional galettes des rois (king cake or Epiphany cake), bringing together a curated selection of the city’s best artisan pastry chefs.

The project includes the creation of the official event poster, social media visuals, and the “Galette Tour” pass, designed as a stampable card to be marked throughout the tasting journey.

The artwork aims to reflect the event’s gourmet, festive, and artisanal spirit while providing a strong and cohesive visual identity across all communication materials, created by the studio C’est par là.

A new sign for Le Bouchon Alsacien, the restaurant run by Jacky and Fred, new owners of the former Cazenove in Lyon’s 6th district.

The exterior now features a glass gilding panel combining engraving and gold leaf gilding (manufactured by Giusto Manetti Battiloro). The deep blue background highlights a swirl of shimmering letters, creating a classic and luminous result that pays tribute to Lyon’s and Alsace’s heritage.

Inside, a lime fresco bears the owners’ tribute phrase, “the cellar of my father, the dishes of my mother” alongside other hand-painted elements that extend the artisanal touch throughout the space.

The typefaces in use are Albuquerque by Ornamental & Title Type, LHF Thick and Thin Sans by Thomas Kennedy of Letterhead Fonts, Gandur New by Blackletra, and Drafter by Double Dagger.

Design and execution by C’est par là.

Dinette Market is a project imagined by Jérémy Raucq, crafting gourmet rugs and objects in Lyon, France.

The main typeface, Pimpit, was created by the talented Benoît Bodhuin and the secondary typefaces Chaumont Script and GT Maru are equally brilliant. The website was lovingly and humorously designed using Readymag.

Find out more about the project on the website of C’est par là or on Instagram.

The 2025 calendar by C’est par là is here, ready to brighten up your year (and beyond!)

The unique design consists of a cardboard sleeve made of three pieces, laser-cut and screen-printed by hand, plus six double-sided cards printed on 160g/m² recycled paper, covering all twelve months of the year. The sleeve is reusable: just replace the cards to keep it going year after year.

For the fonts, we used Signal Compressed by Production Type, Patron by Milieu Grotesque, and Ballpoint Script by Carmel Type Co.

As a bonus, a genuine vintage-style ad signed by the atelier is hidden on the back for the curious.

Made in Lyon in a limited edition, the calendar merges elegance, sustainability, and local craftsmanship. See it on our website and get yourself a copy in the shop.

Visual identity for Sandos, Lyon’s best pastrami sandwich dealer. The bold yellow-and-black design features a signature logo inspired by the iconic signage of New York delis.

The fonts in use are Motorino by Typeverything and Felten with Felten Shaded by Central Type. Check out the opening campaign video!

Plage Paloma is a vintage thrift shop located in Paris and Lyon. The typography used for their visual identity is Jack's Maggot, designed by Simon Walker.

The business cards are printed on Colorplan paper with foil by Foilco and printed by ICB Imprimerie.

Toké is a fast food restaurant based in Lyon, France, offering tasteful French empanadas. Their light hearted visual identity uses three typefaces plus a series of illustrations. The logo is based on Chaumont Script, which is also used for headlines in combination with Elephant. On the website, body copy is set in Degular.

Photography by Toké / Pookie Cookie Studio

Identity created by Jérémy Raucq (C'est par là / Por Qué No) for the French cutler Simon D’estanque. He designs his knives for highly prestigious French gastronomy establishments. A strong and distinctive identity achieved through the use of the Base&Bloom designed by Peter Bushuev, NaumType. The typography offers multiple alternates per glyph, a specificity that inspired the logomark and its several variants.

To discover their work, see the website made by Jérémy Raucq with Readymag.