Günther Förg. Le Moderne is an exhibition that was shown in 2024 at Almine Rech in Paris. I designed the catalog using Helvetica. Nicolas de Chérisey, the gallery’s director, comments on the artist's work:

Günther Förg drew inspiration from the formal vocabulary of modernism, both in painting and architecture. His abstract works, often monochrome, were sometimes structured by geometric lines and flat colors, recalling the principles of order and simplicity associated with architectural movements such as the Bauhaus or the International Style. But while Förg adopted the formal principles of modernism, he nonetheless deconstructed its ideals of perfection, order, and purity.

Visual identity of the quarterly booklet, the quarterly program posters and the posters for all events for Maison CFC, a bookstore in Brussels, Belgium.

This little booklet published by Huberty & Breyne gallery contains a selection of drawings from Gilles Barbier’s Naufrages / Shipwrecks series. The binding of the sheets with an elastic allows us to reappropriate the story, which shows us the birth and fall of an island. This multi-faceted narrative is a recurring theme in the artist’s work. The stories he tells us oscillate between irony and disenchantment, between dark ideas and lyricism. It was designed by me, Geoffrey Bourgeois, using the typeface ABC Marist.

Website and booklet for CENTRAL office for architecture and urbanism, using ABC Marfa. The design was created by Frederic Jaman, Adrien de Hemptinne, and Geoffrey Bourgeois.

Golden PMS and embossed typeface for the Visages exhibition, a group show by Almine Rech.

Visages as shown in Gstaad

Les Bacchanales du comité informel was a multidisciplinary micro festival involving an art exhibition, tattooing, a DJ set, and hedonism. It took place at Brussels’ Brasserie ILLegaal in June 2023.

In classical antiquity, the cornucopia (from the Latin cornu “horn” and copia “abundance”), was a symbol of abundance of food and wealth. The invitation, designed with Laurie Giraud, took the form of an envelope filled with small cards, illustrations, and texts about the exhibition. We developed a rich collection of images as a starting point, as if to create a visual map evoking the theme of the exhibition. The text is set in FD Garamon(d/t).

AUF FALSCHER SEITE IN DIE FALSCHE RICHTUNG (“On the Wrong Side in the Wrong Direction”) is Gregor Hildebrandt’s ninth solo exhibition with Almine Rech London, on view from June 6 to July 26, 2025.

Music is everywhere in his work, whether it is apparent—as in the actual material (vinyl records, cassette tape, video tape)—or invisible (a specially chosen tune or film recorded onto a record or tape subsequently used as the physical material for the work). In the latter, the work is “charged” with this music, almost like a mystical totem. “Memorials to different songs that are important to me… that these good songs are not forgotten…” is how Hildebrandt puts it. […]

— Young Kim

Graphic design by Geoffrey Bourgeois, using Infini by Sandrine Nugue. Printed by Generation Press in Pantone Silver on Astralux Coated 1-side paper.