A multilingual single page website for a Rotterdam based property management company that does things differently. From logo to small print, all typography uses Proza Libre by fellow Rotterdammer Jasper de Waard. The eyes used on the website follow the visitor’s cursor movement.

From Subjective Editions:

What and who do we talk about when we speak of ‘Pakistan’ and the ‘Pakistani’? This question was posed to more than eighty artists, designers, and other creative souls across Pakistan. They responded with maps, inventories, photographs and drawings that explored the multifaceted microcosm of their real and imagined lives. These investigations will take you through the labyrinths of cityscapes, hidden lairs beneath layers of domes, nationalist rants, fictional propaganda, and corporate deceptions.

This book revels in the unexpected and the overlooked, the hidden and the mysterious, the obscure and bizarre. Through these compelling contemporary cartographies, the Subjective Atlas of Pakistan offers a humanised vision of ongoing conflicts pacified through visual poetics of personal stories, fears, hopes and dreams.

Proza is used throughout.

From Subjective Editions:

Brussels is an amalgam of juxtapositions: a place that inspires you to dream away on sultry summer nights before hitting you with its rough reality the next day. It is a city that you slowly fall in love with until you can no longer imagine wanting to live anywhere else. However, it’s a special kind of love, a kind of love that keeps you critical, a kind of love that keeps you questioning the space that you inhabit as you wonder how we as a community can do better.

This Subjective Atlas of Brussels showcases the work of designers, artists and other creative minds who all share this kind of love for Brussels, depicting the diverging narratives and histories of different spaces, allowing us to dwell on the fascinating snapshots that make up this great metropolis. Discover how more than 80 Brusseleirs have mapped what this capital means for them at this moment in time.

Proza is used throughout.

The Hinterland. Architecture & Interior & Outdoors. Cabins, Love Shacks and Other Hide-Outs

Gestalten makes beautiful use of Proza Display, in combination with FF Super Grotesk.

The cabin has become our third place, our hideaway where we can recharge our spirits and reconnect with ourselves, away from the restraints of society and the stress of the everyday. This book presents the best new cabin architecture and design.

Redro.de is the portfolio website of Oliver Rothenhäusler.

Front page of issue 2/2014

Wir und ich und Du! (“Us and me and you!”) is a newspaper with event notes and other local news, published twice a year by the pastoral care for disabled people in the diocese of Augsburg.

For the typography, LiehrDesign selected Proza as the main typeface, making good use of the better part of its 12 styles. Dietmar Liehr comments:

The chosen size is very large for body text, because visually impaired readers are part of the target group. For them, the clear shapes of a sans serif are crucial. Proza combines this aspect with a warmth that is evoked by the varied stroke width of the implied broad nib. Like few other typefaces, Proza truly earns the name of a “humanist” sans serif.

It is paired with two stylistically related typefaces: The nameplate uses two weights of the less calligraphic and more contained Agilita. For the main headline, Proza Bold is contrasted with the monolinear Ideal Sans Thin, which is lighter than what Proza’s weight range has to offer.

Detail of the Events section from issue 2/2015

A booklet about the future of public libraries in the Netherlands, in relation to government policies. Design by I Don’t Buy It.