3,650 Days is a calendar using typography and color to examine the passage of time over the new decade. Both fonts in use, Comic Strip and Tiny, are composed using circles or dots. This structure is mirrored in the design of the calendar. Circles are used to represent the days of a month and are combined using the same sort of mitosis shape that is present in the Comic Strip typeface.

Cover design and variable logo using Feeeeels–Fuzzy for Michael Penn II’s new podcast “Good Convo” by Vinyl Me, Please. The sans serif is their brand typeface Gordita.

A series of risograph concert posters for Black Midi at the Terrace in Madison. Black Midi's music is chaotic, experimental, and frenetic prog rock. The band is named after an electronic genre where the computer is overwhelmed with impossible music arrangements of thousands of stacked notes. I pulled some of these weird compositions from YouTube videos to make up the background shapes.

I opted to use Horn Please, a typeface by Nick Sherman, as a stark and bold contrast to the varied collage of notes.

For the past few years, the moody experiments of Turin, Italy-based producer Yves Tumor have evolved rapidly and plummeted deep into uncharted territory. – Tone Madison

Concert poster for Yves Tumor at the Play Circle in Madison. Serpents are a common theme in his music. I used Nostra Stream with its snake-like qualities, overlapping the bolder Nostra Sett underneath. This contrasting type is meant to mimic the main serpent compositional element of the poster. Risograph printed by Bad Press.