Together with scenographer Patrick Keller, Atelier bora-bord conceived the design of 1939–1945. Paroles de Sélestadiens, an exhibition commissioned by the French city of Sélestat and shown in February 2025 at Arsenal Sainte-Barbe. From the studio’s website (translated):

An exhibition based on the rich and dense archives preserved in the collection of the Humanist Library of Sélestat. The graphic supports use metal file fasteners and binder clips to hang directly onto the grids, without masking artifices, highlighting the world of archivists. A colored background unifies each of the five different sections of the exhibition. The Trabis typeface is used to compose all the texts in a single weight, giving a consistent tone to this extensive body of work. Large hanging banners – kakemonos – share testimonials from elders, rekindling the emotional memories of events that happened 80 years ago.

In 2021, Atelier bora-bord together with Denis Carrier were commissioned by the Université Grenoble Alpes (UGA) to design a signage system for their art collection. From their website (translated):

There are 70 works of art on this campus, commissioned over several decades as part of the “1% for art” initiative. They are mostly located outdoors (sculptures, installations, paintings), with a few inside (in the lobbies of certain departments). The brief was to design durable plaques to be integrated into pre-installed concrete bases. We proposed using enamelled lava stone—a material typically used for orientation tables and known for its exceptional weather resistance. The content is arranged using a strict grid system, allowing all necessary information about the artworks to be included within compact formats. The text is set in a deep violet color, a nod to traditional school ink, symbolizing writing and knowledge.

Source: betwocoaching.com BeTwO Coaching. License: All Rights Reserved.

Olivier Blanc-Tailleur is a former fighter pilot and retired crew member of the Patrouille de France. In 2021, he started offering his services as a professional coach and speaker. Drawing from his own experience, Blanc-Tailleur aims to help individuals and teams to perform under pressure.

Artist and designer Maud Guerche of Strasbourg-based Atelier bora-bord was tasked to work on the visual identity. For the logo of BeTwO Coaching, she relied on InProgress. Despite its name, this typeface is already finished and available from Production Type’s LAB tier. Conceived by design studio Superscript² from Lyon, InProgress doesn’t have proper lowercase letters. Instead, it offers a second set of smaller caps that are raised and underlined. When used in mixed case, this results in a playful pattern – and in the case of “BeTwO” in a welcome symmetry. The second line of the logo is set exclusively in the smaller caps and hence with a continuous underline, providing the logotype with stability and strength.

Text on the website is rendered in A is for’s BTP. Designed by Guillaume Grall and Jeremy Perrodeau, it’s loosely inspired by fonts used in the AutoCAD software – and drawn exclusively from straight lines.

Source: www.instagram.com BeTwO Coaching. License: All Rights Reserved.

Source: betwocoaching.com BeTwO Coaching. License: All Rights Reserved.

Source: betwocoaching.com BeTwO Coaching. License: All Rights Reserved.

We created Éditions Haut Bord. Our desire? Choose short texts, poetics, lists, haikus, thoughts, aphorisms, which move us and shake us. Make books where the scriptures intersect. This is the Mêmepapier collection.

The Mêmepapier collection, published by Éditions Haut Bord includes two authors per book.

The graphic principle developed for the book covers offers truncated images on the four edges of the front cover. Each work thus constitutes a piece of the whole, like a puzzle. Only the story titles are placed on the cover, linked by line to the authors’ on the back cover. These small objects are simple by their formats and their papers, but precious by their finishes. Inside, each text gives its voice by a singular typographic choice. Thus, the reading can be done in simultaneous echoes, or separately for one of the two texts.

The Mêmepapier collection is designed by Maud Guerche (Atelier bora-bord) using Minérale, designed by Thomas Huot-Marchand, available on 205.tf