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    <title>Kate McDonnell at Fonts In Use</title>
    <link>https://fontsinuse.com/designers/17554/kate-mcdonnell</link>
    <description>Fonts in use in artwork from “Kate McDonnell”</description>
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    <language>en</language>
    <copyright>Copyright 2026 , FontsInUse.com LLC</copyright>
    <pubDate>Sat, 18 Jul 2026 12:41:19 +0000</pubDate>
    <lastBuildDate>Sat, 18 Jul 2026 12:41:19 +0000</lastBuildDate>
    <ttl>3600</ttl>
    <item>
      <title><![CDATA[Slave King: Rebels Against Empire by Basem L. Ra‘ad]]></title>
      <link>https://fontsinuse.com/uses/65911/slave-king-rebels-against-empire-by-basem-l-r</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/65911/slave-king-rebels-against-empire-by-basem-l-r"><img src="https://assets.fontsinuse.com/static/use-media-items/248/247867/upto-700xauto/69b5f725/Slave%20King.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/4857/albertus"><img src="https://assets.fontsinuse.com/static/renders/5/4857/400/4/6a4786c1/albertus.png"/></a><br/><a href="https://fontsinuse.com/typefaces/217278/auroc"><img src="https://assets.fontsinuse.com/static/samples/12/11043/440/4/63be979d/auroc.png"/></a><br/><a href="https://fontsinuse.com/typefaces/10793/noto-sans"><img src="https://assets.fontsinuse.com/static/samples/1/598/440/4/570e2042/noto-sans.png"/></a><br/><br/><p><a href="https://darajapress.com/publication/slave-king-rebellion-against-empire-a-novel"><cite>Slave King: Rebels Against Empire</cite></a> is a novel about a slave uprising in Sicily, circa 140–132 BCE, seven decades prior to the better known Spartacus rebellion. Younis, born in the area now known as Syria, is brought to Sicily as a slave, became a tutor to wealthy children, then forged a coalition of slaves, farmers and herders that defeated Roman armies and established a more egalitarian polity for a time.</p><br/><a href="https://fontsinuse.com/uses/65911/slave-king-rebels-against-empire-by-basem-l-r"><img src="https://assets.fontsinuse.com/static/use-media-items/248/247856/upto-700xauto/69b5f725/Slave_King_Lulu.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>Cover art by <a href="https://en.wikipedia.org/wiki/Mustafa_al-Hallaj">Mustafa El Hallaj</a></p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/65911/slave-king-rebels-against-empire-by-basem-l-r">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/65911/slave-king-rebels-against-empire-by-basem-l-r</guid>
      <pubDate>Thu, 06 Feb 2025 04:32:18 +0000</pubDate>
      <author>Kate McDonnell</author>
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    <item>
      <title><![CDATA[A Zone of Nonbeing by Christian Kobluk]]></title>
      <link>https://fontsinuse.com/uses/65618/a-zone-of-nonbeing-by-christian-kobluk</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/65618/a-zone-of-nonbeing-by-christian-kobluk"><img src="https://assets.fontsinuse.com/static/use-media-items/247/246569/upto-700xauto/69b5f597/zone_nonbeing.png"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/241335/hyper-scrypt"><img src="https://assets.fontsinuse.com/static/samples/15/14598/440/4/67842add/hyper-scrypt.png"/></a><br/><a href="https://fontsinuse.com/typefaces/31463/cabin"><img src="https://assets.fontsinuse.com/static/samples/1/716/440/4/570e2057/cabin.png"/></a><br/><br/><p>New nonfiction from <a href="https://darajapress.com/publication/a-zone-of-nonbeing-a-black-poles-reflections-on-racism-in-poland">Daraja Press</a> discussing the experience of being a Black Polish man, looking at the experience both historically and personally.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/65618/a-zone-of-nonbeing-by-christian-kobluk">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/65618/a-zone-of-nonbeing-by-christian-kobluk</guid>
      <pubDate>Thu, 16 Jan 2025 09:16:04 +0000</pubDate>
      <author>Kate McDonnell</author>
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    <item>
      <title><![CDATA[The Second Coming by Tariq Mehmood]]></title>
      <link>https://fontsinuse.com/uses/64327/the-second-coming-by-tariq-mehmood</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/64327/the-second-coming-by-tariq-mehmood"><img src="https://assets.fontsinuse.com/static/use-media-items/241/240990/upto-700xauto/69b5ea3d/Second_Coming_hi.jpeg"/></a><br/><br/><i><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/110180/ouroboros"><img src="https://assets.fontsinuse.com/static/samples/6/5997/440/4/5d967618/ouroboros.png"/></a><br/><a href="https://fontsinuse.com/typefaces/2034/matrix"><img src="https://assets.fontsinuse.com/static/renders/13/2034/400/4/68bd416a/matrix.png"/></a><br/><a href="https://fontsinuse.com/typefaces/132647/barlow"><img src="https://assets.fontsinuse.com/static/samples/7/6866/440/4/5efd91dd/barlow.png"/></a><br/><br/><p>A future history novel from <a href="https://darajapress.com/publication/the-second-coming">Daraja Press</a>. The UK is fracturing, England is on the brink of collapse and far-right militias are rising to power, with Islamophobia and English nationalism as their rallying cries. Brutal violence ensues and 19-year-old Marah Sultana is thrust into a battle for survival. Hunted by mercenaries, she carries a secret powerful enough to change the course of the war — and the future of the world.</p>

<p>The title is set in <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/110180/ouroboros" data-entity-code-id="110180" data-entity-code-type="TypeEntity">Ouroboros</a></strong>.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/64327/the-second-coming-by-tariq-mehmood">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/64327/the-second-coming-by-tariq-mehmood</guid>
      <pubDate>Thu, 14 Nov 2024 08:07:35 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Night Settles upon the City by Omar Sabbagh]]></title>
      <link>https://fontsinuse.com/uses/64087/night-settles-upon-the-city-by-omar-sabbagh</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/64087/night-settles-upon-the-city-by-omar-sabbagh"><img src="https://assets.fontsinuse.com/static/use-media-items/240/239692/upto-700xauto/69b5ea3d/Night_Settles_hi.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/239938/misses"><img src="https://assets.fontsinuse.com/static/samples/15/14209/440/4/67191f62/misses.png"/></a><br/><br/><p><a href="https://darajapress.com/publication/night-settles-upon-the-city-beirut"><cite>Night Settles upon Tthe City</cite></a> is a new book of poetry by Omar Sabbagh about life and experiences currently in Beirut.</p><br/><a href="https://fontsinuse.com/uses/64087/night-settles-upon-the-city-by-omar-sabbagh"><img src="https://assets.fontsinuse.com/static/use-media-items/240/239693/upto-700xauto/69b5ea3d/night%20settles.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/64087/night-settles-upon-the-city-by-omar-sabbagh">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/64087/night-settles-upon-the-city-by-omar-sabbagh</guid>
      <pubDate>Thu, 31 Oct 2024 07:23:45 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Palestine Wail by Yahia Lababidi]]></title>
      <link>https://fontsinuse.com/uses/63021/palestine-wail-by-yahia-lababidi</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/63021/palestine-wail-by-yahia-lababidi"><img src="https://assets.fontsinuse.com/static/use-media-items/235/234263/upto-700xauto/69b5e531/Wail_cover_hi.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/31821/abbot-oldstyle"><img src="https://assets.fontsinuse.com/static/renders/36/31821/400/4/68138e69/abbot-oldstyle.png"/></a><br/><a href="https://fontsinuse.com/typefaces/38867/burford-rustic"><img src="https://assets.fontsinuse.com/static/renders/340/38867/400/4/66e2905b/burford-rustic.png"/></a><br/><a href="https://fontsinuse.com/typefaces/45/gill-sans"><img src="https://assets.fontsinuse.com/static/renders/1/45/400/4/6a4756ab/gill-sans.png"/></a><br/><br/><p><a href="https://darajapress.com/publication/palestin-wail-poems"><cite>Palestine Wail</cite></a> is a collection of poems by <a href="https://darajapress.com/authors/yahia-lababidi">Yahia Lababidi</a>, published by Daraja Press. The cover illustration, chosen by Lababidi, is <a href="https://slimanmansour.com/product/symbol-of-hope-1985/"><cite>Symbol of Hope</cite></a> by <a href="https://slimanmansour.com/">Sliman Mansour</a>.</p><br/><a href="https://fontsinuse.com/uses/63021/palestine-wail-by-yahia-lababidi"><img src="https://assets.fontsinuse.com/static/use-media-items/235/234264/upto-700xauto/69b5e531/Wail_back.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/63021/palestine-wail-by-yahia-lababidi"><img src="https://assets.fontsinuse.com/static/use-media-items/235/234265/upto-700xauto/69b5e531/p_wail.png"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/63021/palestine-wail-by-yahia-lababidi">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/63021/palestine-wail-by-yahia-lababidi</guid>
      <pubDate>Thu, 12 Sep 2024 06:55:22 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Hand on the Sun by Tariq Mehmood, Daraja Press]]></title>
      <link>https://fontsinuse.com/uses/63022/hand-on-the-sun-by-tariq-mehmood-daraja-press</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/63022/hand-on-the-sun-by-tariq-mehmood-daraja-press"><img src="https://assets.fontsinuse.com/static/use-media-items/235/234266/upto-700xauto/69b5e531/Hand_sun_front.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/34442/festivo-lc"><img src="https://assets.fontsinuse.com/static/renders/38/34442/400/4/66dc3705/festivo-lc.png"/></a><br/><a href="https://fontsinuse.com/typefaces/75649/libre-franklin"><img src="https://assets.fontsinuse.com/static/samples/6/5506/440/4/5c93a544/libre-franklin.png"/></a><br/><br/><p>This novel by <a href="https://www.peepaltreepress.com/authors/tariq-mehmood">Tariq Mehmood</a> was first published in England in 1983. This new edition features cover art by <a href="https://www.flickr.com/photos/daniel_heikalo/">Daniel Heikalo</a>, with the image from the original Penguin edition on the back cover. The new and updated edition was published in Canada by <a href="https://darajapress.com/publication/hand-on-the-sun">Daraja Press</a>.</p><br/><a href="https://fontsinuse.com/uses/63022/hand-on-the-sun-by-tariq-mehmood-daraja-press"><img src="https://assets.fontsinuse.com/static/use-media-items/235/234267/upto-700xauto/69b5e531/Hand_sun_back.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/63022/hand-on-the-sun-by-tariq-mehmood-daraja-press"><img src="https://assets.fontsinuse.com/static/use-media-items/235/234268/upto-700xauto/69b5e531/HOTS_mockup.png"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/63022/hand-on-the-sun-by-tariq-mehmood-daraja-press">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/63022/hand-on-the-sun-by-tariq-mehmood-daraja-press</guid>
      <pubDate>Sat, 07 Sep 2024 09:09:00 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Being Anti-Colonial by Jayan Nayar]]></title>
      <link>https://fontsinuse.com/uses/60142/being-anti-colonial-by-jayan-nayar</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/60142/being-anti-colonial-by-jayan-nayar"><img src="https://assets.fontsinuse.com/static/use-media-items/222/221375/upto-700xauto/69b5d402/Being_Anticolonial_hi.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/4050/elzadra">Kate McDonnell</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/85393/pp-monument"><img src="https://assets.fontsinuse.com/static/samples/5/4974/440/4/68b68c6d/pp-monument.png"/></a><br/><a href="https://fontsinuse.com/typefaces/95594/agrandir"><img src="https://assets.fontsinuse.com/static/samples/6/5471/440/4/5c84823b/agrandir.png"/></a><br/><br/><p>New book from <a href="https://darajapress.com/publication/being-anti-colonial">Daraja Press</a>. I felt that the fonts from <a target="_self" class="entity-link" href="https://fontsinuse.com/foundry/2187/pangram-pangram" data-entity-code-id="2187" data-entity-code-type="Foundry">Pangram Pangram</a> married well with the bleak image to make a strong statement.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/60142/being-anti-colonial-by-jayan-nayar">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/60142/being-anti-colonial-by-jayan-nayar</guid>
      <pubDate>Wed, 17 Apr 2024 08:33:13 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[La relation qui transforme / Yon relasyon ki pote transfòmasyon by Annie-Claude Prud’homme and Jean Noé Alcéus (eds.)]]></title>
      <link>https://fontsinuse.com/uses/58980/la-relation-qui-transforme-yon-relasyon-ki-po</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/58980/la-relation-qui-transforme-yon-relasyon-ki-po"><img src="https://assets.fontsinuse.com/static/use-media-items/217/216522/upto-700xauto/69b5ce00/Relations_transforme_kreyol.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Kate McDonnell</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/46416/roslindale"><img src="https://assets.fontsinuse.com/static/samples/4/3632/440/4/5f912a7a/roslindale.png"/></a><br/><a href="https://fontsinuse.com/typefaces/41076/quattrocento-sans"><img src="https://assets.fontsinuse.com/static/samples/5/4633/440/4/5b0d058f/quattrocento-sans.png"/></a><br/><br/><p>Cover for collective work about cross-fertilization of educational ideas between Quebec and Haiti. First published in French, then translated into Kreyòl ayisyen, or <span><a href="https://en.wikipedia.org/wiki/Haitian_Creole">Haitian Creole</a>. Both c</span>overs use <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/46416/roslindale" data-entity-code-id="46416" data-entity-code-type="TypeEntity">Roslindale</a></strong>. The translation credit on the Haitian cover additionally uses <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/41076/quattrocento-sans" data-entity-code-id="41076" data-entity-code-type="TypeEntity">Quattrocento Sans</a></strong>.</p>

<p>Book published by <a href="https://scienceetbiencommun.pressbooks.pub/pedagogiehaitiquebec/">Éditions science et bien commun.</a></p><br/><a href="https://fontsinuse.com/uses/58980/la-relation-qui-transforme-yon-relasyon-ki-po"><img src="https://assets.fontsinuse.com/static/use-media-items/217/216523/upto-700xauto/69b5ce00/La_relation_couverture.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Kate McDonnell</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/58980/la-relation-qui-transforme-yon-relasyon-ki-po">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/58980/la-relation-qui-transforme-yon-relasyon-ki-po</guid>
      <pubDate>Fri, 23 Feb 2024 08:49:30 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Parcours de soins de femmes immigrantes sans accès au régime d’assurance maladie du Québec by Collectif FEMSAM]]></title>
      <link>https://fontsinuse.com/uses/58979/parcours-de-soins-de-femmes-immigrantes-sans-</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/58979/parcours-de-soins-de-femmes-immigrantes-sans-"><img src="https://assets.fontsinuse.com/static/use-media-items/217/216519/upto-700xauto/69b5ce00/Parcours_femmes.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">ESBC,</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/36854/kingthings-trypewriter"><img src="https://assets.fontsinuse.com/static/renders/40/36854/400/4/65d6fac4/kingthings-trypewriter.png"/></a><br/><br/><p>Cover for a book produced by FEMSAM, a Quebec City collective advocating for healthcare support for pregnant immigrant women who do not yet have coverage under the RAMQ (Régime d’assurance maladie du Québec), Quebec's health insurance program.</p>

<p>Book published by <a href="https://www.editionscienceetbiencommun.org/parcours-de-soins-de-femmes-immigrantes-sans-ramq/">ESBC, Éditions science et bien commun</a>.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/58979/parcours-de-soins-de-femmes-immigrantes-sans-">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/58979/parcours-de-soins-de-femmes-immigrantes-sans-</guid>
      <pubDate>Thu, 22 Feb 2024 07:41:55 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Singing to Liberation by Suddhabrata Deb Roy]]></title>
      <link>https://fontsinuse.com/uses/58983/singing-to-liberation-by-suddhabrata-deb-roy</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/58983/singing-to-liberation-by-suddhabrata-deb-roy"><img src="https://assets.fontsinuse.com/static/use-media-items/217/216525/upto-700xauto/69b5ce00/Singing_cover_hi.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Kate McDonnell</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/44211/savate"><img src="https://assets.fontsinuse.com/static/samples/4/3013/440/4/6849636c/savate.png"/></a><br/><a href="https://fontsinuse.com/typefaces/46963/crayonette-djr"><img src="https://assets.fontsinuse.com/static/samples/4/3798/440/4/5cda91cf/crayonette-djr.png"/></a><br/><a href="https://fontsinuse.com/typefaces/233015/acme-ht-fonts"><img src="https://assets.fontsinuse.com/static/samples/13/12980/440/4/65ce7931/acme-ht-fonts.png"/></a><br/><br/><p><cite>Singing to Liberation</cite> is about Indian students’ resistance to the wave of nationalism in their country.</p>

<p>Published by <a href="https://darajapress.com/publication/singing-to-liberation-songs-of-freedom-and-nights-of-resistance-in-indian-universities">Daraja Press</a>, Wakefield, Quebec.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/58983/singing-to-liberation-by-suddhabrata-deb-roy">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/58983/singing-to-liberation-by-suddhabrata-deb-roy</guid>
      <pubDate>Sat, 17 Feb 2024 11:18:00 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[The Rastafari Movement: A Beginner’s Guide by Nicholas Mwangi]]></title>
      <link>https://fontsinuse.com/uses/55752/the-rastafari-movement-a-beginner-s-guide-by-</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/55752/the-rastafari-movement-a-beginner-s-guide-by-"><img src="https://assets.fontsinuse.com/static/use-media-items/206/205833/upto-700xauto/69b5b435/rasta_mockup.png"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/4050/elzadra">Kate McDonnell</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/45468/infusion"><img src="https://assets.fontsinuse.com/static/renders/379/45468/400/4/653e680b/infusion.png"/></a><br/><a href="https://fontsinuse.com/typefaces/231388/harman-slab"><img src="https://assets.fontsinuse.com/static/renders/379/231388/400/4/653e680b/harman-slab.png"/></a><br/><br/><p>As the title suggests, <a href="https://darajapress.com/authors/nicholas-mwangi">Nicholas Mwangi</a>’s book <a href="https://darajapress.com/publication/rastafari-movement-the-a-beginners-guide"><cite>The Rastafari Movement: A Beginner’s Guide</cite></a> offers a brief but cogent guide to the origins and practices of Rastafarianism, taking it beyond the commonly understood traditions of reggae music and ganja.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/55752/the-rastafari-movement-a-beginner-s-guide-by-">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/55752/the-rastafari-movement-a-beginner-s-guide-by-</guid>
      <pubDate>Sun, 29 Oct 2023 12:11:00 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Dire le vrai]]></title>
      <link>https://fontsinuse.com/uses/54849/dire-le-vrai</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/54849/dire-le-vrai"><img src="https://assets.fontsinuse.com/static/use-media-items/197/196958/upto-700xauto/69b5a9d5/Dire%20le%20vrai.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/4050/elzadra">Kate McDonnell</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/5107/strayhorn"><img src="https://assets.fontsinuse.com/static/renders/6/5107/400/4/65dee337/strayhorn.png"/></a><br/><a href="https://fontsinuse.com/typefaces/1160/univers"><img src="https://assets.fontsinuse.com/static/renders/13/1160/400/4/6a5523f5/univers.png"/></a><br/><br/><p>Cover for <a href="https://scienceetbiencommun.pressbooks.pub/direlevrai/">a new publication</a> from <a target="_self" class="entity-link" href="https://fontsinuse.com/tags/31182/editions-science-et-bien-commun" data-entity-code-id="31182" data-entity-code-type="Tag">Éditions science et bien commun</a>, the publishing house founded by <a href="https://en.wikipedia.org/wiki/Florence_Piron">Florence Piron</a>. Her work is being continued by others in her circle. One of Florence's aims was to bring works from African academics to prominence. <a href="https://www.revues.scienceafrique.org/jeynitaare/contributors/gilbert-willy-tio-babena/">Gilbert Willy Tio Babena</a> is an academic at the <a href="http://falshmaroua.cm/content/d%C3%A9partement-des-sciences-du-langage-et-de-la-communication">Université de Maroua</a> in Cameroon.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/54849/dire-le-vrai">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/54849/dire-le-vrai</guid>
      <pubDate>Sun, 09 Jul 2023 09:57:00 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Black Anarchism and the Black Radical Tradition]]></title>
      <link>https://fontsinuse.com/uses/50964/black-anarchism-and-the-black-radical-traditi</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/50964/black-anarchism-and-the-black-radical-traditi"><img src="https://assets.fontsinuse.com/static/use-media-items/180/179604/upto-700xauto/69b595b5/Black_Anarchism.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/4050/elzadra">Kate McDonnell</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/39100/granz"><img src="https://assets.fontsinuse.com/static/samples/16/15434/440/4/6818a1cb/granz.png"/></a><br/><a href="https://fontsinuse.com/typefaces/2211/el-grande"><img src="https://assets.fontsinuse.com/static/samples/4/3604/440/4/591fe5bb/el-grande.png"/></a><br/><a href="https://fontsinuse.com/typefaces/32481/montserrat"><img src="https://assets.fontsinuse.com/static/samples/2/1348/440/4/570e20c1/montserrat.png"/></a><br/><br/><p>Cover design for a new book about a piece of Black history that has not before been summarized in quite this way. Written by Atticus Bagby-Williams and Nsambu Za Suekama, and edited by Shannon Fauwkes with Howard Waitzkin, <a href="https://darajapress.com/publication/black-anarchism-and-the-black-radical-tradition-moving-beyond-racial-capitalism"><cite>Black Anarchism and the Black Radical Tradition</cite></a> will be published by Daraja Press in January 2023.</p>

<p></p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/50964/black-anarchism-and-the-black-radical-traditi">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/50964/black-anarchism-and-the-black-radical-traditi</guid>
      <pubDate>Thu, 22 Dec 2022 09:36:00 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[La révolution des communs et le droit by Étienne Le Roy]]></title>
      <link>https://fontsinuse.com/uses/49193/la-revolution-des-communs-et-le-droit-by-etie</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/49193/la-revolution-des-communs-et-le-droit-by-etie"><img src="https://assets.fontsinuse.com/static/use-media-items/173/172340/upto-700xauto/69b58edf/commun_droit_couverture.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/4050/elzadra">Kate McDonnell</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/39695/scorpio-fine-fonts"><img src="https://assets.fontsinuse.com/static/renders/43/39695/400/4/63369a7c/scorpio-fine-fonts.png"/></a><br/><a href="https://fontsinuse.com/typefaces/1160/univers"><img src="https://assets.fontsinuse.com/static/renders/13/1160/400/4/6a5523f5/univers.png"/></a><br/><br/><p>“The Commons Revolution and the Law” is a book about new land issues in Africa, America, and Europe, published in French by <a href="https://scienceetbiencommun.pressbooks.pub/communsdroit/">Édition science et bien commun</a>.</p>

<p>The cover typeface is <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/39695/scorpio-fine-fonts" data-entity-code-id="39695" data-entity-code-type="TypeEntity">Scorpio</a></strong>. This condensed design is based on lettering <a target="_self" class="entity-link" href="https://fontsinuse.com/type_designers/857/michael-harvey" data-entity-code-id="857" data-entity-code-type="TypeDesigner">Michael Harvey</a> drew for the card “The Sign of The Nudge” which was designed in collaboration with the concrete poet, Ian Hamilton Finlay. Harvey also used it on some of the many book jackets he designed. Andy Benedek turned into a digital font in 2015, two years after Harevy died. Scorpio is supported by <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/1160/univers" data-entity-code-id="1160" data-entity-code-type="TypeEntity">Univers</a> 67</strong>.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/49193/la-revolution-des-communs-et-le-droit-by-etie">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/49193/la-revolution-des-communs-et-le-droit-by-etie</guid>
      <pubDate>Fri, 30 Sep 2022 07:27:55 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Portraits de travailleuses handicapées]]></title>
      <link>https://fontsinuse.com/uses/49190/portraits-de-travailleuses-handicapees</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/49190/portraits-de-travailleuses-handicapees"><img src="https://assets.fontsinuse.com/static/use-media-items/173/172334/upto-700xauto/69b58edf/Travailleuses.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/4050/elzadra">Kate McDonnell</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/13498/alter-headletter"><img src="https://assets.fontsinuse.com/static/renders/18/13498/400/4/632ec014/alter-headletter.png"/></a><br/><a href="https://fontsinuse.com/typefaces/38867/burford-rustic"><img src="https://assets.fontsinuse.com/static/renders/340/38867/400/4/66e2905b/burford-rustic.png"/></a><br/><a href="https://fontsinuse.com/typefaces/208968/nonesuch"><img src="https://assets.fontsinuse.com/static/samples/11/10450/440/4/632ed6cb/nonesuch.png"/></a><br/><br/><p>The art for this book cover was generated using the <a href="https://www.midjourney.com/showcase/">Midjourney</a> Ai image web app. Published by <a href="https://scienceetbiencommun.pressbooks.pub/">Éditions Science et Bien Commun</a> (ESBC). The topic is difficult to pin down – it’s a collection of sociological essays about working women with disabilities.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/49190/portraits-de-travailleuses-handicapees">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/49190/portraits-de-travailleuses-handicapees</guid>
      <pubDate>Sat, 24 Sep 2022 08:30:11 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[We Rise for Our Land by Boaventura Monjane (ed.)]]></title>
      <link>https://fontsinuse.com/uses/44139/we-rise-for-our-land-by-boaventura-monjane-ed</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/44139/we-rise-for-our-land-by-boaventura-monjane-ed"><img src="https://assets.fontsinuse.com/static/use-media-items/155/154083/upto-700xauto/69b57e48/we_rise_cover.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://darajapress.com/publication/we-rise-for-our-land-land-struggles-and-state-repression-in-southern-africa" target="_blank" rel="noopener">darajapress.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/138162/shrikhand"><img src="https://assets.fontsinuse.com/static/samples/8/7116/440/4/61bef023/shrikhand.png"/></a><br/><a href="https://fontsinuse.com/typefaces/4278/mezz"><img src="https://assets.fontsinuse.com/static/renders/5/4278/400/4/61d5619a/mezz.png"/></a><br/><a href="https://fontsinuse.com/typefaces/1347/english-grotesque"><img src="https://assets.fontsinuse.com/static/renders/2/1347/400/4/6a09cc37/english-grotesque.png"/></a><br/><br/><p>All-caps <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/138162/shrikhand" data-entity-code-id="138162" data-entity-code-type="TypeEntity">Shrikhand</a></strong> is paired with <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/4278/mezz" data-entity-code-id="4278" data-entity-code-type="TypeEntity">Mezz</a> Black</strong> and italic caps from <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/1347/english-grotesque" data-entity-code-id="1347" data-entity-code-type="TypeEntity">English Grotesque</a></strong> for the cover of <cite>We Rise for Our Land: Land Struggles and Repression in Southern Africa</cite>. Edited by <a href="http://twitter.com/boamonjane">Boaventura Monjane</a>, with a foreword by <a href="http://en.wikipedia.org/wiki/Issa_G._Shivji">Issa Shivji</a> and an afterword by <a href="http://twitter.com/nangabe">Masego Madzwamuse</a>, this book was published in June 2021 by <a href="http://darajapress.com/publication/we-rise-for-our-land-land-struggles-and-state-repression-in-southern-africa">Daraja Press</a>, in cooperation with the <a href="http://aiastrust.org/">Sam Moyo African Institute for Agrarian Studies</a>.</p><br/><a href="https://fontsinuse.com/uses/44139/we-rise-for-our-land-by-boaventura-monjane-ed"><img src="https://assets.fontsinuse.com/static/use-media-items/155/154084/upto-700xauto/69b57e48/we_rise_mockup.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/4050/elzadra">Kate McDonnell</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/44139/we-rise-for-our-land-by-boaventura-monjane-ed">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/44139/we-rise-for-our-land-by-boaventura-monjane-ed</guid>
      <pubDate>Wed, 05 Jan 2022 09:15:05 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Évaluation: Fondements, controverses, perspectives]]></title>
      <link>https://fontsinuse.com/uses/44141/evaluation-fondements-controverses-perspectiv</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/44141/evaluation-fondements-controverses-perspectiv"><img src="https://assets.fontsinuse.com/static/use-media-items/154/153214/upto-700xauto/69b57d10/Evaluation.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://www.katemcdo.com/language/en/covers-for-editions-sciences-et-bien-commun/" target="_blank" rel="noopener">www.katemcdo.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Kate McDonnell</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/41697/ps-fournier"><img src="https://assets.fontsinuse.com/static/samples/4/3245/440/4/586cc524/ps-fournier.png"/></a><br/><a href="https://fontsinuse.com/typefaces/73590/hesse-antiqua"><img src="https://assets.fontsinuse.com/static/renders/86/73590/400/4/693ab194/hesse-antiqua.png"/></a><br/><a href="https://fontsinuse.com/typefaces/7656/bliss"><img src="https://assets.fontsinuse.com/static/samples/1/272/440/4/5c02c26e/bliss.png"/></a><br/><br/><p>Cover design for an anthology about evaluation practices, edited by Thomas Delahais, Agathe Devaux-Spatarakis, Anne Revillard, and Valéry Ridde. The title is set in <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/41697/ps-fournier" data-entity-code-id="41697" data-entity-code-type="TypeEntity">PS Fournier</a></strong>, accompanied by <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/73590/hesse-antiqua" data-entity-code-id="73590" data-entity-code-type="TypeEntity">Hesse Antiqua</a></strong>. The author names are added in <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/7656/bliss" data-entity-code-id="7656" data-entity-code-type="TypeEntity">Bliss</a></strong>, likewise set center-aligned and in caps with small caps. The book was published in November 2021 by <a href="http://www.editionscienceetbiencommun.org/">Éditions science et bien commun</a> and is also available as a <a href="http://scienceetbiencommun.pressbooks.pub/evaluationanthologie/">web version</a> under the Creative Commons Share Alike license.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/44141/evaluation-fondements-controverses-perspectiv">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/44141/evaluation-fondements-controverses-perspectiv</guid>
      <pubDate>Mon, 27 Dec 2021 16:12:34 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Racism, Capitalism, and the Covid-19 Pandemic by Zophia Edwards]]></title>
      <link>https://fontsinuse.com/uses/44138/racism-capitalism-and-the-covid-19-pandemic-b</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/44138/racism-capitalism-and-the-covid-19-pandemic-b"><img src="https://assets.fontsinuse.com/static/use-media-items/154/153283/upto-700xauto/69b57d10/RC_Covid.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://www.katemcdo.com/language/en/covers-for-daraja-press/" target="_blank" rel="noopener">www.katemcdo.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Kate McDonnell</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/33960/zurita"><img src="https://assets.fontsinuse.com/static/renders/37/33960/400/4/61c49f67/zurita.png"/></a><br/><a href="https://fontsinuse.com/typefaces/16375/chinese-rocks"><img src="https://assets.fontsinuse.com/static/renders/20/16375/400/4/6947912d/chinese-rocks.png"/></a><br/><a href="https://fontsinuse.com/typefaces/179208/harman-sans"><img src="https://assets.fontsinuse.com/static/renders/319/179208/400/4/65378b76/harman-sans.png"/></a><br/><br/><p><strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/33960/zurita" data-entity-code-id="33960" data-entity-code-type="TypeEntity">Zurita</a></strong> by <a target="_self" class="entity-link" href="https://fontsinuse.com/foundry/1453/rodrigotypo" data-entity-code-id="1453" data-entity-code-type="Foundry">RodrigoTypo</a> is the typeface chosen for the title of this book by Zophia Edwards, published by <a href="http://darajapress.com/publication/racism-capitalism-and-covid-19-pandemic">Daraja Press</a>, in cooperation with <a href="http://zandgraphics.com">Zand Graphics Ltd</a>, Kenya. It’s set in four stacked and justified lines, and is paired with <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/16375/chinese-rocks" data-entity-code-id="16375" data-entity-code-type="TypeEntity">Chinese Rocks</a></strong> by <a target="_self" class="entity-link" href="https://fontsinuse.com/foundry/249/typodermic" data-entity-code-id="249" data-entity-code-type="Foundry">Typodermic</a> for the author’s name. The cover image is <cite>RAT RACE – unfinished business</cite> (2018) by Trinbagonian artist Karl Doyle. The series name, Thinking Freedom, uses <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/179208/harman-sans" data-entity-code-id="179208" data-entity-code-type="TypeEntity">Harman Sans</a></strong> (<a target="_self" class="entity-link" href="https://fontsinuse.com/foundry/457/ahmet-altun" data-entity-code-id="457" data-entity-code-type="Foundry">Ahmet Altun</a>).</p><br/><a href="https://fontsinuse.com/uses/44138/racism-capitalism-and-the-covid-19-pandemic-b"><img src="https://assets.fontsinuse.com/static/use-media-items/154/153211/upto-700xauto/69b57d10/racism_capitalism_covid_ig_wh.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/4050/elzadra">Kate McDonnell</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/44138/racism-capitalism-and-the-covid-19-pandemic-b">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/44138/racism-capitalism-and-the-covid-19-pandemic-b</guid>
      <pubDate>Thu, 23 Dec 2021 16:10:14 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Le handicap à l’école haïtienne by Rochambeau Lainy (ed.) book cover]]></title>
      <link>https://fontsinuse.com/uses/44143/le-handicap-a-l-ecole-haitienne-by-rochambeau</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/44143/le-handicap-a-l-ecole-haitienne-by-rochambeau"><img src="https://assets.fontsinuse.com/static/use-media-items/154/153215/upto-700xauto/69b57d10/handicap_ecoles_haitiennes.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">Éditions science et bien commun</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/32907/begum"><img src="https://assets.fontsinuse.com/static/renders/36/32907/400/4/6a4a83b7/begum.png"/></a><br/><a href="https://fontsinuse.com/typefaces/34442/festivo-lc"><img src="https://assets.fontsinuse.com/static/renders/38/34442/400/4/66dc3705/festivo-lc.png"/></a><br/><br/><p>Cover design for a book with preliminary results of action research in the deep south of Haiti after Hurricane Matthew, edited by Rochambeau Lainy. For the typography, I paired two weights of <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/32907/begum" data-entity-code-id="32907" data-entity-code-type="TypeEntity">Begum</a></strong> with <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/34442/festivo-lc" data-entity-code-id="34442" data-entity-code-type="TypeEntity">Festivo LC</a></strong>. The book was published in March 2020 by <a href="http://www.editionscienceetbiencommun.org/le-handicap-a-lecole-haitienne-resultats-preliminaires-dune-recherche-action-dans-le-grand-sud-dhaiti-apres-le-passage-de-louragan-matthew/">Éditions science et bien commun</a> and is also available as a <a href="http://scienceetbiencommun.pressbooks.pub/handicaphaiti/">web version</a> under the Creative Commons Share Alike license.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/44143/le-handicap-a-l-ecole-haitienne-by-rochambeau">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/44143/le-handicap-a-l-ecole-haitienne-by-rochambeau</guid>
      <pubDate>Mon, 20 Dec 2021 08:40:00 +0000</pubDate>
      <author>Kate McDonnell</author>
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      <title><![CDATA[Transforming Ourselves, Transforming the World by Brian K. Murphy]]></title>
      <link>https://fontsinuse.com/uses/44140/transforming-ourselves-transforming-the-world</link>
      <description><![CDATA[Contributed by <a href="/contributors/4050/elzadra">Kate McDonnell</a><br/><a href="https://fontsinuse.com/uses/44140/transforming-ourselves-transforming-the-world"><img src="https://assets.fontsinuse.com/static/use-media-items/154/153271/upto-700xauto/69b57d10/TTWTO-1.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://darajapress.com/publication/transforming-ourselves-transforming-the-world-an-open-conspiracy-for-social-change" target="_blank" rel="noopener">darajapress.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Daraja Press</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/93420/turquoise-inline"><img src="https://assets.fontsinuse.com/static/renders/328/93420/400/4/64633200/turquoise-inline.png"/></a><br/><a href="https://fontsinuse.com/typefaces/40140/turquoise"><img src="https://assets.fontsinuse.com/static/renders/328/40140/400/4/66e8f7a1/turquoise.png"/></a><br/><a href="https://fontsinuse.com/typefaces/3409/avenir"><img src="https://assets.fontsinuse.com/static/renders/4/3409/400/4/6a37bb5a/avenir.png"/></a><br/><br/><p>A chromatic use of <a target="_self" class="entity-link" href="https://fontsinuse.com/foundry/354/resistenza" data-entity-code-id="354" data-entity-code-type="Foundry">Resistenza</a>’s <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/93420/turquoise-inline" data-entity-code-id="93420" data-entity-code-type="TypeEntity">Turquoise Inline</a></strong>, paired with solid <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/40140/turquoise" data-entity-code-id="40140" data-entity-code-type="TypeEntity">Turquoise</a></strong> and <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/3409/avenir" data-entity-code-id="3409" data-entity-code-type="TypeEntity">Avenir</a></strong> for the cover of the second edition of <a href="http://darajapress.com/publication/transforming-ourselves-transforming-the-world-an-open-conspiracy-for-social-change"><cite>Transforming ourselves, Transforming the World: An open conspiracy for social change</cite></a>, written by <a href="http://murphyslog.ca/">Brian K. Murphy</a> with an introduction by <a href="http://www.plutobooks.com/author/david-austin/">David Austin</a>, and published by Daraja Press in May 2021.</p><br/><a href="https://fontsinuse.com/uses/44140/transforming-ourselves-transforming-the-world"><img src="https://assets.fontsinuse.com/static/use-media-items/154/153213/upto-700xauto/69b57d10/TTWTO_mockup_insta.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://murphyslog.ca/2021/09/13/a-conversation-with-brian-murphy-and-david-austin/" target="_blank" rel="noopener">murphyslog.ca</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/44140/transforming-ourselves-transforming-the-world">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/44140/transforming-ourselves-transforming-the-world</guid>
      <pubDate>Mon, 13 Dec 2021 16:05:36 +0000</pubDate>
      <author>Kate McDonnell</author>
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