Made as student project at the ArtCenter College of Design, this 64-page book offers an in-depth exploration of yellow journalism, combining ironic imagery with thought-provoking captions to challenge readers' perceptions of sensationalist media. Each image is carefully paired with insights into common logical fallacies, creating a compelling narrative that critically examines the mechanics and impact of fake news. By deconstructing these deceptive tactics, the book invites readers to engage with the content on a deeper level, fostering media literacy and skepticism.

The design draws heavily from traditional newspaper aesthetics to reinforce the theme. The use of Garamond Premier provides a classic, authoritative tone, while the incorporation of a grainy texture evokes the tactile feel of old-school print media. This juxtaposition of traditional elements with absurd, exaggerated visuals highlights the inherent contradictions of yellow journalism, amplifying its critique.

The layout balances structured grids with dynamic compositions to guide the reader’s eye, ensuring each page is both visually engaging and informative. Strategic use of white space and high-contrast imagery creates tension, further emphasizing the dramatic and often misleading nature of sensational headlines. The book not only serves as an artistic exploration of the subject but also as an educational tool, equipping readers with the knowledge to identify and question false narratives in their everyday lives.