A non-governmental organization called Kilómetro Cero (Kilometre Zero) provides advice to civilians in Puerto Rico on how to handle or “behave” in the event of difficult or unfair situations with the police. Kilómetro Cero strives to a state that protects human life, democracy and a just society. The organization fosters a culture of accountability and citizen oversight for the Puerto Rico Police.

Axia Stencil Black is used in the logotype with a repeat use on the website and throughout social media. Other styles from the Axia typeface family are employed for smaller type sizes to maintain a cohesive appearance throughout.

Axia is a sans serif uni-widths of concise letterforms. Each the roman and italic weights harmonize perfectly in width without a changing line length. Text set in Light or Black results in the same, economical fit. Two display styles, Axia Stencil Light and Axia Stencil Black feature a unique aesthetic with distinct fragmentation of the letters that gives this stencil design its unique characteristic.

César Sesio — Design Sessions— has created a booklet for El universo en un hilo (“The Universe in a Thread”), a performance inspired by the opera genre written and directed by Marina De Caro, and organized by the non-profit Móvil in Buenos Aires (Argentina). The booklet is a typographic poem combining Abril and Adelle Sans.

The Ibsen Festival is a celebration of Norway’s famous playwright, theatre director and poet, Henrik Ibsen (1828–1906). Now in its fifteen edition, the festival includes new productions of Ibsen’s work, performed in a variety of languages. A good example is Monsters of Reality – The Mimesis Machine, presented in Norwegian and Greek.

Argentinian studio Design Sessions, led by renowned designer César Sesio, has been in charge of designing the booklet for the play, using Dr Gerard Unger’s Alverata. The booklet presents a combination of Alverata and Alverata Irregular, in titles and texts.

Móvil is a non-profit and non-commercial organisation based in Buenos Aires, Argentina, devoted to the production and exhibition of contemporary art, with a particular interest in experimental art. From the very beginning — the first exhibition held at Móvil was Irina Kirchuk’s Termo in April 2014 — the main goal has been to create a space of reflection and dialogue.

For its promotional and informational material, flyers and website, Móvil uses a combination of Adelle and Adelle Sans featuring large text sizes and strong colours, resulting in a powerful mix.

Design by César Sesio.
Photographs by Santiago Porter.