For the exhibition Music Related Paintings by Berlin-based artist Klaus Decker, Burrow designed a poster, invitation postcards, and an accompanying exhibition catalog, showcasing Decker's recent series of works that explore the dynamic interplay between visual art and music.

“Each painting is a composition of carefully coordinated colors, shapes, and structures, while also trusting in the influence of chance during the creative process to make musical aspects like composition, emotion, and movement perceptible.” — Michaela Nolte, Berlin 2024

Peninah Amanda Styling is a Berlin-based stylist and consulting studio offering services in fashion, image creation, and creative fashion direction. Burrow created a corporate identity that reflects Peninah's Kenyan roots, which continually influence her distinctive approach. This identity blends vibrant colours, diverse materials, and a keen understanding of modern fashion and pop culture trends.

Mānuka Condensed was chosen as the typeface for this project due to its modern and stylish characteristics. Its clean lines and sophisticated design complement Peninah's vibrant and eclectic approach.

Independent architecture firm Studio Strassburg worked with Burrow to produce a dynamic and immersive website. It invites users on an exploratory journey, enabling layers of information to be built upon its blueprint-like foundation. Through a rich combination of images and video, the site not only showcases completed architectural projects but also meticulously documents the process behind them. This approach provides visitors with a comprehensive understanding of the studio’s commitment to materials, sustainability, and aesthetics.

In addition to the website, Burrow developed a distinctive visual identity for Studio Strassburg. This branding project reflects the architecture studio’s focus on materiality, sustainability, and aesthetics. As part of this visual identity, Burrow produced a series of business cards printed in their screen-printing studio using Extraset’s elegant ES Klarheit Grotesk typeface.

The website was developed by Elena Rudolf.

The publication chronicles an artist's expedition to the Fourth Pole, presented as a multi-script diary typeset in four different languages: English, German, Arabic, and Hebrew. The lavishly designed book includes an introductory text, a detailed diary, and several imaginative pole drawings by the two artists Julia Wirsching and Gabriel Hensche.

The publication has two identical starting points – front and back. English and German, read from left to right, begin on the left side of the book, while Arabic and Hebrew, read from right to left, begin on the right side. This design ensures that each language system leads the reader toward the center, where the four languages converge at the pole.

Through this innovative format, the book opens up a space of the imagination defined less by national boundaries than by topographical and autobiographical coordinates, offering a unique and immersive reading journey.

The Fourth Pole was published by Edition Taube.

The publication Geopolitics is part of an exhibition identity for a series curated by Chun-chi Wang (Idolon Studio). It explores artworks related to geopolitical borders.

This bilingual publication features texts in Arabic and English, printed on one type of paper with distinct color schemes for each language. A magenta elastic band allows the book to be read from both sides, with two covers reflecting its dual-language format. The green silkscreen-printed cover is produced in our workshop, referencing the interior artwork.

The first exhibition was held at Al Madina Theater, Beirut, Lebanon, from November 29 to December 19, 2021, as part of the larger series Contemporary Art from Taiwan—Exhibitions, Screenings, Publications, featuring artists Chen Shiau-Peng, Ting Chaong-Wen, and Liu Ho-Jang. The artworks address themes of geopolitics and broader questions of aesthetics and politics.

We developed the visual identity and printed materials for the art exhibition Contemporary Myths and Artifacts, curated and initiated by Coulisse Gallery in collaboration with DOUBBLE. Held at Torsgatan 22, Gamla Gasverket, Stockholm, the exhibition featured a variety of artworks by different artists represented by five different art galleries.

The printed materials were set in the ES Face typeface, accompanied by Suisse Int’l.

Burrow used F37 Sonic for the identity of Out of Proportion and throughout the exhibition wall panels, designed in a bold, tightly kerned all-caps treatment. The accompanying serif is Reckless.

The pop-up exhibition that took place in the historical viaduct of the Berlin Stadtbahn in April 2024 marked the five-year collaboration between architecture practice Office ParkScheerbarth and the Holzmarkt 25 cooperative.

The Cocktail from Zürich proposes a wide range of pre-bottled cocktails. Their minimalist typography uses Or Type’s Separat.

Separat is also used on the website, for headings and text as well as the footer menu.