Neat is a new soda brand that launched with three classic flavors – Lemon Lime, Dr. Neat, and Neat Cola – and in one sparkling typeface: Kit by Darden Studio.

Kit Rounded features mostly in all caps from the Medium and Extrabold styles, congenially complementing the custom drawn wordmark with its swashy script letters complete with an integrated thumbs-up. The font can be seen on the can designs, boxes, as well as in online advertsing.

Source: www.junges-schloss.de Junges Schloss. License: All Rights Reserved.

Poster for Bunt (“Colorful”), the current participatory exhibition

We love seeing Kit Rounded used like this, unapologetically playful.
⁠
The Old Castle in Stuttgart revamped their children’s section. Junges Schloss (“Young Castle”) is voiced with Kit, softly welcoming yet structured enough to hold its own in a centuries-old space.⁠

Darden Studio’s Kit Rounded is used for everything from the website and the logo (with Atkinson Hyperlegible for “LandesMuseum Württemberg”) to posters and teasers for the museum’s hands-on exhibitions and events.

Source: www.junges-schloss.de Junges Schloss. License: All Rights Reserved.

Website detail with menu. Body copy is in Open Sans, with some bits in Arial Black.

Source: www.junges-schloss.de Junges Schloss. License: All Rights Reserved.

Website detail

Source: www.junges-schloss.de Junges Schloss. License: All Rights Reserved.

Poster for Sommeroase, the holiday program for summer 2025

Source: www.instagram.com Junges Schloss. License: All Rights Reserved.

Source: www.instagram.com Junges Schloss. License: All Rights Reserved.

Source: www.instagram.com Junges Schloss. License: All Rights Reserved.

Source: www.instagram.com Junges Schloss. License: All Rights Reserved.

Source: www.instagram.com Junges Schloss. License: All Rights Reserved.

Source: www.instagram.com Junges Schloss. License: All Rights Reserved.

Source: www.instagram.com Junges Schloss. License: All Rights Reserved.

Source: www.instagram.com Junges Schloss. License: All Rights Reserved.

Source: www.instagram.com Junges Schloss. License: All Rights Reserved.

Community Justice Exchange offers If They Build It: Organizing Lessons & Strategies Against Carceral Infrastructure as a free PDF download in English and Spanish, “for generating abolitionist struggles against the construction and expansion of cages.” With art direction by Mon M, designer Noah Jodice combined his own illustrations, angular shapes, and muted photographs in a simple color palette. The hand-cut and collaged aesthetic of the imagery pairs well with the angular outlines of Cedar for display settings. Extended body text is set in Palatino, with Halyard Micro used for emphasis and callouts, and Halyard Display for negative text.

Noah writes on his site:

As a prison abolitionist, I’m quite proud of this project, both for its scope and its content. The resource is dense with hard-earned lessons from the anti-carceral organizing work of the No New Jails Network. We designed the resource for a breadth of readers and experiences, whether you spend two minutes with the text, two hours, or two weeks.

License: All Rights Reserved.

Viktoriya Grabowska’s Gamay family spans no less than six widths. For their recent rebrand, Living Stone indulged in the most spacious one: the primary font is Gamay Wide’s Medium weight.

It’s used for all larger text elements, including headlines and quotes, and also provided the basis for the wordmark. The extended sans with its diagonal terminals makes for a cool appearance. For running text, Gamay Wide is supported by a more economical sibling, Gamay Regular Light. The high-precision look is loosened by a dash of FF Market for claims.

Living Stone is a B2B marketing agency with a focus on healthcare, IT, and engineering, based in Gentbrugge, Belgium.

Gamay is available from Darden Studio. You can also sync it from Adobe, as static and variable fonts.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.livingstone.eu License: All Rights Reserved.

Source: www.livingstone.eu License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Kit’s gone glamping! The modern rounded sans by Darden Studio helps Park Lane Holiday Parks to advertise their family-friendly getaways. Kit Rounded features in a range of its eight weights for sale announcements and other social media posts.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

Source: www.instagram.com License: All Rights Reserved.

National Children’s Museum is a vibrant, interactive museum dedicated to inspiring curiosity and learning for children and families through playful STEAM (science, technology, engineering, arts, math) exhibits and programs. The brand identity, developed by Ogilvy, uses both Halyard Display and Halyard Text across all applications.

The Tinkering Corner is a hands-on activity space within the museum. To increase visibility and establish a clear point of entry, a series of glass wraps were created along the exterior walls. Typography is pushed into a more expressive mode through playful letter compositions, layered patterns, and high-contrast color. The overall design reflects the spirit of tinkering and discovery while serving as both a visual marker and a wayfinding element.

Team: Emilee Schroeder, Akanshya Upadhyay

bronchify. License: All Rights Reserved.

Like a good ride, it’s all in the spacing: bronchify breathes easy, Kit sets easy.

The German company that’s concerned with “all things related to your horse’s respiratory health” recently rebranded. The newly introduced logo combines Kit Sans and Kit Rounded by Darden Studio. Being cut from the same cloth, the two typeface styles naturally go together well.

The Sans is more formal and ensures the reliability expected of a medical brand. The Rounded – which, quite unusually, came first in Kit’s design process – adds a good deal of approachability. The notch in the y works as extra eye-catcher. The last two letters are additionally highlighted through color. Consequently, they stand out from the wordmark, and can also be read as addressing the customer: “fy” as in “for you”.

Source: www.instagram.com bronchify. License: All Rights Reserved.

Source: www.instagram.com bronchify. License: All Rights Reserved.

Source: shopde.bronchify.com bronchify. License: All Rights Reserved.

The compact version of the logo as seen for the favicon retains the combination of Kit Sans and Kit Round.

Kit is also used for other touchpoints. Shown below are the “Bronchies”, a team of brand ambassadors in the form of cute characters related to horses and their lungs. Names in bold caps from Kit Rounded are supported by copy in Proxima Nova.

Source: www.instagram.com bronchify. License: All Rights Reserved.

Source: www.instagram.com bronchify. License: All Rights Reserved.

Source: www.instagram.com bronchify. License: All Rights Reserved.

Source: www.instagram.com bronchify. License: All Rights Reserved.

Source: www.facebook.com bronchify. License: All Rights Reserved.

National Children’s Museum is a vibrant, interactive museum dedicated to inspiring curiosity and learning for children and families through playful STEAM (science, technology, engineering, arts, math) exhibits and programs. The brand identity, developed by Ogilvy, uses both Halyard Display and Halyard Text across all applications.

The museum’s annual spring campaign led by our in-house creative team launches during peak cherry blossom season in Washington, DC, aligning with a period of heightened tourism and local interest in the city. Aimed at families and children on spring break, and visiting tourists, the creative paired recognizable local landmarks with floral imagery to emphasize the seasonal appeal of a visit.

Out-of-home campaign displayed in WMATA Metro station booth in Washington, DC

Source: www.instagram.com Nelson Airport. License: All Rights Reserved.

Te Papa Waka Rererangi o Whakatū – Nelson Airport

Gamay is the new brand typeface by Nelson Airport, New Zealand.

One of the first applications is Te Wiki o te Reo Māori, or Māori Language Week. 2025 marks the fiftieth anniversary of this initiative. Nelson Airport celebrates this milestone with a series of posts on social media platforms.

The campaign introduces visitors to topical words and phrases in Māori. The kupu o te rā (word of the day) is set in Gamay’s Expanded Light weight, while the English translation below uses the Regular Medium. The font family by Darden Studio offers a total of 108 styles across six widths and nine weights, and is also available in variable format.

Inside the airport building, travellers can engage in four wero (challenges) to spark kōrero (conversation) while waiting for their flight. We love this challenge to learn the language of New Zealand’s indigenous population, and are thrilled to see Gamay used for Māori.

Source: www.instagram.com Nelson Airport. License: All Rights Reserved.

Waka rererangi – Airplane

Source: www.instagram.com Nelson Airport. License: All Rights Reserved.

Pahi – Bus

Source: www.instagram.com Nelson Airport. License: All Rights Reserved.

Wehenga – Departures

Source: www.instagram.com Nelson Airport. License: All Rights Reserved.

The column inside the airport was produced by Cutting Edge Signs & Graphics.

Source: www.instagram.com Nelson Airport. License: All Rights Reserved.

He kawhe koa? – Can I have a coffee please?

Source: www.instagram.com Nelson Airport. License: All Rights Reserved.

Pāhihi — Passenger

Source: www.instagram.com Nelson Airport. License: All Rights Reserved.

Kia pai te haere – Safe journey

Brand design studio Hello Comrade created a type-centric identity for AMO Tequila. In a category so often dressed in ornament, this feels like a clear, confident pour. ⁠

While logo and headings are in all-caps BN Dime, supported by Alternate Gothic, all body copy uses Halyard Display. Darden Studio’s sans serif features for text on the bottle labels and the website alike. There’s something special about seeing Halyard carry a brand like AMO Tequila, bold, front and center, without distraction.⁠

Mijo. License: All Rights Reserved.

Source: www.facebook.com ZamStarten. License: All Rights Reserved.

Gamay by Darden Studio is the typeface used by Mijo.

Mijo is a mobile app that helps soccer players optimize their shooting technique by analyzing parameters like flight curve, precision, and speed. Pitched as “the soccer field revolution”, the German startup aims to make such data analysis available to anyone.

The Mijo logo is based on an Extrabold Italic style, used in all lowercase letters, featuring two of Gamay’s appriopriately round dots. Viktoriya Grabowska’s typeface family is also used for UI text throughout the app, in a range of weights and styles. Its clear-cut design makes for a nicely readable interface, while the italic’s slant gives the headlines momentum.

License: All Rights Reserved.

License: All Rights Reserved.

License: All Rights Reserved.

License: All Rights Reserved.

License: All Rights Reserved.

Source: www.sueddeutsche.de Thomas Schimmer. License: All Rights Reserved.

The founders – sports scientist Johannes Piller and physicist Christoph Keil – demonstrate their app in Grafing, Germany.

Eppelheim recently rebranded with Gamay.

The city in southwestern Germany revealed its new design in September 2025. The logo is set in caps from the Medium weight of Gamay’s Editorial width, which is slightly wider than the Regular. The wordmark is complemented by a symbol that marries the initial letter E with a heart shape.

Visitors of the municipal website are greeted by a typographic animation. It shows the name Eppelheim in two lines and adds a third one in a lighter weight from Gamay, engaging in various wordplays: Heimspiel (home game), Heimarbeit (homework), Heimweh (homesickness), etc.

Animation featuring a second weight of Gamay

Website detail with the new symbol used to mask an image. Headlines are shown in all-caps Gamay, while text is set in Roboto.

Eppelheim’s social media channels also use Gamay in mixed case.

Jubilat is the titling typeface used on the website of Ocean Mist Farms.

Headquartered in Castroville, California, Ocean Mist is the largest grower of fresh artichokes in North America. On their website, the company shares everything you need to know about artichokes, from their anatomy and nutritional value to guides for how to eat and cook them. A popular section of the website is concerned with cooking ideas. Let Jubilat guide you how to prepare stuffed, grilled, or roasted artichokes. If the delicious thistle variant is not for you, there are recipes for asparagus, broccoli, and many other vegetables, too.

Darden Studio’s tight-setting slab serif is used in green and blue, complementing the mouth-watering photography. The headlines in Jubilat are paired with text in Mark Simonson’s Proxima Nova. Adam Ladd’s Braisetto adds a handwritten touch here and there.

It won’t get any greener!

Kit Sans and Eiko are the typefaces chosen for the refreshed identity of Cave Canem Foundation, a non-profit organization “committed to cultivating the artistic and professional growth of Black poets.”

Darden Studio’s Kit Sans is a workhorse sans of extraordinary legibility. The new Cave Canem website is excellent proof for this: Kit Sans serves as the text typeface throughout the site, from the main menu and the news items to the descriptions of the various programs, down to the list of board members and the contact form.

We love how the designers of Barcelona-based studio Calor pulled out all the stops to present the information in a way that’s easily digestible and yet appealing. They applied Kit Sans in a carefully selected set of sizes and in several of its weights, establishing hierarchy and structure. This way, even text-heavy pages look inviting and are easy to scan and read. The fonts are used with their oldstyle figures – which blend better into mixed-case text than ligning ones. Italics are used to subtly accentuate quotes and titles of works. For major titles, Kit Sans is supported by Caio Kondo’s Eiko.

The Cave Canem logo references a Roman mosaic warning about a dog. The wordmark seems to be custom – the letterforms are similar to Normande, Thorowgood and other Fat Faces.

Kit Sans was designed by Onur Yazıcıgil and Eben Sorkin and is available from Darden Studio.

Paragraphs and lists are in Kit Sans Light, with headlines in the Medium weight.

The History section has a title in Eiko, while the timeline labels feature the oldstyle figures from Kit Sans.

Kit Sans in various styles and sizes on the page about the board members

The directory of fellows contrasts the entries in a small size of Kit Sans Medium with large caps from Eiko Heavy.

Eiko and Kit Sans are also used for social media, here for announcing an event hosted by

BillyWayne Coakley.

Gamay by Darden Studio is the typeface used in the new visual identity of Thunderbowl Architects.

The architectural practice in Aspen presents itself with a logo that features two weights of Gamay Narrow. It’s merely a line of text in all caps, and there are design pundits who frown upon logos that are just typed out, without further adjustments. But we think it works great here!

The subtle contrast in weight adds structure – without the need to separate the two words by a space or a line break. The logo is wide, but, thanks to the compact typeface, not overtly so. In fact, the proportions nicely echo the vastness of Colorado’s mountainous scenery. Tracking was opened up a bit, giving the wordmark an airiness that’s a good fit for the firm’s architectural projects. Fortuitously, Gamay’s W – a symmetrical letter distinguished by a pointed apex – falls right in the center.

The Narrow is the most space-saving width out of the six included in the typeface family designed by Viktoriya Grabowska. All-caps Gamay Narrow also serves for the titles and headlines on the website. Body copy is rendered in Alexandra Korolkova’s PT Sans Narrow.

Omnes is the font chosen for the identity of Nagas, a manufacturer of air handling units and integrator of reverse-flow energy recovery systems.

The logo is based on Darden Studio’s Omnes, using lowercase letters from its SemiBold weight. Omnes comes with two alternate glyphs for g; a variant with a shorter ear and a single-story one. The form featured in the logo is not included in the font: it’s a modification in which the loop was opened up.

In addition to the logo, Omnes is used for all text on the Nagas website as well, in five of its nine weights – here with its default form for g.

Bolt homepage

Gamay serves as the brand typeface for Bolt and Plenty.

Bolt is a Belgian supplier of green and locally sourced energy. In 2025, the company launched their new cooperative, Plenty. On this occasion, Bolt commissioned design studio WeWantMore from Antwerp with a new visual identity that encompasses both enterprises.

The clear-cut sans by Darden Studio plays a center role in it: Gamay is often used in all caps from one of its bolder weights, for example in billboards and online campaigns. On the two websites, boltenergie.be and plenty.be, it features in various styles, from the Book Italic to the ExtraBold. Gamay makes for impactful headlines as well as for crisp body text, and looks good in both the French and Flemish language versions. It’s supported by italic styles from Dave Rowland’s Gelica.

“Know where your electricity is coming from”

Video ad for the Plenty cooperative

Selection of social media posts by Plenty

Flemish version of the Plenty website

French version of the Plenty website

The logo of Cosco Kids uses Omnes by Darden Studio.

Cosco is a brand for strollers, car seats, high chairs and other gear for babies and toddlers. Founded in 1935 as the Columbus Specialty Company in Indiana, it was acquired by Dorel Juvenile in 1988. In 2023, the manufacturer decided it was time for a rebrand:

One of the first elements to get a refresh was our logo. The old logo was dated, and lacked the motion that’s inherent to our redefined Brand DNA. As we thought about the brand’s visual language, we realized we needed something more substantial to command attention and step forward, away from any background graphic noise. And just like that, Cosco became Cosco Kids™.

The logo is at the center of the new identity. The wordmark is based on Omnes’s Bold weight, with various small adjustments, like a narrowed o. Letters are twisting and turning, to visualize the desired motion. “Kids” is added on a curved baseline below, dropping the i dot. The two words are held together by a thick outline in a shade that is dubbed “pirouette purple” by the designers.

The brand typeface that accompanies the logo in Omnes is Plau’s Vinila.

The introduction video for the new identity features an animated logo evolution, leading up to the new one in Omnes. The slogan “Together, we’re the village” is shown in Vinila.

The Cosco Kids product range

Video ad

Darden Studio’s Omnes Black is the titling font for Nick Jr.

Nick Jr. is Nickelodeon’s preschool programming block and also the name of a dedicated pay TV channel. It’s best known for shows like PAW Patrol, Dora, Peppa Pig, Dinosaurs in Space, Blaze & The Monster Machines, and Baby Shark’s Big Show.

On the Nick Jr. website, kids can watch full episodes and videos, play games, and interact with their favorite characters. Omnes Black – the boldest weight of the family – is here used for headlines, alongside text in Neue Plak.

The heavyweight with the selectively rounded corners also features on title cards in the video clips themselves, as well as for the names of the Wheel of Games podcast and the Party Adventure video game, among other formats.

Omnes is typically used in all caps, with smaller text in several weights from Neue Plak.

Omnes Black is also used for title cards of video clips.

Omnes Black in all-lowercase letters for Nick Jr. Games

Wheel of Games is a podcast format launched in 2024. The identifier uses Omnes Black with distorted letterforms.

Omnes Black with dancing letters, contour and highlight effect, on the packaging for Nick Jr. Party Adventure, a video game released in 2024.

Gamay is the typeface chosen for the identity of Inovacare.

The Norwegian healthcare company uses Darden Studio’s most recent release for all branded communication. The typography of the bilingual website is proof that Gamay performs great both for display and text. In larger sizes, its almost-vertically cut terminals make for a superb eyecatcher. When used small, Gamay’s sharply defined shapes ensure crisp, readable text.

The sans serif features in three of its weights: body copy is in the Book and headlines in the assertive SemiBold, while the main menu is presented in Gamay Medium. The Inovacare logo is based on all-caps Conglomerate by Typetanic Fonts.

Gamay was designed by Viktoriya Grabowska with art direction from Eben Sorkin. The family spans six widths with nine weights each, in upright and italic styles. It’s available from Darden Studio.