From the website of design studio Chermayeff & Geismar & Haviv:

July 4, 2026 marks the 250th anniversary of the signing of the Declaration of Independence in the United States. America250 is the nonpartisan organization charged with orchestrating the 250th Anniversary and aims to create the most inclusive commemoration in American history.

The inspiration for the mark comes from red, white, and blue ribbons, which signify commemoration, celebration, and purpose. For America250, a flowing red, white, and blue ribbon forms the number 250 as a single continuous path, suggesting unity, cooperation, and harmony. The dynamic, vibrant icon is joined by the name America in an elegant serif lettering to establish a visual identity for this important milestone and beyond.

The serif used for the logotype is Begum. The fonts used on the america250.org website are DM Serif Text and Open Sans which are both available under an open-source license.

Alademia CUT HOUSE is a space created by Alicja and Kacper—creators of a barbershop and the community that has grown around it. The academy was created as an extension of their educational activities—from introduction to the basics to the development of advanced hairdressing techniques. The academy's main goal is to teach through practice, eliminating unnecessary terminology and focusing on current trends and providing real support at every stage of professional development.

The CUT HOUSE team approached us during the academy's development phase. Creating a coherent communication system that would be accessible to both those with little hairdressing experience and those with more experience was crucial. The materials needed to be clear, functional, and visually connected to the academy's space. Striking a balance between current trends—both in hairdressing and design—was also crucial. Equally important was the need to create a logo that would serve both businesses for years to come, seamlessly tying them together.

Our task was to design a coherent visual direction. This included creating a new visual identity that would respond to the existing street art style and align with the new, more Bauhaus-inspired form. We translated the character of the interior and the tone of the brand's communication into a visual identity system—from the typography to the content layouts, which remain expressive and understandable for a variety of audiences. When developing the color scheme, we selected a shade of blue, incorporating the RAL system to reflect it on the walls, furniture, and printed materials.

The logo was designed specifically for this project—it is supposed to slightly combine calligraphy with graffiti style. All text is in Satoshi.

Operating as a highly specialized independent consultancy, Studio | AB engineers comprehensive digital communication strategies for SMEs. Backed by over a decade of cross-functional expertise in digital project management and design, the entity acts as an outsourced strategic partner for digital transformation. Our studio was asked to architect an authoritative visual territory that accurately reflects the consultancy's diverse expertise. The strategic challenge was to transition the brand from a traditional freelance image to a structured, institutional consulting presence, capable of categorizing a complex portfolio of services.

Our visual engineering response centers on the strict systematization of the firm’s three core pillars: brand design, web engineering (WordPress/Shopify integrations), and strategic auditing. By establishing a rigorous typographic matrix and a modular visual framework, we translated an intangible service offering into a tangible, highly legible brand architecture. Today, this uncompromising identity system endows Studio | AB with a sovereign market posture, ensuring absolute consistency across all digital touchpoints and corporate assets.

Gelau is a Sardinian gelato brand that brings a sunny, artisanal and deeply local imagination to the frozen dessert world. Its range includes gelato sandwiches, sticks and tubs, creating a broad yet recognizable offer designed to highlight taste, quality and origin.

The project built a brand system capable of bringing identity, packaging and communication together under one idea: tastier than sweet. A simple yet distinctive promise that shifts the story of gelato from sweetness alone to the quality of taste, the richness of ingredients and the pleasure of the experience. The strategy treats Sardinian identity as a contemporary value, not a folkloric one: a recognizable origin, reinterpreted through a fresh, pop and immediate language. Communication follows the same direction, turning the product into a brand with personality: direct, ironic and sensory, able to speak with lightness without losing credibility.

The visual identity, developed by GB22, is born from the meeting of tradition and appetite appeal. Geometric patterns, inspired by Sardinian textile imagery, become a modular sign that runs across packaging and communication materials, creating continuity between product, territory and brand. The packaging system organizes flavors and formats through vibrant colors, clear codes and high-impact product imagery, putting texture, creaminess and ingredients at the center. Each pack follows a numbered nomenclature that creates a sense of seriality across the range, while the back panel gives every flavor its own story, rooted in the Sardinian territory and its ingredients. Production details further elevate the system: each pack features a gold-paste printed cartouche with embossing, adding a tactile and premium feel to the product information area. The Sardinian graphic pattern is enhanced with UV varnish, turning a cultural reference into a distinctive visual and material element.

Communication extends the same language in the typographic direction: Cocosignum by Zetafonts is used both for the logo and the bold headlines, creating a strong visual typographic rhythm and an ironic tone, building a voice that is consistent with the brand promise.

The result is a fresh, distinctive and flexible brand system, able to make Sardinian gelato feel contemporary, memorable and desirable.

The small print including ingredients and nutrition facts is set in Chillax.

From the Flora website:

Natur- und Erlebnishof Flora e.V. is a non-profit association that fosters participation and lived inclusion right in the heart of Heitlingen.

A place to arrive, catch your breath, and simply be.

Whether young or old, people and animals alike can meet here on equal footing—far removed from the pressures of performance and expectation.

We firmly believe that nature, time, and genuine connection open up spaces where personal growth can unfold quite naturally.

Here, on our nature and adventure farm, we build a bridge between people, animals, and the environment.

Flora’s identity and website were designed by Hildesheim-based Studio Zwille.

Other than the logotype, which appears to be custom lettering, the identity is based on the Fictional typeface as well as illustrations.

The website is fully set in Fictional, except for the main navigation, which is set in Poppins.

When the Chief Justice of India compared the unemployed, lazy, chronically online youth who rant against the system to cockroaches (a comment which he retracted later), Boston University graduate student Abhijeet Dipke, with help of anonymous friends and ChatGPT, made a satire political outfit named Cockroach Janta Party.

Within a week it became world’s fastest growing online political movement, gathering hundred thousand signups in website and 20 million followers in Instagram, surpassing India’s ruling Bhartiya Janata Party and main opposition party Indian National Congress combined. Its AI-generated videos and meme content caught the fancy of GenZ of India. Government crackdown in form of blocking its X handle for “threat to national security” also helped in its popularity.

Brite by Scotch-Brite is a new line of kitchen cleaning tools from 3M, launched March 1, 2026, at Target, Walmart, and Amazon. The collection – which includes a Dishwand, Palm Scrubber, and Scrub & Wipe, each with a matching Drain & Dry Stand – is designed to sit on the counter rather than hide under it, targeting Gen Z and millennial consumers who want their cleaning tools to reflect their personal style.

From 3M:

Your cleaning routine is about to get a serious glow-up – the first collection of its kind shaking up the category with bold, beautiful, and thoughtfully-designed tools that prove everyday essentials don't have to be boring.

OH no Type Co.’s Ohno Softie appears throughout the campaign in its Black weight, driving the display typography across packaging, in-store materials, and social content. The font's fully rounded terminals and soft negative spaces make it a natural fit for a product line built around the idea that cleaning can feel good – its warmth and bounce matching the collection's bold fuchsia, yellow-green, and teal color palette. The supporting sans is Poppins.

Product, packaging, and identity design by Katlyn Echeverri, Brand Design Principal at 3M.

Business cards

Branding and website for SisInBiz, the FINTA network of the Swiss music industry.

Since 2017, SisInBiz has been connecting FINTA individuals in the Swiss music industry. With the founding of the association in 2026, the moment had come to step forward with a clear public presence – and an identity that does justice to the network. The community as a living structure: the way it forms, expands and mutually supports itself becomes tangible as an animated element on the website. The logo mark carries this idea forward as an organic form. The wordmark provides the counterpoint – present, direct, unambiguous. This contrast runs through the entire visual identity: between playful serifs and bold italics, between a reclaimed pink and a powerful bordeaux.

Website

Greeting card

Footer

Xuba means corn in Zapoteco, a pre-Hispanic language, and that is the starting point for the visual identity of this contemporary taqueria in Barcelona led by Michelin star chef Antonio Saez, where all tacos are made with this unique ingredient with its blue variant. The system designed by ESIETE expands with a series of copywriting and emoji-type icons that are displayed in packaging, content and communication.

SDR Capital, named after the initials of founder Shefali Roy, is a London-based family office investing in finance, technology, and AI. The brand identity uses typography to express a practice grounded in conviction, precision, and a deliberate refusal to follow convention. The visual language, spanning identity and a pared-back single-page website, is built for a firm that moves through capital on its own terms.

General Sans (Frode Helland, Indian Type Foundry) provides the foundation: geometric, precise, composed. Xanh Mono (Lam Bao & Duy Dao, Yellow Type Foundry) counters it: monospaced logic that nods to the sectors SDR operates in, inflected by serifs that introduce warmth and wit. Together, they hold the identity's essential tension: composed, yet restless.

The logomark stands apart. Millionaire Script (Raphaël Verona, Altiplano) draws on the calligraphic lineage of English Roundhand and George Bickham the Elder, set against “SDR.” in General Sans. The two typefaces are joined by a single dot: the full stop above becoming the tittle of the i below. Audacity and discipline, connected by a point.

Frizbee by Typeverything is used across the branding of Bahrain-based brunch and breakfast spot Popina. Their visual identity was designed in 2024 by Zeal Studio, combining approachable typography with a playful, fresh and contemporary look and feel. The restaurant closed doors in autumn 2025. Frizbee is complemented by Cabinet Grotesk and a yet unidentified typeface used for Arabic.

StudioWemento is a visual storytelling studio working across film, motion graphics, animation, CGI, photography, and post-production. Based in Thailand, the studio approaches commercial and self-initiated projects alike through a lens of experimentation by blending digital and analog processes, and occasionally breaking the rules.

Their website pairs three typefaces: Switzer, a grotesque by Jérémie Hornus for Indian Type Foundry, handles the primary interface and body copy with clean, contemporary neutrality. It’s set alongside Crimson Text Italic, Sebastian Kosch’s open-source old-style serif available through Google Fonts. The combination is rounded out by Atmosphere Grotesk, designed by Ruslan Abasov.

Le Concert de l’Hostel Dieu is an orchestra based in Lyon, France. Created by Franck-Emmanuel Comte in 1992, the ensemble has gained widespread recognition for its 70 to 90 annual performances, making it one of the leading players on the European baroque stage.

Their main actions defend the originality and specificity of baroque manuscripts kept in the Auvergne-Rhône-Alpes region's libraries, testifying their close link with baroque Italy. They aim to make classical music accessible for all through collaborations, intergenerational events and partnerships with local associations.

We reimagined the visual identity for beckn, a universal protocol enabling open, decentralised digital ecosystems. The world carries interconnectedness in its pocket, yet continues to function in silos. Envisioned as free, open, and accessible, the internet’s promise remains uneven – one that beckn reimagines through open, decentralised digital ecosystems.

Having built beckn’s identity in 2020, the brand language was evolved from a quiet, minimal presence into one that feels bold, empowering, and deliberately counter-intuitive. Rooted in the metaphor of the rhizome – a non-linear, interconnected network – the refreshed system reflects how the internet actually works. At the core of the identity is an organic rhizome grid layered with a structured framework, balancing dynamism with order. A visual language built from three geometric forms circle, square, and pentagon – represents the ecosystem’s diverse participants.

Noto Serif forms the typographic foundation of the visual identity. Chosen for its open-source, multilingual foundation – supporting over 1,000 languages and more than 150 writing systems – it echoes beckn’s vision of an internet that is accessible, inclusive, and not owned by any single entity. Its considered, universal character reinforces the protocol’s role as shared infrastructure, while its classical structure introduces a counter-intuitive presence within a decentralised, technology-driven context. The supporting typeface, Poppins, provides a contemporary geometric contrast, bringing clarity and functional precision across digital interfaces.

Volver is a space in Barcelona where families can find balance and authenticity through music, yoga, and movement. According to their website (translated), Volver focuses on “body, play, movement […]  and unhurried shared time. A space where each family finds its own rhythm, observes more, and demands less.”

The identity was designed by local studio Instinto with a customized version of Gaya for the logotype.

DE1 Tea uses TC Rooms together with General Sans for their product packaging to express a clean, modern, and composed brand identity. The typeface strengthens the brand’s minimalist direction while introducing subtle warmth and quiet character.

Instant tea, made purposeful. DE1 Tea does more than contain tea, its packaging communicates mindful design and planet-forward thinking. Every detail is carefully considered to reflect the brand’s commitment to sustainability and its contemporary, refined aesthetic.

The design remains intentionally minimal. Clear layouts, generous white space, and a well-defined typographic hierarchy allow the product to stand out with confidence and clarity, free from unnecessary distraction.

Base Neue is the brand typeface of Westbrook Racing. The second font used in the logo is Yapari, also by Power Type.

From the website of their sponsor TheArsenale:

Westbrook Racing, led by visionary Will Smith, is at the forefront of the E1 series, the world’s first electric powerboat championship. This dynamic team comprises elite racers, engineers, and strategists who consistently push the boundaries of what is possible on water. Their innovative approach to design and performance has earned them a reputation as trailblazers in the marine racing industry. Westbrook Racing’s mission aligns perfectly with TheArsenale’s vision of promoting sustainable and futuristic transportation solutions, making this partnership a natural fit for both brands.

On the website, Base Neue is supported by Rajdhani.

Two contrasting styles of Base Neue, combined

Bålder Quartet is a Finnish string quartet playing classical music together since their launch in 2018. In January 2026 they revealed a new visual identity, designed by David Matos / Shutupandance using Poppins throughout, plus Bloyd for the logo.

The stacked lines symbolise the core composition of a string quartet. It alludes to the two violins, the viola and the cello (and, by extension, the four musicians). Each line can also be seen as representing the four strings, common to all instruments in the quartet.

The logotype can take on different shapes by shifting characters, together or individually, along their vertical axis (i.e. baseline), evoking the sensation of sound, music, and rhythm. It can be animated in several ways — for example, reacting to sound as a backdrop projection in live settings.

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Exhibition identity for Re-parer le monde by Kouka Ntadi, presented at the Galerie des Résidents, Montresso Art Foundation, in February 2025, as part of the 1–54 Marrakech Art Fair.

Since the late 1990s, Kouka Ntadi has developed a body of work addressing both intimate and collective narratives. Grounded in the figure of the Bantu, his practice examines the relationship between humans and nature, and reflects on our place in the world through the notions of adornment and repair.

Presentable is a design studio website built around the idea of celebration as a cultural and emotional system. Typography plays a central role in establishing contrast between clarity and expression across editorial content, navigation, and large typographic statements.

Young Serif is used as the primary display typeface, most notably in oversized headings and key statements. Its sharp geometry and contemporary construction introduce tension against the otherwise restrained layouts, allowing scale and color to carry emphasis rather than ornament.

Poppins functions as a stabilizing counterpart, used for supporting headings and structured content. Its even proportions and neutral tone help maintain legibility across dense informational sections without competing with the display typography.

Outfit is used for body copy and interface elements, chosen for its clarity at smaller sizes and its calm presence across longer passages of text. The typeface supports the site’s editorial pacing and ensures consistency across desktop and mobile views.

The overall typographic system relies on contrast in scale, spacing, and hierarchy rather than decorative styling, aligning with the studio’s focus on clarity, restraint, and craft in both cultural and lifestyle contexts.