See All This is a quarterly print magazine made in Amsterdam, exploring new ways of living through the lens of beauty, art, and nature. The magazine’s art direction is led by Sabine Verschueren, and issues are published season by season in both Dutch and English, often with guest curators.

Since issue no. 39 (fall 2025), the typography pairs Store Norske Gangster from Skriftkompani with ABC Monument Grotesk from Dinamo, combining a literary, editorial feel with a sturdier grotesque for headings and navigational elements.

SweatPals is a social fitness platform for discovering and hosting classes, clubs, retreats and other wellness experiences. The website brings together participant-facing discovery and host-facing business tools, with sections for studios and gyms, clubs, retreats, testimonials, app downloads and booking demos.

The website uses Store Norske Skandia from Skriftkompani and Raw from Out of the Dark.

Real Mushrooms packages its mushroom supplements in a calm, earthy system of bottles and pouches, using warm neutrals, product-specific illustrations and a clear distinction between powders, capsules, blends and pet products. Across the range, the design accommodates long product names, certification marks, beta-glucan claims and serving information without losing a quiet overall feel.

Typefaces in use are Store Norske Leif and Store Norske Skandia from Skriftkompani.

Amundsen Sports’ Gommo & Goffa sweaters are presented as a tribute to Norwegian knit heritage, drawing on the traditional bunad and its regional embroidery motifs. The campaign introduces the patterns through simple, chart-like graphics labelled Hallingdal, Telemark, and Gudbrandsdalen, and then places the motifs back onto the garments in sunlit, documentary-style photography.

The storytelling frames the pieces as heirloom knitwear made to be worn and passed down, with copy that emphasises 100% free-range Norwegian wool and a Nordic winter use case. The visual system balances large, confident headlines with small informational lines and longer descriptive text blocks, keeping the tone refined and heritage-led.

Typography uses Store Norske Leif Mono, Store Norske Magi Mono and Store Norske Magi from Skriftkompani.

Hålogaland Revisjon is a long-standing audit firm in Northern Norway with an updated visual identity and website designed by Riktig Spor. The redesign centres on a simple equals sign as the main symbol, used as a mark of balance and as a visual shorthand for “two lines under the answer”.

The identity extends into a communication concept built around small “equations”, and it is applied across a compact one-page website and a separate recruitment page.

The typeface used is Store Norske Ja from Skriftkompani.

Oogwereld – Campagne Januari 2026 is a campaign for Oogwereld, the group of high-end opticians in the Netherlands and Belgium. Designed by Studio Busser, the campaign uses close-up eyewear photography, cropped portraits and warm-toned social media graphics to promote up to 50% off selected frames.

Typography pairs Store Norske Skandia from Skriftkompani with Martina Plantijn from Klim Type Foundry. The sans-serif and serif combination gives the campaign both clarity and softness, balancing promotional messaging with a more fashion-led tone.

Orfeus Publishing has published Historien om den norske løve, a richly illustrated book by historian Knut Johannessen. Designed by Halvor Bodin, the book follows Norway’s coat of arms from its beginnings as a royal emblem in the 13th century through centuries of unions and key political moments such as 1814 and 1905, and into present-day use.

The visual material spans everything from coins, banknotes and stamps to folk art, uniforms, banners, bookbindings, sheet music and the royal standard.

The book uses typefaces from Store Norske Skriftkompani, and is primarily set in Store Norske Leif Regular at 9/13 pt., supported by Store Norske Gangster and Store Norske Skandia Condensed. The mix gives the book a confident editorial voice, with clear hierarchy across long-form text, captions, and display elements.

In 2025, eschenlauer sinic was appointed Associate Art Directors of Magazine magazine, an iconic publication that has shaped the creative landscape since the late 1990s. Founded by Angelo Cirimele together with Yorgo Tloupas and Alexandre Thumerelle (0fr.), the magazine has long stood as a cult reference in independent publishing. Today, under Cirimele’s direction, it continues to embody freedom of tone and a spirit of experimentation.

Published twice a year for each Paris Fashion Week, every issue combines two sections: a fashion section, entrusted to an invited figure from the industry (photographer, model, or stylist) who creates a dedicated visual story with their creative circle, and a press section, composed of commissioned essays that examine how fashion is seen, written, and mediated.

The graphic direction takes its cue from Jan Tschichold’s manifesto for a new typography, where form is treated as a critical stance. At its core lies the typeface Store Norske Leif, designed as a synthesis of twentieth-century press typography. Drawing on reinterpretations of Times, Life and other editorial classics, it distills their features into a contemporary standard. Without capitals, with restrained punctuation and precise proportions, Leif acts both as a tool for thought and as a structural framework, a reinvented archetype of fashion type.

The layout follows a flexible modular grid: photographs extend edge to edge in frontal compositions that echo screen logic, monospace headlines introduce subtle irregularities that animate the page, and isolated pull quotes punctuate the white space with silent rhythm. For issue 44 (FW25), the logotype was composed in Polka, chosen for its singular resonance with the fashion section. With each issue, the titles of the magazine and of the fashion section are reinterpreted in dialogue with the invited contributor’s universe, while Leif remains the typographic constant of the publication.

Through this typographic and editorial system, Magazine Magazine reaffirms its unique position, a space where fashion is both written and seen, and where typography becomes a language of critique.

Every Apple is a limited edition aromatic stone sculpture by Clue Perfumery. Shaped like a ceramic apple core, it is soaked in perfume oil to gently release fragrance notes inspired by the entire life cycle of an apple, from crisp skin and mealy pulp to timber, seed, and botanic rot. The apple is accompanied by a poster featuring drawings of apples by 29 invited artists, making it a multisensory collectable for the home.

Store Norske Eleganse from Skriftkompani is the typeface used for the campaign’s visual identity. With its refined forms and graceful presence, Eleganse perfectly matches the poetic, slow-release character of Every Apple. The typeface adds a sense of sophistication and quiet allure to the campaign, echoing the sculptural and aromatic qualities of the product.

La stella dentro (“The star within”) is the official catalog of the 69th edition of the International Festival of Contemporary Music in Venice, the Biennale Musica 2025. This edition, under the artistic direction of Caterina Barbieri, is marked by an openness towards contemporary electronic and electroacoustic music, and understanding music as a possibility for expanding one’s perception.

Thus, the catalog, designed by Tomo Tomo, conceals a colourful, psychedelic star within its austere, sidereal cover, and the object itself changes and expands in the hands of those who leaf through it, expressing the dynamics of sensory expansion. Except for a sixteenth of ‘stellar’ images, the book is printed entirely in a silver spot color with a few elements in black and a large amount of white space. Cold, electronic, rarefied.

The typography, on the other hand, interprets the link with the refined tradition of classical music, with a font inspired by the work of Jean Jannon, Robert Granjon and Philippe Grandjean and other – it’s Store Norske Gangster, designed by Arve Båtevik. Used very often in italics and in very small sizes, it creates an interference with the electronic and intergalactic aesthetics of the catalogue and the ‘Biennale’.

Sunnfjord Miljøverk (Sunnfjord Environmental Agency) is a municipally owned waste management company serving Sunnfjord, Fjaler, Hyllestad, and Askvoll in Norway. Responsible for around 29,000 residents, it collects and transports waste to a main facility at Einestølen (Hesjedalen), where materials are sorted and prepared for reuse, recycling, or safe disposal. Several recycling stations and an administrative office in Førde support efficient service throughout the region.

The recent visual identity for Sunnfjord Miljøverk, designed by Feed design studio in Oslo, underscores the company’s mission to promote environmental responsibility and community well-being. The design employs a thoughtful pairing of typefaces: Youth from AllCaps and Store Norske Skandia from Skriftkompani. Youth brings a fresh, contemporary energy to the brand, signalling optimism and forward-thinking ideals, while Store Norske Skandia provides clarity, approachability, and a sense of trustworthiness. Notably, Skandia was designed by Arve Båtevik, whose name is derived from Båtevika, located in the area where Sunnfjord Miljøverk operates and serves the local community through its waste management services. This typographic connection adds a layer of regional identity to the visual system.

Barkas has designed the identity for Amundsen Sports’ latest campaign, “Hero’s Hide”, which reinvents the merino baselayer for a new generation of adventurers. The campaign celebrates Amundsen Sports’ philosophy of merging traditional craftsmanship with modern innovation—an approach reflected in both their products and visual language.

For “Hero’s Hide”, the unique Dual-Surface SkipStitch Knit technology creates an ultra-light base with a distinctive openwork pattern, combining warmth and breathability. This design pays homage to the refined Norwegian mountain lifestyle, reimagined for those who embrace adventure year-round.

The campaign’s visual identity is set in Store Norske Leif Mono, Store Norske Magi Mono, and Store Norske Magi from Skriftkompani. These typefaces introduce a utilitarian, contemporary edge, echoing the technical sophistication and rugged quality of Amundsen’s garments. The pairing of these helps solidify a brand narrative that is both rooted in tradition and built for the future.

Molberger has crafted a new brand identity for Baylon, an emerging line of high-quality clothing for adults launched by the team behind Lillelam. Continuing the commitment to ethical and conscious production, Baylon’s identity builds on trusted values while establishing a distinctive and contemporary presence for the brand.

The updated visual language, tone of voice, and communication strategy reflect Baylon’s focus on quality, responsibility, and modern style. The use of Store Norske Geita and Store Norske Leif from Skriftkompani shapes the brand’s character: Geita brings a dependable, structured foundation to key messaging, while Leif adds warmth and approachability, ensuring the identity feels both refined and inviting. Photographs by Johanne Nyborg.

Kenshō Agency has redesigned the identity of Masbro, a trusted insurance provider in Gibraltar since 1985. The new brand direction moves away from conventional insurance aesthetics, favouring a playful and imaginative visual language that sets Masbro apart in a traditionally reserved industry while preserving its deep roots in the local community.

Drawing inspiration from Gibraltarian culture, the refreshed identity captures the vibrant spirit of the community and the unique character of the place Masbro calls home. A lively colour palette, echoing Gibraltar’s distinctive architecture, and illustrations of everyday moments ensure every brand touchpoint feels welcoming, relatable, and unmistakably local.

Typography plays a key role in this transformation. The combination of Store Norske Leif from Skriftkompani and Fixel from AlfaBravo strikes a balance between contemporary clarity, warmth and personality. Leif adds a friendly, distinctive touch, together expressing Masbro’s commitment to both trustworthiness and creative engagement with its community.

Rainbow Unicorn has designed the website for Matthias Scheffelmeier, a founder and facilitator committed to creating meaningful impact through social enterprise, consulting, and community-building initiatives. Scheffelmeier’s work spans founding organisations like ChangemakerXchange, The Facilitators, and The Possibilists, as well as supporting others through consulting and moderating impactful events.

The website’s visual identity is anchored by a dynamic pairing of Store Norske Ja from Skriftkompani and ABC Grow from Dinamo. ABC Grow brings a contemporary, approachable feel to headlines and navigation, reflecting openness and optimism. Store Norske Ja complements this with clarity and professionalism, ensuring content is accessible and easy to engage with. Together, these typefaces create a welcoming and trustworthy online presence that mirrors Scheffelmeier’s dedication to positive change and collaborative action.

The newly redesigned website of director Martin Romanella is a finely tuned stage for his cinematic vision—a digital space where typography, like his filmmaking, strikes a balance between precision and expressive flair. This relaunch features two Skriftkompani typefaces: Store Norske Ja Mono and Store Norske Jazz, underscoring Romanella’s commitment to storytelling through form and function.

The website features the Light cut of Store Norske Ja Mono and the Medium cut of Store Norske Jazz, an unusual and interesting pairing that immediately draws attention. Ja Mono brings clarity and order, reflecting Romanella’s disciplined approach, while Jazz adds warmth and improvisational energy, echoing the emotional range in his work.

EY Doberman has redefined the brand strategy, identity, and digital presence for Multiconsult Group, a leading engineering and architecture consultancy specialist. With a heritage dating back to 1908, Multiconsult brings together over 3,900 experts to address complex challenges across infrastructure, energy, industry, urban development, and mobility.

Central to this comprehensive redesign is the use of Store Norske Ja, a contemporary typeface that adds clarity and sophistication to Multiconsult’s communications. Its balanced geometry and approachable character reflect Multiconsult’s commitment to both technical excellence and accessible design. Store Norske Ja is available from Skriftkompani.

Blok Design has crafted the brand identity for The Frederick, a new bar and grill in the heart of downtown Toronto. Named in tribute to Frederick Henry Herbert, the building’s original architect, The Frederick’s visual language captures the spirit of convivial gathering and understated sophistication that defines the venue.

The identity skillfully balances contemporary boldness and timeless elegance, evoking a space that feels both refined and playfully expressive. The logotype was created with Nord by VJ-Type. Diatype Condensed by Dinamo and Store Norske Leif by Skriftkompani form the supporting typographic palette, each contributing to the restaurant’s distinctive and welcoming atmosphere. Diatype Condensed brings modern clarity and efficiency, while Leif introduces warmth and character, allowing the identity to shift seamlessly between formal and informal contexts.

The Nordic Review of Typography is a newly conceived journal dedicated to graphic design, typography, and the visual public. Inspired by the success of the Nordic Review of Architecture, this new publication aims to create a professional forum for design criticism and dialogue across the Nordic countries. The journal is envisioned as an annual or biannual release, fostering cross-border conversations and elevating the discourse around visual culture in the region.

To launch the initiative and shape its direction, an open editorial meeting was held at Norma T in Oslo on September 23, 2025. The event brought together designers, critics, and enthusiasts to discuss potential structures, themes, and ambitions for the journal. Guided by a trans-Nordic working group: Kasper Pyndt (Denmark), Birna Geirfinnsdóttir (Iceland), Jonas Williamsson (Sweden), and Tiril Haug Johne and Martin Asbjørnsen (Norway) and joined by special guest Anders Rubing, editor of Nordic Review of Architecture, the evening combined seminar discussions with a collaborative idea session.

The flyer for this inaugural meeting was designed by Tiril Haug Johne and Martin Asbjørnsen, using the newly released Store Norske Litteratur from Skriftkompani.

Studio Daniel Zenker has reimagined the brand identity and website of Haus für Poesie, Berlin’s renowned centre for contemporary poetry. Since 1991, Haus für Poesie has championed poetry as an independent and transdisciplinary art form, hosting multilingual events, educational workshops, and innovative platforms, such as Lyrikline, as well as major festivals like the Poesiefestival Berlin and the Zebra Poetry Film Festival.

The new visual identity features a beautiful pairing from Skriftkompani: Store Norske Leif and Store Norske Nord. This combination pairs a serious, functional grotesque with a playful, expressive serif, capturing the dual spirit of the institution. Store Norske Leif brings warmth and approachability to headlines and accents, while Store Norske Nord provides clarity and structure for essential information. Together, they reflect Haus für Poesie’s commitment to both rigorous artistic exploration and open, creative engagement with audiences and artists.

The identity’s typographic choices mirror the organisation’s ethos: poetry as an art form that crosses boundaries, experiments with language, and connects diverse voices. The result is a visual language that feels both grounded and imaginative, much like the poetic practices Haus für Poesie fosters on stage, in workshops, and online. This thoughtful design ensures that the institution’s singular focus on poetry and its global reach are communicated with clarity, elegance, and a touch of poetic playfulness.