When creating the logo for Sugar River Eye Care, an optometry practice in Southern Wisconsin, we used Brisbane by Leinster Type. The typeface was designed for both branding and way-finding which we thought was perfect for a business focused on vision care. 

Text on the business card is in Open Sans.

From publisher Letra Muerta Inc.:

Ants, Passiflora, and Me by Lynne Shapiro, translated by Paola Senseve, is a bilingual dos-à-dos publication designed to resemble a notebook. Most of the titles and illustrations were done by recreating and adapting drawings and letters found in her family archive. Shapiro highlights a convergence of hosts and migrations, illuminating the vital symbiotic relationships that the community requires.

The cover was hot-stamped with foil in Colorplan card stock, featuring lilac endpapers in Hahnemühle—internal pages in ivory Springhill lightweight paper, including an insert. External copper staples on Asahi book cloth make up the spine. The edition consists of 200 copies: dry-stamped, numbered, and signed.

The book is set in Milligram by Zetafonts and Sedgwick by Leinster Type.

The book was published and designed by Letra Muerta Inc. (Oriana Nuzzi and Faride Mereb). Castaldo did the binding and hot stamping while Chuqiao (Chloe) Li provided the envelopes and additional assistance. Printing was completed using the Xerox Phaser 7800 at the LM studio. Cory Rockliff carried out the proofreading for English and Graciela Yañez Vicentini for Spanish. The variant of Spanish used for the translation reflects the cultural background of the contributors in Venezuela and Bolivia.

Liveworm is a working design studio embedded in the design program of the Queensland College of Art and Design, Griffith University. ATypI asked the studio to design the brand identity and collateral for its 2024 conference in Brisbane – the first ever ATypI conference held "down under".

The team was keen to use the recently released Brisbane for the project, and collaborated with Leinster Type who generously donated their time and use of the typeface. This unique opportunity allowed students to request modifications, such as a sample condensed-width character set, which they experimented with during the design process.

The identity, designed by Katie Maxfield, was inspired by the vibrant, young, and progressive city of Brisbane. A mixture of digital and analogue graphic elements hint at the conference theme of "Crafted Technology", with the arrow glyph from Brisbane symbolising forward movement.