When Co.Scienza Festival, the annual science communication event in Trento, sought a stronger and more recognizable identity, they turned to Rebus. Our challenge was to design a system that could endure over time while staying fresh and adaptable to the changing themes of each edition. We created a framework anchored by two distinctive stripes – a signature element ensuring continuity – combined with vibrant, overlapping boxes that give structure and energy to the layouts. Each year, the identity is renewed through a different color palette and an original illustration, this edition featuring the work of Anna Micheloni. The result is a visual language that is both consistent and dynamic, reflecting the evolving nature of science itself.

Atlantic Cruise by Kustomtype sails into the spotlight on the luxurious souvenir tins by Italian chocolate brand Sorini.

Each tin is a masterpiece, showcasing iconic cities in all their glory—with Atlantic Cruise’s elegant curves and timeless charm perfectly framing the journey.

A sweet fusion of design and indulgence, this collaboration proves that great typography can make even the simplest packaging a global treasure.

The copperplate script used for “Souvenir” is Filmotype Zenith, with condensed proportions and extra slant. Small text at the bottom is set in two weights of Futura.

Illustration and graphic design by Erica Zipoli, with art direction by Federico Galvani at Happycentro.

The visual identity of Paola Simeone’s brand was designed by Era Studio:

Paola Simeone is a brand of handcrafted bags founded in 2017 in the heart of Verona.
The ethics of the project is to reinterpret the Italian artisan tradition in a modern key, keeping alive the techniques of a quality manufacture, according to a contemporary woman. This concept is the basis for the realization of each product. Paola Simeone realizes versatile and timeless bags, taking care of each model from the selection of the materials used to the design and choice of the smallest details.

Set in Bastardo Grotesk, the logo adds a touch of edge to the softness of the leather.

Pablo Farias is a luthier specialized in the handcrafted creation of violins, violas, and cellos.

For him we developed a website that could show both his creations and his working method thanks to a minimalist design. Through an alternation of black and white with colors, we were able to highlight the heart of his work.


The fonts used represent the transformation that takes place from the raw material to the finished instrument – elegant and exciting.

We used Ayer by Miguel Reyes and Acid Grotesk by Folch.

Ana Blagojevic is an artist. A photographer, the kind who dares to tell the story in depth, searching, digging, travelling and going back to the roots. We have given space to her works by treating the site as an art gallery.

We used Neue Montreal by Mat Desjardins and BC Steiner by Vojtěch Říha.

Communicating a product that is actually a concept.
 A concept that can be personalised, an awareness that has a shape, a way of life to be worn on your wrist, so that you never forget the most important appointment; the one with your time.


Nul is an idea with a precise shape and direction. A circularity that is the fil rouge of the project and that makes the whole experience soft, without tears, sinuous like time, which is often better left aside to concentrate only on the now.

For the project we used Plain made by François Rappo and Roslindale Display by David Jonathan Ross.

Filippo Bello is a 3D artist, motion designer and director. His projects fully reflects his clean, precise and dynamic work. We followed our instinct by using two fonts that spoke of his personality, bold, decisive, but at the same time elegant and clear.

For the project we used Druk Condensed made by Berton Hasebe and Editorial New by Mathieu Desjardins and Francesca Bolognini.

Monsters is an album by Anna Bassy and was released to all digital music platforms on October 15, 2021.

The name of the album is set in Autark by Stefanie Vogl. Track titles and credits on the back use Danilo De Marco’s Stelvio Grotesk Regular.

[More info on Discogs]

Il Laboratorio is a small roasting company in Verona, Italy. Everything stems from the passion for quality coffee, which has always represented the moment of sharing par excellence.
Everything can happen in front of a cup of coffee, that’s why, through research and processing of selected raw materials, the laboratory tries to create the perfect flavour for daily breaks or as an integral part of a culinary experience. 
The roasting process is made up of passion, experience, study and love for quality. Because we believe that it is the simplest moments that are sometimes life-changing.

For this project we used the Neue Montreal by Pangram Pangram.

Introducing Giulia Tonon, an awesome illustrator and graphic designer focused on editorial Illustrations. We created a project that could represent her through the use of illustrations and a minimalist design. The use of black and white brings out the illustrations and the two fonts characterise her eclectic and precise nature

For the project we used Voyage made by VJ-Type and Fabrikat Mono by Christoph Koeberlin.

Through minimalist design we wanted to give importance to what most represents Alessandro Romagnoli: his images. Fluid interactions accompany the user through the experience of the entire website.

For the typography we used Neue Montreal and Saol Display to create a contrast of shapes and expression.

Volume and sleek lines are the chromosomes of clothing brand Calcaterra.

Their entire website has been designed to capture the soul of the brand and to focus the user on the creations. Minimalism, contrast and diversity, colour and shapes are the basis of the design idea. To resume the concept also for the fonts we decided to use two different ones for all the titles.

The texts on the website are set using lighter styles from GT America Extended by Grilli Type and Cormorant by Christian Thalmann.

This project is about Achille and Camilla, two young architects who brought together their passion, becoming Archimonio. We designed their brand, keeping our focus on simple straight lines which can be interpreted in different ways: is the logo representing a house or a room in perspective? Is it the letter A, a pencil or an arrow? Archimonio's brand plays with the imagination of whoever is watching. On the other hand their business cards do not lack in seriousness and accuracy. The information, set in all caps Mostra Nuova, is printed on rock-solid black Fedrigoni stock with a copperplate foil. The format is square-shaped and the information is rigorously displayed.

A small Italian artisan reality and the description of a small, sweet moment.

Assorted pastries, sure. One large coffee puff pastry, two strawberry buns, one millefeuille. Apart from one or two, we already know who each one is destined for, but what will be the extra one for the wolverines? Let's take it easy on the names. On the other side of the counter, the saleswoman, the pliers in her hand, turns with submission to your desires; she does not betray impatience even when she has to change trays, the millefeuille does not fit. The tray is important, with its rounded corners and raised edges. It represents the solid base of a fragile building, of uncertain fate.

Philippe Delerm has hit the nail on the head, and he's not the only one.
A cake can be told in many ways, we have chosen to do it through a production of episodes.
Happiness.
Harmony.
Family.
Time.

And more will come, but that's another story.

We use Freight Display Regular and Italic throughout in various sizes for its legibility and elegance.

Piero Milano Gioielli is synonymous with excellence and prestige, creating the most original lines of jewelry. To do this, they, in fact, select the very finest materials, such as gold, diamonds, precious and semi-precious stones.

In this project we want to tell a promise and a story made between two people and a symbol that represents this promise. A jewel. For the fonts we looked for Vinter to convey the refinement while Moderat represents the hard work of the Italian craftsman.

Since 1295 the creations by Barovier & Toso have been synonymous with distinctiveness and perfection. A legendary tradition for luxurious timeless lighting solutions.

The challenge was to create a contemporary and fascinating site experience, keeping the brand's strong identity intact and sharing all its key elements; water through effects, fire through the mouse pointer and the transformations of matter through interactions.

All elements of the site change from one state to another when users interact with them, this was intended to convey the concept of magic and transformation. The mouse pointer becomes a circle, and the circle changes again if users leave it in the same position. All transitions are inspired by the concept of water and fire, the former being the evocative element of Venice and the latter an indispensable element for shaping and blowing glass.

The chosen fonts meet the same needs of tradition and innovation: a serif font, PT Serif, for tradition, and a sans serif font made especially for the web, Roboto, for innovation.

From Antwerp-based design studio Vrints-Kolsteren:

Okkaido is an Italian online backpack store with a focus on minimalistic and functional design. Okkaido cares about quality, well-made and durable products. Like the products of Okkaido, the identity was designed to be durable but recognisable. The focus lies on long-lasting design and to help products find their place in the modern world.

Lampedusa: Gli occhi del turista is a book about a small Mediterranean island, with big issues. Lorenzo Ballarini:

When people speak about Lampedusa, the first thought is the issue of immigration and constant arriving on the Italian coast. But what do the tourists see on the island? How do they live this situation? Mainly only colored plastic boxes with four wheels...

New York City

Above: Magnus Rakeng spots his own typeface in the Carhartt WIP store in Soho.

The gentle curves and mostly monolinear structure of Radio are well suited for neon, and these signs are a standard part of Carhartt’s in-store decor in locations throughout the globe.

New York City

New York City

Düsseldorf

Verona

Moscow

Zürich

London