Otium is a premium lifestyle brand that curates exceptional luxury properties, blending elegance and comfort to craft unique, personalized experiences for its guests. With a focus on hospitality excellence, attention to detail, and bespoke services, it aims to create unforgettable memories in stunning destinations. Each property is carefully selected to reflect the brand’s commitment to quality, exclusivity, and a sense of refined relaxation tailored to meet the desires of its discerning clientele.

The branding uses Romie Regular by Margot Lévêque, highlighting its extensive ligature set. The website additionally uses Vulf Sans and Vulf Mono by OH no Type Co. The Otium logo appears to be custom.

Ryans started as an Ibiza hotel chain, but now it is first and foremost a community. The website still includes a service for booking accommodations with a pool, but it now also has an event calendar with parties and workshops organised by the community members all over the world. You can join the community by filling in and submitting a form on their website and suggest your event by reaching out to the project’s email.

Design by Achos, who picked Druk Wide by Berton Hasebe as the primary typeface for the site, social media pages and merch. The supporting sans initially was MADType’s Quantico. As of February 2024, it has been replaced by Adam Ladd’s Config Condensed.

The logo of The Ryans Times uses Chomsky. The site additionally uses Apple Color Emoji in the ticker-style menu as well as various typefaces for the travel stickers. This includes Millionaire Script (“you”), Sister Spray (“Ibiza”), and Imperator (“Ryans”).

From Morillas:

Castillo de Ibiza is a new still rosé wine that embodies Mediterranean magnetism. The challenge was to conceptualize the bohemian character of the island in a new wine proposal. Ibiza represents a place in which to escape reality with a slow lifestyle, without rules nor restraints.

We were inspired by the hedonistic pulse of Ibiza and we decided to encapsulate its moment of escapism through authentic and handcrafted elements. These include a handwritten typeface on the neck encapsulating the artisanal essence and a nude cork with and engraved compass evoking the idea of the travelling spirit and the honesty of the product. The saltpetre effect on the label reflects the slow passage of time, through an expressive copper texture and contemporary bevelled lettering.

Alias Harbour is used for the logotype.

According to Morillas, “the label, aged by the saltpeter of the sea, reflects the passage of time.”

The bottle collar features a sans and a handwriting script, both of which are yet unidentified.

Cusiet is a children's fashion brand that “embodies unique values ​​inspired by multiculturalism, the surfer spirit, sustainability and bohemia”. Visual identity and website designed by Caramba Agency, using Cucina neretta for logo and headlines. All other text is rendered in Open Sauce.

Inspiration Information is a typographical installation designed by the multi-disciplinary designer and type artist Raissa Pardini for Ses12naus in Ibiza. Pardini describes the project as follows:

I was invited to Ibiza by curator Linda Rocco and foundation Ses12Naus in February for an art residency. I've never attended an art residency before but I felt at a point of my carrier where everything was too comfortable so I urged to challenge myself by pushing my creativity to places I’ve never pushed it to before. It was awkward and hard at times but our best work comes out of struggle.

Me and another 8 international artists were invited to work on the presence of the island, exploring Ibiza and take inspiration from the frequencies and magnetism the island offers during the winter. I started thinking about the contrast between its presence in the summer – when tourism is booming – and the winter, when the island offers locals unique smells, stunning views and interesting sounds that lived there for thousands of years and will always be present in Ibiza, no matter what happens in the summer.

I spent weeks recording anything I could pick up in Ibiza. By recording the sound that organically came out of the island I produced a track with Diego Torán that invites people to meditate to the real presence of the Ibiza.

Once the track was done, I produced a big wooden box which I painted completely black inside and tested the sound there. I wanted people to feel very connected with the island and really isolated at the same time. Next step was covering the box and I had the idea of making posters out of some of the sound I recorded and promote them as street posters, looking like they should be from dance clubs in Ibiza.

That way I managed to promote the listening space as a club, tricking tourists and music lovers to come and enjoy the real presence of Ibiza.

I present you (proudly!) my first installation which it was launched in Ibiza through an exhibition on the 6th of March, 2022. This is the first time I combined music and art in the same art piece. I guess I needed to do both separately for a while without rushing.

Inspired by the island and its (real) sound. Also inspired by Futurism, Russolo and ambient artists like John Cage.

Wood, paper, ink, glue, sound, 237×126 cm. The fonts in use include Brass, Sea weed (or probably its digital incarnation named Polly), Euphoria, Crayonette DJR, and a slightly modified Redaction 70 Italic. The typeface made of dots is yet unidentified. [edit: it’s ARK-ES, see comments.]