Kenshō Agency has redesigned the identity of Masbro, a trusted insurance provider in Gibraltar since 1985. The new brand direction moves away from conventional insurance aesthetics, favouring a playful and imaginative visual language that sets Masbro apart in a traditionally reserved industry while preserving its deep roots in the local community.

Drawing inspiration from Gibraltarian culture, the refreshed identity captures the vibrant spirit of the community and the unique character of the place Masbro calls home. A lively colour palette, echoing Gibraltar’s distinctive architecture, and illustrations of everyday moments ensure every brand touchpoint feels welcoming, relatable, and unmistakably local.

Typography plays a key role in this transformation. The combination of Store Norske Leif from Skriftkompani and Fixel from AlfaBravo strikes a balance between contemporary clarity, warmth and personality. Leif adds a friendly, distinctive touch, together expressing Masbro’s commitment to both trustworthiness and creative engagement with its community.

Albra by Ultra Kuhl, Helvetica Now by Monotype, and Suisse Int’l Mono by Swiss Typefaces are used in Xapo Bank’s branding. Xapo is a Bitcoin-centric digital bank that merges the security of traditional finance with the innovation of crypto to empower global financial autonomy.

The designers from unstudioenplus describe the project as follows:

Beyond aesthetics, our work strengthens Xapo’s brand presence across every touchpoint. The design and messaging reinforce that Xapo Bank isn’t just a banking service—it’s an enabler of lifestyles for driven, digitally connected individuals shaping the future of global finance. This unified approach positions Xapo as the ultimate partner for those seeking empowerment, convenience, and autonomy.

Some of the images shown by unstudioenplus also feature Microsoft’s Segoe.

Digitalis is a London based digital marketing agency that aims to provide clients with easy and transparent access to digital visibility within their niche, giving them the online exposure they need to thrive.

Adopting a modular approach to Digital PR, Digitalis leverages its extensive network of high-end partner agencies to offer a comprehensive range of services. This flexibility allows Digitalis to tailor the size and composition of its project teams to meet the specific needs of each case.

‍Kenshō Agency’s identity for Digitalis utilises Formula SemiExtended (Pangram Pangram) for the logo, alongside Big Shoulders (Patric King) for display type and Aspekta (Ivo Dolenc) for body copy.

Ellul & Cruz is the result of a merger between two prominent Gibraltarian law firms, Ellul & Co and Cruzlaw LLP.

‍Kenshō Agency’s identity for Ellul & Cruz utilises ABC Arizona Flare (Dinamo) across the suite of logos, alongside Hedvig Letters Serif (Kanon Foundry) for display type and Wix Madefor for body copy (Dalton Maag).

Damex.io is a new-age payment and banking application that rewards users for being physically active through financial perks and prizes.

‍Kenshō Agency’s visual identity utilises multiple weights of Sofia (Mostardesign), integrated consistently across all elements—from the logo lockup to all supporting text.

Clotilde Briquet is a Gibraltar based lawyer offering advisory and consultancy services for French-speaking UHNWIs (Ultra-high-net-worth individuals) that are changing their residence to Gibraltar.

Kenshō Agency’s visual identity utilises a Simula with modified characters (Sharp Type) for the logotype, alongside Plantin (Monotype) for display type and Euclid Square (Swiss Typefaces) for both body copy and accent type within the logo lockup.

The Queen’s Picturehouse & Eatery combines fine dining with a boutique cinema experience in the heart of Gibraltar’s Grand Casemates Square.

‍Kenshō Agency’s visual identity utilises Angle (Sensatype Studio) for the logotype, alongside FF Meta Serif (FontFont) for display type and Motiva Sans (Plau) for both body copy and accent type within the logo lockup.

Kenshō Agency's visual identity for a concert commemorating the 25th anniversary of Gibraltarian band Melon Diesel's debut album, La Cuesta De Mister Bond. The identity makes use of Owners Wide Bold (Jeremy Mickel) for display type, Neue Haas Grotesk (Christian Schwartz) for secondary type, and Homeboy (Jonathan S. Harris) as an accent typeface.

The design approach takes cues from Melon Diesel's visuals of the late 1990s, exploring blocky typography, vibrant colour contrast, and the inclusion of a long-lost local landmark: the pyramid, at what was known locally as “The Last Shop in Europe”.

Esports Gibraltar (governed by GEVGA, the Gibraltar Esports and Video Gaming Association) is Gibraltar’s national esports team, competing internationally across a plethora of games.

Kenshō Agency’s visual identity utilises Geogrotesque Sharp (Emtype Foundry) for both the logotype (Expanded Bold Italic) and display type (Bold), alongside Input Mono (David Jonathan Ross) for secondary type and Acumin (Adobe) for body copy.

Kenshō Agency's identity for Solar Labs utilises a modification of Laif (New Letters) for the brand logotype, alongside extensive use of both HK Grotesk (Hanken Design Co) and Georgia Pro (Carter & Cone) throughout brand deliverables and communications.

Solar Labs' mission is to bring innovative web3 ideas to life, both for self initiated projects and client led briefs alike. The company strives to be as transparent as possible; providing secure and reliable solutions for web and product development, smart contracts and KYC services.

Rumbo is a self-initiated exploration of personal identity by me, graphic designer Nicholas Naughton-Rumbo.

The graphic solution juxtaposes the cleanliness and neutrality of the sans serif Aspekta with the authority and personality of the blackletter typeface Cabazon to create a robust, full caps word-mark.