Source: www.45cat.com dr.zoze /45cat (edited). License: All Rights Reserved.

“Ne Gledaj Me Tako I Ne Ljubi Me Više” single, Jugoton, December 1975, with the title set in caps from Futura Light

From Wikipedia:

Bijelo Dugme (transl. White Button) is a Bosnian (formerly Yugoslav) rock band, formed in Sarajevo, SR Bosnia and Herzegovina in 1974. Bijelo Dugme is widely considered to have been the most popular and the best-selling band ever to exist in the former Socialist Federal Republic of Yugoslavia and one of the most prominent acts of the Yugoslav rock scene and Yugoslav popular music in general.

Shown here are some of the bands album art and a concert poster, designed by Sarajevo designer Dragan S. Stefanović. The band logo, now an icon of the Yugoslav rock scene, is set in ITC Fat Face, in two tightly spaced lines, with the j pushing down the g.

The group disbanded in 1989, though it did see two revivals in 2005 and 2024. Also from Wikipedia:

Bijelo Dugme’s work remains popular in all former Yugoslav republics, the band often being considered one of the symbols of Yugoslav culture and their work being a frequent motif in various forms of Yugo-nostalgia.

Source: ru.pinterest.com Azra Duskan | Pinterest. License: All Rights Reserved.

Poster for a concert in Sarajevo on February 2, 1976, with small text in Bulletin Typewriter. The text in the upper left corner reads “Događaj meseca”, meaning “event of the month”.

Source: www.ebay.com 2you4ever. License: All Rights Reserved.

“Milovan” / “Goodbye Amerika” single by Željko Bebek with Bijelo Dugme, 1976. The diacritic was made from a tilde, and the first k was cropped.

Source: www.ebay.com zinkfilms (edited). License: All Rights Reserved.

“Džambo” / “Vatra” single by Ipe Ivandić with Bijelo Dugme, 1976. Note the mirrored g in the band name. The sans on these two sleeves is Horatio.

Source: www.45cat.com Js_and_Bs / 45cat (edited). License: All Rights Reserved.

The single sleeve for “Bitanga i Princeza” from March 1979 features ITC Fat Face for the title as well – with upside-down i’s. “Sa novog albuma” is added in Futura Black.

Source: sr.wikipedia.org License: All Rights Reserved.

Four album covers for Bijelo Dugme (1984), Pljuni i zapjevaj moja Jugoslavijo (1986), Ćiribiribela (1988), and Eto! Baš Hoću! (1976)

Source: www.deezer.com License: All Rights Reserved.

Cover for compilation album Ima neka tajna veza released in 1994 under the label of PGP-RTS. The title is set in Franklin Gothic.

Source: www.ebay.com bluejardhill. License: All Rights Reserved.

Box set with ten remastered albums on CD, City Records, 2004

Source: www.ebay.com recordsale berlin. License: All Rights Reserved.

1996 reissue of the compilation Singl Ploče (1974–1975) on HiFi Centar, with ITC Stone Sans for the title.

Source: www.ebay.com Da’Hub Australia (edited). License: All Rights Reserved.

1996 reissue of the compilation Singl Ploče (1976–1980), also on HiFi Centar. In these applications, the logo lost the dot on the j.

WinWin was a computer shop in Sarajevo, Bosnia Herzegovina. Their logo is based on the lowercase letters from BD BerneBeats, a typeface designed by Lorenz “Lopetz” Gianfreda and Marc “MB” Brunner of Büro Destruct in 2004. “Computer Shop” is added in all-caps Neo Sans, designed by Sebastian Lester the same year.

Circulo by Michael Mayr (@mike_jdi) is used in a travelling exhibition across Europe, curated by Vienna-based design agency EOOS NEXT. The exhibition is about regenerative design using corals as an example.

More information from the Institute of Design Research Vienna (IDRV):

The Historical Museum of Sarajevo hosts the first edition of the experimental exhibition format. Conceived as an impulse exhibition, it is the kick-off for a cooperation with teachers and students of the Academy of Fine Arts in Sarajevo. The central question of the exhibition deals with the concept of “regenerative design”, which finds its realization in the principles of nature. The current production systems of the Global North are degenerative, extractive and at best with neutral environmental impacts – “Net-Zero“. For “unavoidable” environmental impacts, industry washes its hands of CO₂ certificates from the Global South. Primeval forests are capitalized and people living in poverty are turned into compensation projects. The separation of nature and culture, of humans and non-human living beings and organisms prevents a necessary paradigm shift towards a regenerative culture.