The Atavist Magazine publishes one longform, deeply reported nonfiction story each month with a custom design. The July 2020 issue is about a group of Black mothers in 1950s small-town Ohio who spent two years marching every day in a battle to integrate the local schools.

VTC Bayard from Vocal Type – named after civil rights leader Bayard Rustin and inspired by protest signs created for the 1963 March on Washington – was used for display copy, with Crimson Pro (by Jacques Le Bailly) for the subtitle and Crimson Text (Sebastian Kosch) for body copy.

For logo and website, The Atavist Magazine use Atlas Typewriter.

A further refinement of the Smithsonian Institution's magazine, which I shared in a previous post. The only typeface that has been retained from the earlier design is Millar, used for “prologue” in the second image.

I like Saol Display, but sometimes those super-thin thins can get lost when the type is dropped out of a colored background. Saol Display is combined with GT Walsheim and Tiempos.

And they still haven't fixed the kerning in that nameplate!

Creative Director: Maria G. Keehan
Associate Art Director: Erik K. Washam
Designer: Eritrea Dorcely

Itinerari is the monthly supplement to the Italian newspapers of Quotidiano Nazionale (Il Giorno, Il Resto del Carlino, La Nazione), with a total circulation of 180,000 copies. It’s a magazine about food and wine itineraries along Italy and throughout Europe.

Tomo Tomo redesigned all the newspapers, with the aim to produce a simple and functional layout. For this specific supplement, though, we also played a lot with the whitespace of the layout in contrast to the boldness of the big headlines composed in Schnyder and the big black lines. Graphik is used as the text typeface. Another important element of the identity is the funny and colored illustration balancing the elegance of the spreads.

We created the whole identity, balancing the familiar feeling of the newspaper with a distinct flavor. We gave to the supplement the richness and the typical approach of a monthly magazine, using many different combinations of layout and headlines in a typeface with a strong personality. At the same time, we kept it simple to be consistent with the popular identity of a big circulation national newspaper.

Less than 2 months after their original release, SangBleu Empire & SangBleu Sunrise, from the SangBleu family, made a stunning debut in the in December 2017/January 2018 issue of the US edition of men's magazine GQ.

On it introducing issue, SangBleu Empire is mostly featured in playful and colorful compositions on opening spreads. It will then be steadily used as the main titling face across the magazine, alongside SangBleu Sunrise. Other recurring typefaces are GT Pressura and Miller, that are used to set body text and captions. Every issue is also bringing a fistful of titling typefaces that'll remain exclusive to this issue. Among them, Euclid Flex was featured in February 2018 issue.

After the departure of Andre Jointe in March 2018, the magazine started to be slowly redesigned by its new art director Justin Patrick Long. Unfortunately, the SangBleu family didn't made the cut into the new design layout and last appeared in the July 2018 issue.

SangBleu Empire & SangBleu Sunrise are part of the SangBleu family. Euclid Flex is part of the Euclid family. Both families are available from Swiss Typefaces.

Euclid Flex was featured exclusively in the February 2018 issue. Note the modified lowercase g, shortened to fit into the ribbon frame.