Champ (by Typeverything) is used in Infinito’s branding fo Casino Galletas to reflect the brand’s playful, youthful spirit. With a 34-year history and a constantly evolving audience, the typeface helps give the brand a bold, expressive voice across messaging, patterns, and product naming, connecting authentically with a modern, diverse audience.

Champ is used in Self-titled’s branding for Hoopla to bring a playful, versatile voice to the family entertainment centers. The typeface is scaled and adapted across the logo, communications, and digital platforms, helping express the brand’s promise of “Entertainment Unlimited” while remaining clear and engaging on mobile devices. Secondary text is in Degular and Degular Mono.

Smack Bang uses Motorino by Typeverything for Dopha's logo to reflect the brand’s flexible, modular approach. Its clean, rounded forms help create a cohesive visual identity that can adapt across different applications as the brand evolves. The design is complemented by the typefaces Proxima Nova, El Camino, BN Hamburg Hand and a yet unidentified type.

Mochi (by Typeverything) is used on the packaging for Plant Based Planet as part of the brand identity by Studio Spoke. The typeface’s soft, rounded forms support an approachable tone aligned with the brand’s focus on small, everyday shifts toward plant-based living. The sans used for secondary information is Neue Haas Grotesk or similar. On the website, it’s substituted by Work Sans.

Frizbee by Typeverything is used across the branding of Bahrain-based brunch and breakfast spot Popina. Their visual identity was designed in 2024 by Zeal Studio, combining approachable typography with a playful, fresh and contemporary look and feel. The restaurant closed doors in autumn 2025. Frizbee is complemented by Cabinet Grotesk and a yet unidentified typeface used for Arabic.

Personal portfolio website for Vincent Poulet, a Paris-based brand designer and art director currently serving as the brand design manager at Luko. His portfolio showcases a focus on visual identity and storytelling, blending user empathy with high-end graphic design.

For his branding and website, he used Champ by Type Everything paired with Sagace by Alexandre Créquer.

Brands&People developed the complete identity system for Mutt, a modern pet wellness brand that produces high-quality food for life companions. The logotype is set in Taxi (by Typeverything), whose distinctive personality gave the brand its confident and friendly tone. It is paired with ITC Garamond, Fragment Mono and Libre Caslon Text.

Elusive is a true passion project from the beginning. As global supply of a certain ubiquitous green liqueur saw a sharp drop in availability a few years ago (due to the production philosophy of the Carthusian monks who make it), the idea of not being able to serve some of the essential classic cocktails felt wrong in a proper cocktail bar. The solution for Echo Spirits was to make their own interpretation, painstakingly, by hand. What started as a practical solution for the bar led to a massive response and demand from guests and the community—this stuff is good enough to share.

The packaging aims to capture a sense of the same craft, and attention to detail, and finesse that went into the spirit within. We broke from the aesthetics that have defined the brand so far, and went all-in on lush illustration, calligraphic typography, and maximalism to evoke the same handmade feeling. Each of the (approximately) 40 ingredients is pictured and represented on the label, rejecting the mystery of “secret ingredients” in favor of strong visual storytelling.

“Elusive” is set in a very slightly modified Talu by Beasts of England, making use of its extensive alternate character sets. Supporting type is set in Tiller by Fort Foundry, relying on its flares to bring a more refined vibe, and its structural similarity to Interstate (used as Echo's primary brand type family) to connect back to other products.

Designer Rory Overdorff used Newsagent and Blackbike from Typeverything, Fairley Five and Eight from Ephemera Fonts, and LHF Chicago Script from Letterhead Fonts to create a bold and contemporary bottle design for Kennedy’s Irish Whiskey that emphasizes strong typographic presence.

The typeface’s structured yet expressive forms bring clarity and confidence to the layout, allowing the label to communicate directly and elegantly. The clean composition and modern letterforms of Newsagent anchor the visual identity, making typography the hero of the piece.

The Paloma can from Straightaway Cocktails features New Forest, giving the flavor name a refined and contemporary presence that complements the drink’s bright blend of tequila, grapefruit, and tamarind. Designed by Each Other with illustration by Colby Brooks.

The secondary fonts are Domaine Sans Text for the small text and Triade for the logo.

Red Antler developed the brand identity for Ourself, a skincare company founded by beauty veterans Vimla Black Gupta and Christine Song. Built around the breakthrough concept of Subtopical Skincare™—a technology that works beneath the skin’s surface—Ourself combines scientific innovation with emotional resonance.

The undulating “Fluid Force” ring symbolizes transformation and motion, while the use of New Forest adds organic sophistication and expressive warmth to the brand’s voice. The typeface, available from Typeverything, complements the system’s balance of precision and humanity, reflecting the brand’s belief in embracing change and revealing one’s truest self. The accompanying sans appears to be Milieu Grotesque’s Maison Neue Extended.

The Scotland National Football Team is preparing for the 2026 FIFA World Cup qualifying campaign with a bold new visual presence across their social media channels.

The campaign makes extensive use of Roa by Typeverything for its main titles, giving the graphics a strong and confident voice that matches the energy of international football. Roa is paired with Roc Grotesk and what looks like handwritten caps.

The typeface Figura Normal ExtraBold by Typeverything is used across the identity for Rascals Night Pants, a diaper product brand. The typeface appears prominently in the logotype, as well as on packaging design, website titles, and social media posts. The project was designed by ZURU. Tagline and information are set in Area by Blaze Type.

The Tasmanian Symphony Orchestra is using Marques by Typeverything for their brand identity, website titles, and social media posts. The accompanying sans for the full name in the logo is Associate Sans and the text typeface on the website is Volte, both by Indian Type Foundry. The design is by The20.

Finally, a gym and café that blends effort and comfort! Bolder is a sports studio, a café, a canteen, a venue for corporate events, outdoor sessions and bootcamps offering a social, collective, and laid-back experience. Whether you’re a beginner or a seasoned athlete, Bolder provides an original and welcoming environment to make fitness a sustainable and enjoyable part of your routine.

For this branding and visual identity project, Ogaf.studio drew inspiration from the old-school aesthetic of traditional sports clubs. The typography system plays a key role in shaping the visual language. We combined Maison Neue (designed by Timo Gaessner, 2012) for its clean and versatile tone, Optic Heavy (by Sebastien Sanfilippo, 2023) to bring strength and presence to headlines, and Deia Bold (by Andrei Robu, 2021) for its contemporary warmth and subtle character. Together, they reflect the balance between performance and ease that defines Bolder.

The color palette is fresh and energizing, and the letterforms of the name “Bolder” served as a playground to generate a flexible identity system. In collaboration with architecture studio Mono, we developed a unique atmosphere and art direction that sets this hybrid space apart from your typical gym or café. The visual identity lives across various formats from social media to print and signage, all designed to support Bolder’s vibrant and active community.

From publisher Victionary:

The Vibrant Artistry of the ’60s & ’70s
What comes to mind when one thinks of the vivid and exhilarating visual world of the 1970s? Is it attention-grabbing lettering and clashing colours, groovy paisley motifs and floral patterns reminiscent of hippie culture, or mind-bending psychedelic visuals that transport one to a different dimension? Funkadelic invites readers to step back in time and witness the audacity and dynamism of an era that embraced individuality and pushed artistic boundaries.

An homage to the graphic design trends and styles that embodied bold expression, cultural revolution, and free-spirited creativity, discover a handpicked selection of visual identities and branding design inspired by the iconic aesthetic of the '70s in a visual treasure trove of inspiration and nostalgia for designers, artists, and era enthusiasts alike.

The type and headlines in the book are set in Oakley by Mark van Leeuwen, accompanied by a yet unidentified typeface [edit: it’s BioRhyme by Aoife Mooney, see comments].

Visual identity for Sandos, Lyon’s best pastrami sandwich dealer. The bold yellow-and-black design features a signature logo inspired by the iconic signage of New York delis.

The fonts in use are Motorino by Typeverything and Felten with Felten Shaded by Central Type. Check out the opening campaign video!

From Odd Notion:

Back in 2021, we met Willis Anderson III, a retired chef selling his homemade BBQ sauce at farmers markets. Seeing the potential in his product, we encouraged Willis to apply for our Dream Night initiative, which helps minority-led brands with branding and websites.

Problem:
Willis faced limitations selling only at local markets and desired to tap into the wholesale market. Lack of online presence hindered his growth, and his branding didn’t match his product’s premium quality.

Solution:
We revamped My Daddy’s Sauce, emphasizing its superior quality and fresh ingredients. By creating a user-friendly website with updated product visuals, we facilitated wholesale transactions and connected Willis with a broader customer base.

The project features the display typeface Oakley, published by Mark van Leeuwen, paired with Neue Haas Grotesk. Agency: Odd Notion / Photography: Tim Wright

Molino Roca is a traditional Mediterranean rice farm in Valencia, Spain. Dailos Pérez Studio created their new identity and packaging using Newsagent from Typeverything for the logotype and titles. The accompanying sans is Sweet Sans by Mark van Bronkhorst.

Oat created a new identity for the Comedy Garden event series in the UK. For the logotype and titles they used Roast from Typeverything.