Everett in use for Marro – Société immobilière, a real estate company based in Québec, designed by Simon Gauthier. The logotype features two unicase straight r.

Visual identity for LANI Immobilien, a family-run real estate company from Osnabrück (Germany), designed by PARAT.cc with the Everett typeface by Nolan Paparelli. A small customization of Everett Regular’s W for the running texts was done specially for the project. Website development by matière vive.

Everett in use for London-based architecture and interior design practice Pinzauer by João M. Machado. The identity features a slightly modified Z with cuts designed by Nolan Paparelli.

Wietzow is a new outdoors opera located close to Daberkow in Germany, operating since 2021. From their website (translated from German):

Estate Wietzow, idyllically situated above the gentle riverbed of the Tollense, becomes a new place for art and culture. The estate’s expansive, diverse landscape park extends from the house down into the floodplain. We want to present this wonderful ensemble of buildings and parks to the public as a new center of musical entertainment, a symbol of high musical standards and quality, a platform for excellent young musicians, and a creative place that shows people the wonder of classical music.

Their visual identity – designed by Lena Hegger – includes a wide variety of on- and offline applications of the typeface Everett by Nolan Paparelli. For this project, she commissioned a slightly customised version of Everett Light with a slanted W. It appears in the wordmark as well as in texts, alongside Everett’s alternate single-story a and graphic 1.

Together with bidt (Bayerisches Forschungsinstitut für Digitale Transformation / “Bavarian research institute for digital transformation”), made in developed a new visual identity for the young institute. The new look emphasizes its friendly humanistic approach and at the same time regards the rigorous and precise character of its scientific research. The main visual idea clearly derives from the concept of collaboration and transformation represented by a twisted tape.

Typography plays a key role in maintaining this balancing act. We chose Nolan Paparelli’s TWK Everett as the official brand typeface as it reflects the brand concept by its playful organic and humanistic features on one side and its clear, highly readable and digital flavor on the other side.

With a colorful and lively design, we summed up the openness and accessibility of the institute and its members. The flexible use of the brand’s key visual as an ordered grid or as freely arranged elements allows a restrained communication for scientific purposes as well as a more energetic and playful communication for social media within the same comprehensive visual architecture.

Glamox (est. 1947) is a Norwegian industrial group that develops, manufactures and distributes professional lighting solutions for the global market. The Group owns a range of quality lighting brands including Glamox, Aqua Signal, Küttel, LINKSrechts, Luxo, Luxonic and Norselight.

Rebranding for Glamox by Knowit using various styles of TWK Everett throughout. The logotype features a slightly modified terminal of G.

Visual identity for the Winter Werkschau 2017/18 at the Hochschule Augsburg – University of Applied Sciences, designed by Kai Bergmann and produced by the Faculty of Design Augsburg. The logotype set in TWK Everett Thin defined some typographical principles that are used throughout all applications: a custom W based on the angle of the slash (/) and the use of the uppercase I instead of 1. The slashes could be repeated and mixed together, generating different patterns.

Branding for Nest Music, a modern music company based in Helsinki (Finland), which features a custom drawn "NM" monogram based on Everett Medium.

From Accept & Proceed’s Instagram:

ION*Biome is an evolution of more than just a product name and identity. It is the mark of a new era of health awareness and recognition of the healing powers of Nature.

In May 2019 we won a global invitation to tender for the rebrand of Seraphic Group's flagship gut health product Restore. To be sold internationally, it required an ownable name and brand to align with their growth plans.

In re-naming and repackaging Restore to become ION*Biome – we gave the health supplement a name which gave a nod to both its origin and its purpose. The acronym ION* stands for Intelligence of Nature, as the product looks to the Intelligence of Nature to restore the bodies microbiome to its busy, vibrant self allowing the microbes to communicate with each other again – as nature intended.

Rebranding for Seraphic Group’s flagship gut health product ION*Biome, launched in 2020. London-based design studio Accept & Proceed developed the whole identity, featuring connective imagery, highlighting the connectedness of all life, dynamic language couplings and a bespoke version of Everett Light designed by Nolan Paparelli including extra thin punctuation and custom typographic features.

Everett by Nolan Paparelli is used throughout the new brand identity of Abnormal designed by brand strategy and design studio A LINE. Their logo, based on Everett features an alternate A without horizontal bar, a bracketed lowercase r without curves and a single-storey a. From A LINE’s portfolio website:

A LINE worked closely with the Abnormal leadership team to develop a brand strategy, tone of voice, and visual identity that reflected its position as an unconventional technology company taking an uncommonly precise approach to solving the world’s biggest cyber security challenges.

To create a sense of precision we built the entire identity system on a grid. Designed to be used across imagery, illustrations, applications, animations, and iconography, the grid also represents the AI inherent in Abnormal’s technology – specifically how it provides a depth of insight into people’s behavior that would be impossible for an individual to do on their own.

The new identity system for Minas Kosmidis Architects was developed by Semiotik Design Agency (Thessaloniki). All typography is set in two weights of TWK Everett, designed by Nolan Paparelli, with a custom r without curves. In some of the images, Everett’s single storey a (available via a stylistic set) is used instead of its default bicameral version. From Semiotik's website:

Minas Kosmidis Architects was founded in 1994 by the architect Minas Kosmidis and operates in Greece and abroad, having received numerous international architecture awards. According to the studio, architecture is expressed as a narrative, regardless of scale or short requirements and should always be approached with attention to detail.

Regarding the new logo and identity we worked with clear lines, materials, colours and textures, in a way that creates a design imprint, much like the one of architectural space. We were inspired by concepts such as construction and deconstruction, composition, the negotiation of interior and exterior, the floor plan and the imprint, the point of convergence and divergence. We translated these concepts into a visual identity through form and typography.

The characteristic star symbolises the scale, the different architectural directions, which architectural office combines in the different projects it undertakes.

From bus.group's website:

The young, Berlin-based venture Argument proposes a new perspective on design, understanding its collection of furniture as something discursive where objects ‘become arguments’ in themselves. bus.group provided design and art direction to Argument, developing a contemporary identity for use across formats. A multimodal website was produced to house the launch collection, developed with full integration of shop functionality.

The new identity for Argument designed by Enno Pötschke from bus.group uses custom versions of TWK Everett and TWK Everett Mono. Both custom typefaces, provided by its designer Nolan Paparelli, include new designs for a few letters, amongst which are a rounded G, a single-storey a and a somehow more mechanic g. The retail versions of Everett and Everett Mono are available from Weltkern.

From BOB Design:

Morris+Company is an evolution of the acclaimed Duggan Morris Architects. The renewed practice dovetails the individual strengths of founder Joe Morris with the talents of a wider company of designers, all committed to the adventure of making architecture collectively. Our brief was to distill and communicate the creative spirit of this reassembled office. […]

The ‘change of state’ is represented by a ‘+’, which sits central to the new name at the meeting point between the individual (Morris) and the collective (Company). The ‘+’ also triggers a framework for the visual identity, marking the meeting point of fields with differing colour, texture, material or imagery. Where changes in material or texture aren’t possible, patterns are used to represent materiality.

The logotype is tailored to sit aside these visual thresholds, and is formed from the Everett typeface. The elements of each letter in the face ‘rest delicately’ together, a characteristic of the practice’s highly crafted architecture. [Words by Emma Keyte at Free:]

A customised version of the Everett typeface has been designed in order to sublime the visual identity's core concept. This concept has been consistently developed in various applications throughout the new identity of the architectural practice Morris+Company.