We came up with a design system in which each book is unique but relates to the others, so that what sits on your shelf is a visual continuum. […] All covers are unique, rhizomatic iterations of a system, and each book is the master design, not just a variation of a fixed template.

Generative book cover design by Atelier Carvalho Bernau for octavopublicaties.nl.

The booklet Graphisme en France 2013 was edited by the CNAP (Centre national des Arts plastiques) and designed by Atelier Tout va bien.

Link. Idee per la televisione is an Italian editorial project focusing on TV and media. Issue № 15 collects fourteen interviews with authors of popular tv series. The magazine is 13×21 cm in size, and the typefaces in use are Aperçu and Aperçu Mono by Colophon and Lyon Text by Commercial Type. Link has been printed in two colors, black and Pantone® 801, on Favini Shiro Echo White paper. Link. Idee per la televisione is also available for iPad and Android devices.

Designer James Kape writes:

“Sometimes is a collection of conversations on fashion, art & contemporary culture. The magazine is created for Somewhere and Somedays, two stores in Australia that specialize in Scandinavian clothing. Sometimes issue two features interviews with Scandinavian brands, designers, photographers, and musicians, city guides for Sydney and Melbourne, and articles on contemporary fashion and music.

We approached the design by allowing the content to remain prominent, keeping things simple, and developing the Scandinavian aesthetic established with issue one. We were involved in all aspects of the production and provided additional photography for the covers and a number of articles.”

Annual booklet for the Rennes School of Art. Each section title is composed in two weights of the History font in order to give an identity to each parts of the booklet. Each of the letters on the cover regroups the two weights used in each titles.