Rauschen B in use for the third mini album by South Korean singer and songwriter Chen (첸), titled Last Scene (사라지고 있어). It includes a CD, a booklet, photocards, and a poster and was released by SM Entertainment. The typefaces used for Korean text are unidentified [edit: there’s Sanuwha and Sandoll GothicNeo, see comments].

[More info on Discogs]

Ohne Titel (“Untitled”) was an exhibition showing paintings by young artists from southern Germany and German-speaking Switzerland. It was co-curated by Julian Denzler, Museum zu Allerheiligen Schaffhausen, and Christoph Bauer, Kunstmuseum Singen. The catalog was published by Modo Verlag in Freiburg.

See more images on the website of Studio Marlon Ilg.

Rauschen Max and Remix B Regular and Italic in use for Not Us Now. The book with poems by Zoë Hitzig
 was published by Changes in New York City on June 1, 2024. 
ISBN 979-8-9889042-4-3


Rauschen B Regular together with JHA Times Now Light in use for the Norbergfestival 2023 visual arts program, designed by Agga Stage and Alexander Söder.

Norbergfestival is a 24-year-running festival, held on the abandoned iron mine site of Mimerlaven in Norberg, Sweden:

Our visual arts program showcases a mix of exhibitions, transforming the very fabric of Norberg itself. Ordinary spaces, now transformed into exhibition sites, offer a remarkable backdrop for a diverse array of artistic works.

Description of the project by designer Stephen Barrett:

Identity, graphic design and wayfinding for West Quay, a placemaking and public art project in Poole, Dorset, in collaboration with architects Dallas—Pierce—Quintero.

The visual identity draws upon the local area’s history of manufacturing, from ship building, ironmongery and beer brewing, to pottery, tiles and pharmaceuticals. The typeface Rauschen [A and B] by Out of the Dark was used throughout with the logotype and headings set in Rauschen Max. The typeface's machined aesthetic and assortment of abstract characters evoke the visual qualities of workshops, machinery, tooling and metalwork.

Working closely with DPQ, we designed a series of information boards using a modular system of printed ceramic tiles, allowing for a variety of configurations of images and text.

Photography: Jamie James
Client: Dallas—Pierce—Quintero, BCP Council

Etna and Rauschen B in use for the new Wooden Spoon Herbs branding by Brooklyn-based studio Gander.

Excerpts from Liz Gorny's article on It’s Nice That:

A near year-long process that spanned copywriting, typography, colour systems, illustration, packaging, art direction, social media and creating a robust e-commerce website, the revamp had to house a diverse range of products – 15 in total. But it also had to consider the aesthetic history of herbalism at large. [...]

The custom Wooden Spoon Herbs wordmark also embraces variation, appearing in multiple incarnations throughout. These include three horizontal versions and a circular iteration.

Catalogue raisonné for artist Vittorio Santoro on the occasion of the exhibition Michał Budny, Vittorio Santoro: Sculpture/Sculpture at Kunstmuseum Luzern (October 2020 – January 2021). From the museum website:

The departure point for Vittorio Santorio’s work is the line as a script that – on paper or as neon on a wall – communicates ideas. he call his objects, films and installations “sculptural situations” by means of which he addresses linguistophilosophical, existential or literary themes.

The catalogue, named Vittorio Santoro: Experience Implies Movement presents the artist’s work as a monography with texts by various authors in three languages (German, English, French). The tabs in the margins of the book block enable a quick overview of the different sections. Published by Hatje Cantz “in the framework of Binding Sélection d’Artistes”.

The development of Rauschen A Regular and the design of the catalogue went hand in hand. Rauschen was optimized in legibility and emphasized in proportions. An Italic version was added. Syncro and Syncro Mono are used for captions and footnotes.