A Clearasil advertisement from the 90s, with the copy set in all caps on a spiral:

Everything’s out of whack, completely off kilter. Evil blackhead armies erupt without warning, take me as hostage, then laugh even harder and multiply. Well die, you zombie zit invaders, die, because I have a secret weapon which is mightier than you which cleans way down deep with more killer stuff than the number one pad to blast you into the next galaxy and which is fact is this wicked little pad from Clearasil®.

The main typeface used here is FF Dolores, the first published typeface design by Tobias Frere-Jones. It can be seen in at least two of its five weights. A couple of different fonts are used to highlight certain words: “blast” and “die” are set in Joe Perry, Mike Allard’s compressed digitization of Quaint Roman. “More killer stuff” is in Kurt Russell, another 1990s shareware font by Allard’s DeNada Industries. “Hostage” uses Filmotype Accent, “mightier” is in Goudy Heavyface, “galaxy” in Helvetica Inserat, and “wicked” in Schwarz. Last but not least, “Clearasil” is set in Antique Olive.

Header from 2004, as shown on the current website

From WikiFur:

Sabrina Online is a comic created by Eric W. Schwartz following the life of a female skunk named Sabrina. […] The strip ran uninterrupted for 20 years to the day, from September 15th of 1996, through the same date in 2016.

The logo of this late 90s webcomic is set in Cooper Black with the lowercase i sporting an asterisk-style shape in place of a dot in “Sabrina”, with "An internet transition since 1996!" in Times New Roman.

Header from 2000 (on the Archives page with the very first strip from September 1996), as filed by the Internet Archive in 2001

An early packaging of the Jenga game, made by Milton Bradley in 1986. The logo uses Playbill in a customized unicase setting. Information is set in Palatino. From Wikipedia:

Jenga is a game of physical skill created by British board game designer and author Leslie Scott, and currently marketed by Hasbro. Players take turns removing one block at a time from a tower constructed of 54 blocks. Each block removed is then placed on top of the tower, creating a progressively more unstable structure.

For summer 1985. Copies of this poster are available from Milton Glaser’s website.

There were many iterations of Milton Glaser’s cat and Catskills posters which were produced for the New York Board of Tourism. Dates on these posters go all the way back from the late 1970s to the mid-90s. All use Glaser’s own Kitchen, a typeface originally produced for the World Trade Center’s cafeteria called “The Big Kitchen.” Some designs use New York State Department of Commerce’s famous “I ❤️ NY” logo (also created by Glaser) which features ITC American Typewriter. Some posters simply featured “I Love New York” or “I Love NY” spelled out.

For the Catskills’s Fireworks, Fairs & Festivals in the summer of 1994. The logo in Kitchen here is paired with Century Oldstyle.

For the Catskills’s Winter Festival in 1981/1982. The typeface chosen for this poster as well as the one shown below is ITC Bookman.

This may have actually been the first in the series. Milton Glaser donated this print to Cooper Hewitt's collection in 1979. [source]

CD cover.

A really early use of FF Meta on the cover of Saint Etienne’s 1993 album So Tough. Definitely read the comments by designer Anthony Sweeney below.

Saint Etienne are a fairly “conceptual” group influenced by sixties pop and eighties house music — this album's a good introduction to their work — and the retro-sixties sleeve with the track names listed is quite characteristic of their aesthetic.

I hadn't looked at the sleeve closely for years and was quite surprised to see what now seems like a classic 90s font — I'd imagined it being something like Monotype Grotesque Condensed or Alternate Gothic.

The album title is probably in Bunny Ears, a lowercase-only version of Titanic/Hercules, with long alternates for ‘b f h k l’

[More info on Discogs]

LP front cover, Heavenly, 1993.

Promo poster.

Rare German album. Neil’s BANG recordings were distributed in that time through Metronome Records (like The McCoys too). Nearly all songs on this LP are pop milestones! At that time Neil was a real genius! Mostly 1966 & 67 Recordings.

This title uses Cooper Black Italic’s alternate swash caps, shown in this 1934 ATF catalog.

“Interview with the typographer”, from Graphis Digital Fonts, 1996