Website for international design agency Shed. From Awwwards:

Shed are an agile, international team of strategic thinkers, brand designers and interior architects who have shaped ambitious brands for over 25 years.

The website was designed by Issac Powell and Thomas Aufresne. The headlines use Owners by Jeremy Mickel, while the body and small texts use either Sequel Sans (OGJ Type) or Reckless (Displaay).

Exclam is a French-language comedy festival in Montreal, Canada.

Flexible by Art Grootfontein was used for the logo and all festival communications. It’s supported by Neue Haas Grotesk Display. The festival's visual identity was created by Bitesize, a Montreal-based agency.

UENO a.k.a. Maurizio Mazzenga is a Rome-based multi-instrumental, music composer
who moves through electronic music, audio/video projects, soundscapes and
soundtracks. He’s also a member of Mokadelic with whom he composes music for international movies, TV series (Gomorrah) and commercials (for Volkswagen and Bottega Veneta).

D.C.M.P. (Dancefloor Cleaning Maintenance Program) (Absolute Records, May 2023) was the first release – a 6 tracks EP written, recorded and produced by UENO. Made with few and relatively simple sonic elements, the album wants to be a post pandemic dynamic booster with a bidimensional feel. Reset and restart.

Bolt homepage

Gamay serves as the brand typeface for Bolt and Plenty.

Bolt is a Belgian supplier of green and locally sourced energy. In 2025, the company launched their new cooperative, Plenty. On this occasion, Bolt commissioned design studio WeWantMore from Antwerp with a new visual identity that encompasses both enterprises.

The clear-cut sans by Darden Studio plays a center role in it: Gamay is often used in all caps from one of its bolder weights, for example in billboards and online campaigns. On the two websites, boltenergie.be and plenty.be, it features in various styles, from the Book Italic to the ExtraBold. Gamay makes for impactful headlines as well as for crisp body text, and looks good in both the French and Flemish language versions. It’s supported by italic styles from Dave Rowland’s Gelica.

“Know where your electricity is coming from”

Video ad for the Plenty cooperative

Selection of social media posts by Plenty

Flemish version of the Plenty website

French version of the Plenty website

TwelveLabs is redefining how AI understands video. Instead of relying on tags or transcripts, its models interpret video as a multidimensional system—connecting dialogue, gestures, objects, emotions, and events over time. Based in Seoul and San Francisco, the company has built a new brand identity around the concept of “video as volume,” turning complex AI infrastructure into something visible, intuitive, and meaningful.

The new identity was crafted by Pentagram, bringing clarity and expression to TwelveLabs’ vision. They used the typeface Milling, designed by Tanguy Vanlaeys and distributed by 205TF.

For the visual identity of the 2025 edition of the Premios MIA, or Mia Awards, organized by Club Marketing Mediterráneo, the design team selected Godina as the primary typeface. Characterized by its geometric construction and contemporary elegance, Godina brings clarity, structure, and a distinctive personality to the event’s communication materials.

The typeface’s modular approach, based on the deconstruction and recombination of primary shapes, aligns with the innovative and dynamic spirit of the marketing industry. Its clean, balanced letterforms enhance legibility while providing a modern visual tone that supports both the prestige and the accessibility of the awards.

The choice of Godina contributes to a cohesive, recognisable identity across all applications, from promotional assets to event signage, reinforcing the impact and visibility of the MIA Awards 2025. The accompanying text typeface is Telegraf.

Serbia Games Association (SGA) is a non-profit organization that supports the growth and international visibility of the Serbian video game industry. Founded in 2018, SGA connects game developers, artists, publishers, and educators, fostering collaboration and knowledge sharing. Through mentorship programs, workshops, and global partnerships, the association plays a key role in positioning Serbia as a rising hub for creative and technical talent in game development.

We designed and published SGA’s digital annual report for 2024 to spotlight key trends in Serbia’s gaming industry. The aim was to present complex data visually, highlight over 150 studios and 10 expert voices, and support SGA’s mission to boost industry visibility—all while aligning with modern digital standards.

Each year, we explore a fresh, creative approach. This time, we leveraged a new 3D design tool to generate all visuals, bringing a unique and contemporary aesthetic to the report.

The final report is clear, engaging, and accessible, blending humor with bold design to position Serbia’s gaming scene on the global map.

Serbia Games Association (SGA) is a non-profit organization that supports the growth and international visibility of the Serbian video game industry. Founded in 2018, SGA connects game developers, artists, publishers, and educators, fostering collaboration and knowledge sharing. Through mentorship programs, workshops, and global partnerships, the association plays a key role in positioning Serbia as a rising hub for creative and technical talent in game development.

We designed and published SGA’s digital annual report for 2022, highlighting key trends and statistics in Serbia’s gaming industry. The aim was to present complex data clearly and visually, promote over 150 local studios and 10 expert voices, and support SGA’s mission to boost industry visibility, all while aligning with modern digital standards.

We ended up with a top-notch digital report that aligns with industry standards. It features clear, engaging statistics presented in a light, humorous tone – eyecatching and easy to read. We successfully showcased over 150 studios and included around 10 expert articles, all delivered in a digestible and approachable format.

Serbia Games Association (SGA) is a non-profit organization that supports the growth and international visibility of the Serbian video game industry. Founded in 2018, SGA connects game developers, artists, publishers, and educators, fostering collaboration and knowledge sharing. Through mentorship programs, workshops, and global partnerships, the association plays a key role in positioning Serbia as a rising hub for creative and technical talent in game development.

We developed SGA’s digital annual report for 2023 to highlight key trends in Serbia’s gaming industry. The focus was on clear, visual storytelling – featuring 150+ local studios and ten expert voices – while reinforcing SGA’s mission and aligning with modern digital standards.

Each year, we take a fresh creative direction. For this edition, we embraced a bold visual style using AI-generated graphics, reflecting one of the year's most relevant industry themes. The final report is visually striking, easy to navigate, and highly informative, effectively positioning Serbia’s gaming ecosystem on the global stage.

The main typefaces in use are Poppins and NeueBit.

The condensed sans used for “150M€” is GT America Compressed Bold.

The annual South Australian Music Awards celebrate excellence in the state’s contemporary music industry and take place each November in Adelaide, South Australia. As a key event on the UNESCO Adelaide City of Music calendar, the awards have become a standout fixture in the local cultural landscape.

For the 2024 edition, Adelaide-based creative Saige Prime designed the visual identity. His work encompassed creative direction, logo design, animated screen visuals for the ceremony, and visuals used for the promotion ahead of the event.

Farmacia by Nguyen Gobber was used as the primary typeface, paired with Neue Haas Grotesk by Christian Schwartz.

Fresha is a platform for businesses in the beauty and well-being sector. The brand identity was created by DesignStudio to give it a contemporary and dynamic aesthetic.

Fresha uses the expressive serif Tartuffo (from Lift type), to give a unique personality to the brand's headlines and key messages, introducing an element of charm and sophistication. Complementing this, Roobert (from Displaay), with its clean, modern sans-serif structure, provides a solid foundation for readability and consistency in both digital and print applications.

The refreshed identity is applied to various brand touchpoints, including the website, mobile app, marketing materials and social media, creating a consistent and engaging experience for businesses and consumers alike.

Kunst og krig / Art and War was a symposium organized by Arctic Art Institute and Deichman. It took place at Deichmanske bibliotek in Bjørvika, Oslo, in October 2022.

The aim of the symposium is to discuss the nuances of the current situation with artists who are critical of the Ukraine war and establish a platform for stories, which are rarely communicated in the major mainstream media.

The typography pairs Director and Roboto Flex.

Presentation with Director and Roboto Flex at the Deichman Bjørvika, Oslo, in October 2022