EAMAN, the Eastern African Museum of Art-Nairobi, envisions itself as a world-class cultural institution dedicated to the collection, preservation, study, and display of Eastern African art. They strive to be a leader in promoting scholarship and art education, making Eastern African art better known, understood, appreciated, and celebrated in Eastern Africa and globally.

Their mission is to collect, preserve, research, and display the wealth, genius, and diversity of Eastern African art for the people of Eastern Africa and the world.

Their typography-heavy identity features Druk Wide for headers, and Sprig Sans Mono for body copy.

Promotional artwork for a Record Store Day event at Skydiver, a record shop and bar in Collingwood, Melbourne, featuring DJ sets throughout the day. The typography utilizes all-caps Hobeaux for most text, with Basic TM for “Record Store Day” and Offset TM for the date.

Poster for the 10th anniversary of Behind This Wall bar in Hackney, London.

FAWA was a queer, solidarity-oriented venue in Paris combining a cultural center, community restaurant, and club. Developed as a collective initiative, it served as a shared living space where social engagement, culinary practices, and cultural events coexisted between 2023 and 2025.

The team of FAWA and edition.studio worked together to develop a visual language, using Phonk for a mural and the announcement of a mini-market.

Wer Bringt Den Kuchen? Who Brings The Cake? was a series of art events (talks, screenings, workshops) happening during the year 2024 in Kunstbunker Nürnberg. Designer duo Lucia Schmuk and Elisabeth Thoma created a poster for each talk, keeping the overall same layout but changing the colour duo and the titling font each time. The poster series was selected among the 100 beste Plakate 2024.

The font used for the series title and the name of the place on each poster is Lÿno Stan by Radim Peško, while smaller text is set in Suisse Int’l by Swiss Typefaces. Then are used Gulax, Terminal Grotesque, Gap Sans and the free weight of NaN Holo as unique titling fonts for each poster. The condensed sans used for “The End of the End of Selling Out” is yet unidentified.

Apart from Lÿno and Suisse Int’l, almost all of the selected fonts – if not all – are free to use or open-sourced.

Tangible Design Festival presents its event as follows (translated by the contributor):

Tangible is a festival dedicated to all forms of design expression, offering a close look at local specificities. Supported by several partner organizations/designers from the Aix–Marseille–Provence metropolitan area and coordinated by the Fotokino association, it is conceived as a shared program promoting the visibility, promotion, and dissemination of design practices in the region.

Each year, a call for participation invites organizations and professionals to propose and organize events that will enrich the program. Open to all forms of expression (object design, graphic design, urban design, textile design, social design, crafts, etc.), the festival draws on the vitality of the local context while exploring links with related practices: research, crafts, art, and applied arts.

Lisbon based design studio and print shop Desisto is hosting the international exhibition RISOMA, dedicated to Risograph printing. The project draws a living, shifting map of a global network of creators – printers, designers, artists, poets, and musicians – united by a shared passion for this artisanal and experimental technique. Conceived as a celebration of collective practices and the tactile nature of printed images, RISOMA highlights simple gestures – printing, folding, gluing – that carry deep meaning.

The Systm font family shapes the exhibition’s graphic identity. Developed by Blaze Type, this modular type system is built from two basic components – a square and a quadrant – laid out on a strict grid. Its design references brutalist architecture, early interface systems, pavement patterns, and more broadly, any grid-based approach to graphic design. Within the context of RISOMA, Systm embodies a contemporary, radical, and rigorous aesthetic, without ever losing the playful spirit of typographic experimentation.

Alongside contributions from dozens of riso studios worldwide, RISOMA also presents a series of posters by twelve guest artists, as well as a complete educational program ranging from Riso fundamentals to advanced editorial practices. This exhibition isn’t just about printing – it’s about networks, happy accidents, DIY culture, autonomy, and the joy of making. With its modular logic and strong visual presence, the Systm typeface perfectly extends this graphic manifesto. It becomes the visual language of a movement that prints its ideas as much as it spreads them.

The accompanying sans serif used for all information is Area, see comments.