Visual identity for the exhibition Inezita Barroso: 100 anos de viola e pioneirismo for Sesc Mogi das Cruzes.

The show about Inezita Barroso (1925–2015) and “100 Years of Viola and Pioneering” is presented by Sesc Mogi das Cruzes to mark the artist’s centennial and bring together fifteen activities in her honor. The concept is anchored in enraizamento (“rootedness”), inspired by a statement Inezita made to Revista Brasil: “Something without roots flies away; the wind takes it and it disappears.” In her performances, Inezita was often seen wearing floral dresses, full skirts, and scarves, elements associated with traditional attire from Brazil’s countryside. The visual identity draws on this symbolic dimension by placing vernacular rural prints and folk embroidery at the center of the graphic system. The full booklet is available for download.

The program flyer for Reizende Leute, diese Boulingrins (es brennt) at RambaZamba Theater translates the escalating energy of the play by Georges Courteline into a strong graphic object. Courteline’s biting satire about a bourgeois couple in a permanent state of exception becomes, in this production, a physically present and exaggerated confrontation. Performed by the inclusive ensemble of RambaZamba Theater, consisting exclusively of actors with disabilities, the conflict gains a particular directness and intensity.

The flyer was designed by Stahl R, who are responsible for the theater’s visual communication. In its folded state, it functions as a compact program medium with clearly structured text blocks and a distinct hierarchy. Once unfolded, however, the object transforms. On the reverse side, a large scale poster motif appears.

The color scheme is radically reduced to red and black, with black printed on glossy red paper. This materiality enhances the visual impact and creates an almost alarming presence. A coarsely rasterized close up of a face dominates the surface and begins to flicker through its visible halftone dots.

For the typography, Reply by Approximate Type is used. The typeface appears compact yet expressive, with distinctive details that give the title a tense and independent character. Set in large scale and pushed across the image, the typography actively intervenes in the composition. It does not remain neutral but confidently asserts itself within the space.

Poster and flyer series for the successful dance theater production Ascochinga. La vida todavía (“Ascochinga: life still goes on”) staged by the municipal theater company Teatro Comedia in Córdoba, Argentina. Illustrated and designed by Santiago Guerrero, using Reforma 1918 (PampaType), part of the tailored type family originally made for the National University of Córdoba.

Source: www.instagram.com Arabako Lautada. License: All Rights Reserved.

Design for the two-day festival marking the end of the concert tour by the musical duo Dupla. All promotional material exclusively uses the Basati typeface by Blancoletters, in its various weights. The typeface is applied consistently across the compositions supporting the poster’s focus on local culture and public celebration.

Source: www.instagram.com Arabako Lautada. License: All Rights Reserved.

Source: www.instagram.com Arabako Lautada. License: All Rights Reserved.

Source: www.instagram.com Arabako Lautada. License: All Rights Reserved.

Source: www.instagram.com Arabako Lautada. License: All Rights Reserved.

Poster for a performance at REDCAT, the first-ever retrospective of Vertical Blanking, a video art, performance, and experimental music duo consisting of ia Kamandalu (formerly Kim McKillip) and Michael J. Masucci. REDCAT is the Roy and Edna Disney CalArts Theater in Los Angeles.

Krok (Крок) is the fourth album by the Belarusian band SOYUZ (СОЮЗ), released by Mr Bongo. The title means “step” in Belarusian and reflects the band’s recent transitions, including the relocation to Warsaw following political unrest in Belarus and the war in Ukraine. For the first time, composer and arranger Alex Chumak wrote the lyrics in his native Belarusian.

Recorded between Brazil and Europe, the album blends Eastern European roots with jazz, folk, and global influences. The artwork and related materials were designed by Alex Chumak himself using KTF Concrete and KTF Prima.

[More info and videos on Bandcamp, Mr Bongo and Discogs]

A Common Room in a Changing World – A workshop exhibition about communities and democracy offers insights into Danish forms of community and democratic exchange, from Folkemøder and folk high schools to collectively used spaces, while at the same time opening up a space for dialogue through a range of workshops and mutual exchange. It was presented at the Fellehus of the Nordic Embassies Berlin.

The exhibition design is a collaboration between the architecture studio Rumgehør and graphic designer Malte Andersen.