Luca Longobardi is a graphic design student in Communication and Design for Publishing at ISIA Urbino.

Cover for a poem book published by Edicions del Buc.

Cover for a poem book published by Edicions del Buc.

“The Black Sheep and Other Fables”, by Augusto Monterroso, translated by Millôr Fernandes and published by Cosac & Naify.

Atelier Tout va bien designed the graphic system for the 2016 edition of Les Rencontres Cinématographiques de Dijon during a workshop with students from ENSA Dijon Art & Design (Sarah Chevillote, Eun Kim, Élisa Mouton et Maylise Poccard).

The international cinematographic meeting brought together nearly 600 filmmakers, producers, distributors, operators, representatives of TV channels, the Internet and public authorities to discuss the major challenges facing the cinema and the audiovisual sector.

Based on a distorted Stratos typeface, the modular system is built around cinematographic motions and rhythms: editing, travelling, perspectives but also chronophotography from the Burgundian Étienne-Jules Marey.

Daylight is a simple app that tells you about daylight changes and notifies you when the days are getting longer.

The perfect assistant for the long and dark winters of the north.

Daylight is available on the web, iOS, and Android.

Under After is a design studio in Brooklyn, NY founded by Mark Forscher and focused on visual identity and digital product design. The minimalist design features Platform Regular as the only font.

Matière Grise, exhibition at Pavillon de l’Arsenal. Curated by Encore heureux architectes
Graphic design of a 368 pages catalog, adaptation for the exhibition space
Illustrations by Bonnefrite

The logo is custom lettering, possibly based on Compacta Black.

“Identity, Branding & Web Design for an IT consulting company based in Saudi Arabia.

With more than a decade of expertise in the world of IT consulting, and an international range of clients that expands to cover seven billion people (hence the brand's focus on the number), Face had to make a design that would measure up to this impressive curriculum without going over the top.

We kept it minimal and stylish with clean typography, silver foil, and an engaging use of the number 7 for the information layout of the stationery.” — Face