350g neighbourhood honey jar

Brand and packaging design by Studio Gangplank for Bee One Third, an Australian beekeeping initiative founded on the premise that one third of our global food supply depends on bee pollination.

Studio Gangplank produced a packaging system that not only expresses Bee One Third's values, but also solved their growth challenges. Inspired by winemaking’s appreciation of terroir and climate, each hive and harvest features a unique range of artwork to be released in sync with the Australian beekeeping seasons.

The honey company’s logo, in full and compact version, is set in Tilda by Jessica Hische. All copy is set with Aperçu by The Entente.

350g neighbourhood honey jar detail

90g honey jar

350g raw honeycomb container

150g wild flower pollen jar

90g neighbourhood honey jar and raw honeycomb

Honey jar collection

250g neighbourhood honey jar detail

Cookie-shaped business cards for pastry chef Maikol Gunetti. Name set in Nautica, smaller text uses Mrs. Eaves Roman All Petite Caps. Letterpress printed from polymer plates on duplex paper with a custom die-cut.

Redesign of the back catalogue of writer Ivar Lo-Johansson by Swedish Albert Bonniers Förlag. Designer and illustrator Kristin Lidström uses a tasty combination of PiS Wanderlust, Emblema 60, Gf Script No5, and Henriette Bold throughout the series.

I was one of a handful of lucky individuals who received these wonderful buttons featuring a pair of thoroughly hashtagable Trumpisms. The buttons were designed by Theresa Dela Cruz using Erik Marinovich’s tasty Viktor Script.

I’ve used Aphrodite Slim in my cousin's wedding invitation. Love to use my fonts for weddings :)

Oxford American is a literary magazine featuring writing from America’s South. This is the Spring 2011 issue. The current art director is Tom Martin, who has been with the magazine for several years and we assume was responsible for this cover.

“When we designed Marian one of the ideas behind it was to deantiquate the serif forms of the past so they could be reused in a contemporary way. One of the applications we always imagined was wedding invitations. Recently our friends The Counter Press designed this wonderful invitation in Marian 1554 Text. A modern design, using a modern typeface with a rich history.” — Commercial Type

“A gorgeous volume celebrating the personal styles of dynamic creatives, revealing how inspirations translate to the canvas that is home […] Written by Kim Ficaro and Todd Nickey, Text by Mayer Rus and Sarah Sophie Flicker, photographed by Ditte Isager” — rizzoliusa.com