Front cover with bronze foil and white emboss.

A 160 page Swiss bound coffee table book designed for Columbia Threadneedle Investments to support the leasing campaign of 21 St James’s Square. Interior photography by Rory Gardiner and portraits by Mark Manzi, the book also features interviews with business owners and royal purveyors who embodied the spirit of St. James’s, among them Jermyn Street perfumers Floris, cheesemongers Paxton & Whitfield and wine merchant Berry Bros & Rudd.

The typography pairs two branches of the SangBleu superfamily by Swiss Typefaces, the seriffed SangBleu Kingdom and the largely serifless SangBleu Sunrise. The 21 St James’s Square logo is set in Gill Sans.

Inside front cover. Swiss bound with bronze tape and bronze edging.

Hero spread for each person we featured in the book.

We interviewed a number of people who we believed embodied St James's.

In 1968, Achille & Pier Giacomo Castiglioni were hired by CEDIT to design “ceramic objects for small-scale production”; the result was the “Lapis” family of vases. Exactly fifty years after the creation of this marvelous design, CEDIT presents an authentic reissue. BRH+ has designed the precious, minute book that accompanies the distribution of the individual vases, set in ARS Maquette (by ARS Type) and Minion (designed by Robert Slimbach for Adobe).

From Hauser & Wirth:

In early 2017, Hauser & Wirth New York presented Portable Art. A Project by Celia Forner at its 69th Street gallery. Celia Forner has collaborated with 15 contemporary artists to create objects which defy a conventional definition of jewellery, sitting somewhere between sculpture and wearable art. These artists’ designs are crafted from a variety of materials, ranging from traditional gold and silver with precious and semi-precious gems to enamel, aluminium, bronze and iron.

Beginning with an exquisitely crafted gold cuff by Louise Bourgeois, the project has evolved to include artists John Baldessari, Phyllida Barlow, Stefan Brüggemann, Subodh Gupta, Mary Heilmann, Andy Hope 1930, Cristina Iglesias, Matthew Day Jackson, Bharti Kher, Nate Lowman, Paul McCarthy, Caro Niederer, Michele Oka Doner and Pipilotti Rist.

The catalogue features extensive illustrations, including photos of actress Rossy de Palma modeling the various creations. Quotes from the artists themselves offer unique perspective into their creations and the inspiration behind them.

The catalogue was designed Atelier Dyakova, using Millionaire Script (Altiplano). Softcover, 23×17.1 cm, 124 pages.

Grace & Saviour (Grace Campbell) describes her services as: “Wedding stylist, Event Conceptualist, Editorial and Content Creator & Art Director.”

We developed an entirely new identity and digital presence including with a fully responsive website and brand guidelines for social media and digital marketing. We paired the beautiful Ogg font with the more utilitarian Europa.

Sainte Colombe is the typeface chosen by POST for the packaging and the website of Evermore London Candles. The delicate serif by Production Type appears in raised caps to present the fragrance names on the colored boxes. It’s contrasted with a logo set in the sans-serif LL Brown. Sainte Colombe also serves on the website, where it’s used for body copy in journal posts and for description texts in the online shop. Here it’s combined with Suisse Int’l (headings) and Courier New (labels and buttons).

The brand identity and editorial design we designed for Maison Blanche – a new development project by Berkshire Hathaway HomeServices / Rubina Real Estate in the luxury district of Berlin-Charlottenburg – embraced the style and elegance of the surroundings to define its distinctive look.

With the intention to add character and informal elegance to the project presentation, the logotype is based on Bagnard, a distinctive serif type. This choice was also integrated into the editorial design, where the serif fonts appeared neat but legible, printed small or on screen. Georgia is used for body copy, assisted by Proxima Nova.

56 pages printed on uncoated paper, perfect bound with debossed logo on the cover.
Paperboard cover: Gmund Colors Matt 44 300 g/m²
Paper inside: Munken® Polar Rough 120 g/m²
Printing: Gallery Print, Berlin

The Winslow is a premium, boutique residential project by Devron Developments. Located in Toronto's coveted Lawrence Park neighbourhood, The Winslow residences comprise 68 meticulously designed suites.

From the earliest stages of the project, the ideas of community and connectivity played a major role in the brand strategy. Lawrence Park is a well-established and affluent community that values the qualities of time and a life well lived — all of which are conveyed through the brand identity.

Combining print, packaging, signage, social media, and digital advertising, Vanderbrand developed a carefully considered marketing plan designed to inspire and engage a small but targeted group of consumers, ready to downsize into their first pre-construction home. Using luxury retail spaces and comparative high-end brand experiences as inspiration, the creative direction of the brand naturally reflected the sophistication of the project itself.

The primary logotype for The Winslow uses Grenale, a classic and polished decorative font with high-contrasting forms. The same typeface is used for headlines in the brochure, paired with Circe for body copy and a few accents using Rift. Pairing this identity with a rich forest green and understated brass for the palette imbued the brand with a vivid, rich, and classic feeling of luxury.

As every year since 2009, perfumers of International Flavors & Fragrances (IFF), journalists and influencers met in early December last year to discuss the art of exceptional perfumery at the Grand Perfume Museum.

True artists, IFF's perfumers love creative challenges and always lend themselves to the ‘game‘ of daring encounters that is Speed ​​Smelling. As a pure creative exercise, this event allows them to exercise their artistic talents freely without any commercial constraint or cost limitation and to communicate directly to the general public through the Speed ​​Smelling box.

This new collection uses the irony inherent in the “post-modern” movement: to break codes and rebuild them better. 14 perfumers from IFF present 14 unique creations – reflections of their history, their inspirations of the moment and their interpretations. An olfactory journey at the heart of their universes.

The packaging of the box was designed by Rimasùu. They used two typefaces by Swiss Typefaces. SangBleu Serif is used for the embossed typography on the box, and for all headlines on the explanatory notes. In 2017, this typeface has been replaced by the brand new collection of SangBleu and is not distributed anymore. Suisse Int’l, part of the Suisse collection, is used for body text.

The perfumers’ names on the flasks are set in all caps, rotated Futura.

Rebranding for Warwick Hotels and Resorts, a global hospitality company operating in 25 countries. Warwick has long been known for providing luxury accommodations to celebrities, world leaders, and discerning travelers. Once the home of Cary Grant and host to the Beatles.

Beausite was used for the signature and the brand is suported with Gotham.

The branding of Polish furniture and interior design specialist Studio Forma 96 was designed by Uniforma, using SangBleu King and Suisse Int'l by Swiss Typefaces.

#helvet is a new magazine about luxury in the Swiss moutains. The publications use Suisse Works as part of their branding.

Suisse Works is part of Suisse typeface, available from Swiss Typefaces.

“QQCHOSE breaks entirely new ground in the world of online retail. It’s an extraordinary achievement that extends the frontiers of luxury shopping.” — Paprika

The logo uses Chap with a custom ‘Q’.

Egelnick and Webb:

The £8 million luxury Triton Penthouses are designed by Stephen Marshall Architects and exclusively furnished by interior designer Douglas Mackie. Both the architect and interior designer were passionate about using an eclectic mix of luxurious finishes and exclusive materials.

We created an exquisite brochure, with a padded lamb's leather outer, hand stitched details, gilded pages and bespoke embossings throughout. We commissioned the Wallpaper City Guide team to curate a bespoke area guide. The whole brochure was seen as a luxury accessory in its own right.