First chapter.

Alex Prager is an American photographer and filmmaker who lives and works in Los Angeles. The National Gallery of Victoria released an ebook to accompany her exhibition at the museum, using Input at large sizes for UI and text.

Navigation.

Bio.

“Green and friendly is the new face of New York City’s Central Park, and FB Titling Gothic is its new typeface. The comprehensive rebranding by mcgarrybowen met the Central Park Conservancy’s goal of making the 778-acre landmark richer and more welcoming.” Read more on the Webtype blog.

This screenshot is an edit of the actual site, demonstrating a slightly larger and looser setting for the website text, which is recommended for Titling Gothic at this size.

From the Electric Objects About page:

The Internet is full of beautiful things, and we're building a device that lives up to it. We're going to put the Internet on your wall. To learn more about what's going on here, read this short essay.

This mission statement is perfectly expressed by the unique monospaced typeface in use: Nitti from Bold Monday.

Scott Kellum is a designer and developer in New York City working for Vox Media. For his personal, fully responisve website, he chose Acta Display for headlines and Turnip RE for body copy.

Website of Swedish design studio Impala using Nitti Grotesk and some subtle scrolling effects. A straightforward, fully responsive design made interesting by the sophisticated type choice.

Custora is a web analytics company specialized in e-commerce marketing and customer relation building. They are using Antenna bold and regular for navigation, text and branding, as well as Verdana for small body copy.

Photographer Nathan Kirkman uses Antenna Condensed and Antenna RE on his portfolio site and blog. 

“They are road signs for your daily rituals — the instantly recognized symbols and icons you press, click and ogle countless times a day when you interact with your computer. But how much do you know about their origins?”

Readymag is a platform for producing and publishing a digital magazine. In this feature they pick their best of 2013.

For many outdoors enthusiasts, Recreational Equipment, Inc. (REI) is the first stop in preparation for their next adventure. Read more about the company’s remarkably consistent typographic identity at the Webtype blog.

Heimat Berlin, one of Germany’s most renowned creative agencies, recently launched a new website using Scout and Ibis RE from Webtype. Learn more about the project in an interview with the site designers.

Assembly is a community to develop apps by sharing ideas and voting for the best ones that are then included in the application. They are using Mark van Bronkhorst’s humanist sans-serif MVB Solitaire for branding and as webfonts throughout the website. 

Poptip is using Alrght Sans by Jackson Cavanaugh in their branding, on their website and in their apps. From the Poptip website:

“Poptip is a Crowd Participation platform that helps companies understand and act on social conversation. Poptip's sophisticated software analyzes what people say on social media, so enterprise clients can engage in a two-way dialogue with followers and fans.”

Readymag is a platform to easily and quickly publish a digital magazine. In their newsletter they make good use of some of the typefaces that are available for their magazines, for instance Mark van Bronkhost’s Sweet Sans throughout for labels and body copy, combined with Freight Big for headlines, and supported by Nobel for text and the bright, huge numerals in their latest issue. 

A Simple Frame — Graphic Design with Purpose & Principle is the simple but very compelling, responsive website by graphic designer Mark Schafer. Restrainedly designed in mainly black and white with a dash of magenta it uses Alright Sans from Webtype in a beautiful and fitting way as one of the main design elements.

Ben Barry is a designer at Facebook. His portfolio site is typographically simple, but there was clearly thought put into the judicious selection of Alright Sans’ many weights to suit each level of content. Thin and Medium for large intro text, Light and Regular for secondary text, and Medium for the extra small all-caps labels and navigation.

While the main intro text on all pages is set in Alright Sans Thin, secondary texts like this two-column chunk move up to the slightly heavier Light weight to maintain readability with the smaller type. The headline is in Regular.

The Dissolve is a compilation of mostly indie film reviews. Their website uses Harriet Text and Tablet Gothic.

The Webtype blog posted an article on the new Myspace website, iPhone app, and TV ads.

The identity of independent publisher Melville House is set in all-caps Interstate and that look is carried through on headlines and navigation for their website, with fonts served by Webtype. Other text is set in Droid Serif.

Beautiful identity project by Thomas Lichtblau for small honey farm and online shop “Mein Honig” (My Honey) using Bold Monday’s Trio Grotesk by Florian Schick for print and as webfonts, plus Source Code Pro by Paul D. Hunt.

Read and see more in the extensive documentation on Behance.