Battlefield 6 is a multiplayer first-person shooter developed by Battlefield Studios and published by Electronic Arts. It was released on October 10th, 2025 as the 18th installment in the Battlefield franchise. The game takes place within a fictional 2027/2028 where global order has eroded beyond repair and a large-scale conflict between a fractured NATO and Pax Armata-a private military company would engulf the world.

Battlefield 6 is the second game in the franchise to entirely use custom typefaces, the first being Battlefield 5. All of the fonts here are designed in-house by DICE and EA [edit: this is disputed, see comments].

BF Body is the primary typeface used in Battlefield 6 for, evidently, body text. This isn’t the first time this font has been used in a Battlefield game however, as it was first used in Battlefield 5, then Battlefield 2042, before evolving into its current incarnation. The font is based on the open-source Barlow, which I think is pretty neat. BF Heading is the secondary typeface, used on the occasional short-text or headline. The design is seemingly based on BF Body but with a more octagonal and technical look.

BF Display is an all-caps condensed design reserved exclusively for display text. It is not used during gameplay but is used elsewhere. Its design is very reminiscent of typefaces like Compacta and seems to be based on Battlefield’s logotype, though it isn’t an exact match. BF Utility, a monospaced typeface is used as additional decorative flavor. It isn’t used in the game but is used in all other promotional material.

While these typefaces have dramatically different designs, they do share characteristics such as the slashed zero, the centered tail on the capital Q, lowercase t without a tail, and a generally more squared design.

The main menu/lobby as it was during launch

The main menu/lobby as of Season 2

Settings menu

Witnessing a legendary battle for the skies

The despair of losing a match. The number of players lost in the game mode “Conquest” is illustrated using a graph.

Choosing a weapon

Adding a sight to a gun

Battle pass menu (because apparently one path wasn't enough, we needed three because of course.) A stenciled version of BF Utility is seen in the background.

Key art for Battlefield 6’s Phantom Edition, a deluxe pack for the game with additional rewards and items

Resident Evil: Requiem is the ninth major installment in the Resident Evil franchise, serving as the sequel to Village. Developed and published by Capcom, it was released on February 27th, 2026. The game follows intelligence analyst Grace Ashcroft and federal agent Leon Kennedy, who were conducting their own investigations into the mysterious deaths of Raccoon City's survivors. Their paths would not only converge, but their journeys would force them to confront their past as they inevitably travel back to the ruins of Raccoon City.

RE9 continues to use Plak Extra Condensed for the series logo, which uses a similar scratchy design from Resident Evil 7. “Requiem” is in an unknown typewriter-like font.

In-game, ITC American Typewriter is used only in the main menu and the save menu. Neue Frutiger Roman is used as the primary and body font for the UI which is complimented with Kairos Sans. Rodin is used exclusively for the subtitles once again. The occasional title card at the start of each chapter uses Helvetica Condensed Bold. More niche uses include Univers 57 Condensed which is only used in the HUD for number counters and Univers Ultra Condensed for button prompts. UD Kakugo is used for the notification bar.

I'm not one to normally question the decisions of designers, but I will make one very rare exception here. I don't know why this game needed so many typefaces, I feel like this list of fonts could be cut in half and almost nothing would change. A slightly bizzare detail to an otherwise fantastic game.

Main menu, which features a unique version of the game's logo that is not seen anywhere else. “Resident Evil” is using ITC American Typewriter while “Requiem” has some sort of ink slashed over it.

Settings menu

Title card

Loading screen

Grace idly checking her gun. Grace's HUD—similar to other horror focused entries is simplistic, only showing the ammo counter and the notification bar where it displays recently picked up items.

Grace’s inventory, the only place where you can see her health meter.

Leon finishing off some very evil residents. His HUD, compared to Grace’s, is more “action-focused” with a visible health bar, armor bar and generally a similar design from Resident Evil 4 Remake.

Leon’s inventory, which represents a suitcase

Exclusive to Leon is the supply box, where players can buy or sell weapons and upgrade their existing gear.

Save menu

Resident Evil 7: Biohazard is a survival horror game developed and published by Capcom, initially released on January 24th of 2017. The players control Ethan Winters, a seemingly average man in search of his missing wife, Mia, who disappeared three years ago. After receiving an email from her, it led him down to a plantation in Louisiana. Released after years of excitement and some trepidation from fans and the industry alike, the game has been widely praised and is largely credited for reviving the Resident Evil franchise among other achievements.

Resident Evil 7 is the first entry to use Plak Extra Condensed for the franchise’s logo, replacing Compacta Bold which was used in prior games such as the original Resident Evil. “Biohazard” uses Rama Gothic Rounded. In-game, the user interface primarily uses Franklin Gothic Book, which actually fits the Southern Gothic aesthetic very well. Futura is used more sparingly as a heading font of sorts and Rodin is used exclusively for the subtitles, possibly for localization reasons. Digital similarly is rarely used but can be spotted in number counters and the main menu.

Main menu. The player navigates the menu using a tape recorder that uses Digital for the UI.

Settings menu

The loading screens in RE7 consist of a short synopsis of the current chapter.

Ethan Winters confronting a very evil resident

Inventory menu

Death screen

An alternate UI for Jack’s 55th birthday, one of many RE7’s frankly unhinged DLCs. Digital is used for the timer. “Are You Ready?” is in Lydian Cursive.

The logo appears to be custom. High Speed is similar.

Counter-Strike 2 is a tactical first-person shooter game developed and published by Valve. Released on September 27, 2023, it is the fifth entry in the Counter-Strike series acting as a complete replacement to its predecessor, CS:GO (2012). Counter-Strike 2 fully embraces the stylized realism first introduced in the later years of CS:GO, all while still keeping its military roots.

First used in CS:GO, Stratum 2 returns as the main typeface for Counter-Strike 2’s branding and user interface. Its boxy, geometric appearance fits both its military theme and its stronger emphasis on a stylized almost sports-like aesthetic, being one of the flagship title for the e-sports scene. Counter-Strike 2 also debuts with Stratum 2 Condensed, used mainly on headlines and generally big text. As far as I know this is the first ever usage of the typeface, predating its retail release by almost a year.

Longer or miscellaneous text and languages that aren't in Latin or Cyrillic are set in Noto Sans. Interestingly, what seems to be a monospaced version of Stratum 2 is used exclusively for the game's debug console. It is not officially released by Process Type Foundry as of the time of writing.

Main menu/lobby. Currently running events and items on sale are shown on the left, other features at the top and the friends list to the right. The top bar uses Stratum 2 Condensed for its text and is notably one of the few UI elements to use some sort of topographical pattern.

Loading into a match of Hostage Rescue

In-game HUD

Winning a match

My lackluster inventory. While hard to see unless zoomed in, most of the UI's backgrounds use a checkered pattern.

Inspecting a skin

When players receive a new item, they are shown this pop-up screen when entering the inventory. Stratum 2 Condensed is used here for the top text and the Continue prompt.

The mysterious monospaced version of Stratum 2 used for the console and the FPS counter

The news section. Pretty self explanatory though frankly Valve could make the text somewhat bigger here.

Tom Clancy’s The Division is an online action role-playing video game developed by Massive Entertainment and published by Ubisoft, released on March 8th 2016. The game takes place in an alternate near-future, also known as 2015 where a viral epidemic has spread worldwide, causing untold casualties and widespread chaos. In order to restore law and order, the United States Government activates sleeper agents working for the Strategic Homeland Division.

Ignoring the whiplash of memories I got from stepping into yet another global epidemic, this game is much more futuristic than it wants to admit thanks to the advanced SHD tech, and the UI reflects this. Borda, unapologetically futuristic is the sole typeface used for the UI. With a little help from modding tools, the game is specifically using the regular, demi-bold and bold weight. Borda continues to be used as the branding typeface for The Division sub-series.

As for other typefaces, Helvetica Black is used in the game’s logo for “The Division”, whereas “Tom Clancy” is likely custom made. Source Sans is used for the game’s chat window.

Main menu

Settings menu

In-game HUD. The game heavily utilises in-world HUD elements to mark locations. Whether or not the agents actually see it is a bit of a mystery.

Pause menu

Upgrading a section of the James A. Farley Building, used as the main lobby of the game

Inventory menu

Modding a gun

Initially released as Hitman 3 (2021) and rebranded in 2023, Hitman: World of Assassination is a stealth game and the eighth entry in the namesake’s franchise. You play as a contract killer named Agent 47. Hired by the ICA, you are tasked with assassinating multiple targets across the globe.

A guilty pleasure of mine, this game includes one of my favourite user interfaces of any game. It is highly minimal yet professionally done with a purpose, as a professional like Agent 47 needs only the most necessary information conveyed clearly to execute his job.

Much of the user interface is set in Neue Haas Grotesk, a perfect font that I can see 47 liking. This extends to all of Hitman’s visual branding since the 2016 reboot, where it first introduced this style of UI. Noto Sans makes a peculiar appearance, used on numbered elements and as the primary font for when non-Latin languages are selected.

Official logo

Main menu

Preparing for a mission

Every briefing cutscene ends with a list of the targets and a “Mission Active” card

Most cutscenes often end with the name of the targets and a “Mission Active” card, signaling 47 to start

Agent 47 in his natural habitat

Completing a mission. Noto Sans is used for Mission Time.

Even in the credits IO Interactive gives it some distinct flair. Noto Sans is used here as well.

Settings screen

Player profile. Noto Sans is used on the experience points.

Sweet Frog (stylized as sweetFrog) is a chain of frozen yogurt retail restaurants, founded by Derek Cha and Annah Kim in Richmond, Virginia, in 2009. By 2018 – when it was acquired by MTY Food Group – the sweetFrog chain had grown to 332 locations in the United States and abroad, most of which are franchised. The brand typeface is Hobo.

A sweetFrog in Altamonte Springs, Florida, 2012

Silent Hill 2 Remake is a 2024 survival horror game and a remake of the 2001 classic, developed by Bloober Team and published by Konami on October 8th 2024. It follows James Sunderland as he returns to the town of Silent Hill after receiving a letter from his deceased wife, Mary, who claims to be there waiting for him.

Just like the original, the game uses a serif typeface for its UI. After a bit of digging in the game’s files, it turns out that Noto Serif is used as the primary typeface. Barlow is used as the secondary one, albeit in a very inconspicuous manner, used only on the button prompts and parts of the credits scene.

Main menu. Red is used as a motif throughout the UI.

Settings menu. Barlow is used on bottom right button prompts.

Game HUD. James is seen horrifyingly using a dirty syringe to heal himself, with the health items shown to the left and ammo counter to the right

Save screen

Reading a note

Call of Duty: Modern Warfare 2 (2022) is the nineteenth installment in the Call of Duty series, being another reboot and the sequel to Call of Duty: Modern Warfare (2019). Unlike the first reboot, Modern Warfare 2 references the original trilogy’s aesthetics in its visual design with bright greens and a return to squared sans-serifs, all while still keeping the contemporary look first established in Modern Warfare (2019).

This is the last entry to feature Call of Duty’s old franchise logo in Impact, this time without any modifications to the typeface. Eurostile Extended Bold is used with wider spacing.

Stratum 2 is the primary user interface font used on most text, big and small. It is complemented with DIN Next Condensed as the secondary typeface, used more inconspicuously and mainly on short text. Blender appears only in the form of computer text, such as when viewing through the camera of an airplane. Futura, similar to the first game, is used for massive introductory text in cutscenes. Last but not least there’s Noto Sans, mainly used for multilingual purposes.

Game logo

Campaign level select. Stratum 2 is used quite liberally here. DIN Next can also be seen here.

The iconic title card at the start of every mission, set in Stratum 2

A typical situation in campaign mode. Note the usage of Noto Sans specifically used for the button prompts.

Blender used on the terminal UI. Stratum 2 is also used, albeit minimally.

Futura Book used in the start of Chapter 5

Multiplayer select screen

Modifying a weapon

Beginning of a Search and Destroy match

Winning a round in Search and Destroy. DIN Next is used for the numbers and team names.

From Wikipedia:

Alan Wake 2 is a 2023 survival horror video game developed by Remedy Entertainment and published by Epic Games Publishing. The sequel to Alan Wake (2010), the story follows best-selling novelist Alan Wake, who has been trapped in an alternate dimension for 13 years, as he attempts to escape by writing a horror story involving an FBI Special Agent named Saga Anderson.

The first thing that stuck out to me is the brand color of Alan Wake 2. It’s a strange washed-out green that is used on all branding, including in-game. It could be a reference to the many dense forests you find yourself in when playing the game, but with how washed out it is, there might be something deeper. It certainly gives their branding a strange atmosphere.

Alan Wake might’ve been gone for 13 years, but he will mostly feel at home when he sees the typography which seems to reuse the first game’s stylings as a basis. The Alan Wake 2 logo is set in Compacta, a condensed bold typeface. Most of the game’s user interface is set in Aktiv Grotesk Condensed Regular, with Bold being used more sparingly. Compacta is reused for the title card in beginning of every chapter.

Other promotional material and the official website uses both Aktiv Grotesk and Aktiv Grotesk Extended.

Game logo

Main menu

Settings menu

In-game HUD and inventory

Title card in Saga’s story. Aktiv Grotesk Condensed can be seen with larger spacing between letters

Title card in Wake’s story, this time set in a pinkish red

Reading a manuscript page in the Mind Place

Main page of Alan Wake 2’s website

The news section of the website, where updates or community events are announced

From Steam:

America, 1961. The assassination of Nazi General Deathshead was a short-lived victory. The Nazis maintain their stranglehold on the world. You are BJ Blazkowicz, aka “Terror-Billy,” member of the Resistance, scourge of the Nazi empire, and humanity’s last hope for liberty.

Wolfenstein 2’s user interface follows mostly the same footsteps as its previous entries', evoking the feeling of its time period yet remaining sleek and clean. The menus take on the appearance of a dirty slide projector, whereas in-game elements such as tutorials are instead presented in a minimal look. There is a heavy usage of muted colors such as greens and oranges, with brighter colors reserved for vital information.

The series' logo I believe is done using lettering. The subtitle, “The New Colossus”, uses Futura Book. The only typeface used for the interface is Univers, specifically the Roman and Bold variants along with their oblique counterparts. I think it's the perfect typeface for this game as not only is it believable in terms of time period, it heavily enhances the dieselpunk aesthetic of Wolfenstein 2 and just looks stylish in general.

Main menu. Univers Bold Oblique is only used when buttons are highlighted. This applies to the entire interface.

Collectibles page

Loading a save file

Entering a level. Note how slightly tinted the text is and the weathered effect on the numbers below.

Modifying a gun

Reading a note

Finishing a challenge

Call of Duty 4: Modern Warfare is the fourth installment in the Call of Duty franchise. It is the first to be set in the modern times, straying away from its World War 2 roots. The game’s overall look is heavily based on 2000s military (movies) aesthetics. The typography reflects this with imposing, geometric typefaces that evoke a feeling of power and a maybe tinge of futurism, since the game takes place in a fictional 2011.

The series’ logo used Impact, with bevel and chrome effect applied. The “Modern Warfare” text is set in Bank Gothic, which is glowing green and is likely a reference to night vision goggles. A majority of the user interface uses ITC Conduit Regular for both short and long text. It is complimented with Carbon Bold, which is used sparingly for important information.

The briefing cut-scenes between each chapter use Eurostile’s normal and extended width for most information. 3X5 is additionally used for small text and can be found at the top right of most cut-scenes.

Modern Warfare 2 (2009) and Modern Warfare 3 (2011), along with the remasters largely follow the same stylings, so this use can still be applied to those games.

Game logo

Main menu for the arcade mode

The first cut-scene you watch in the game. Eurostile Extended Bold can be seen used for both big and small text. 3X5 is seen above.

Learning the basics at the target range. Carbon is used to display newly added mission objectives and the occasional button prompt. ITC Conduit is seen below.

When looking at friendly characters, their name appears and is set in Carbon. Here, Captain Price is belittling Soap for his name.

Multiplayer HUD. Carbon is used with the exception of the compass and the amount of grenades you have stored.

Loading screen in multiplayer

Choosing a loadout before a match

An iconic part of Call of Duty is how every chapter starts with a title card, establishing time and place along with mission details. Carbon is used, glowing bright green.

Battlefield 3 is the seventh entry in the Battlefield franchise and the sequel to Battlefield 2. The game embraces the term “modern” more heavily paired with a Hollywood flair to it. This is reflected in the user interface which resembles a stereotypical military display you’d see in a blockbuster action movie.

Purista would make its debut here in the franchise. Its highly squared, sans serif design resembles lettering you would see on some military applications which no doubt played a large part in its choice. The typeface continues to be used in future titles including the most recent entry, Battlefield 2042.

The medium and semi-bold variant was used in almost every single material connected to Battlefield 3, which was likely for brand consistency. It’s used for promotional material, Battlelog (the PC version’s networking system which is paired with Bebas Neue, Tahoma and Arial), and is the only typeface used for the in game user interface.

Screenshots were taken on the Steam copy of Battlefield 3, since console versions contain a slightly different UI.

Main menu for the campaign mode

Options menu

Credits sequence

Multiplayer HUD

Losing a match in multiplayer, showing the scoreboard among other things you unlocked during the match

Singleplayer HUD, with health, ammo and objectives displayed

Piloting a tank. This is one of the few instances where Purista is used diegetically in the game world.

A page on Battlelog advertising Battlefield 3 Premium. Bebas Neue is used with Purista.

Battlelog’s character profile showcasing my horrible stats. Tahoma, Arial and Bebas Neue are used here.

A promotional ad for a weapon pack

Modern Warfare 2019 serves as the reboot to Call of Duty’s Modern Warfare trilogy, updating the series to fit modern sensibilities. This included the user interface where Nat Dart, the Senior UI artist at Infinity Ward along with the rest of the UI team opted to shave off the original’s dated militaristic look for a cleaner, more readable appearance that retained a sleek military reference. This was achieved by utilising multiple colors, transparencies, soft gradients, checkered patterns, and of course, clean typography.

Until the release of Modern Warfare 3 (2023), Impact was used for the series’ logo, with minor alterations. Considering that the franchise started in 2003, that’s 20 years of Impact. As if we didn’t have enough Impact from 2010 memes, but I don’t mind. A modified Eurostile Extended Bold with an upside-down W as M is used for the “Modern Warfare” text in the game’s logo.

Bio Sans Bold, Regular and Light are used for much of the user interface. This includes big text as well as smaller things like subtitles. Noto Sans Semi Condensed Bold is then used for the scoreboard, player banners, and chat window. This is likely for multilingual purposes to cover languages that Bio Sans doesn’t cover. OCR-B is rarely used on decorative or computer terminal text. Futura in massive text is used only as introductory text in cutscenes. Helvetica similarly is used as the subtitle text in cutscenes.

Curiously, ITC Conduit makes a return and is sporadically used in small amounts. The Regular weight is used. This is the first time ITC Conduit was used since the original Modern Warfare 3 (2011). It could just be a subtle throwback to the original trilogy for all I know.

Game logo

Main menu for the multiplayer mode, the checkered pattern can be seen on the left buttons

Previewing a skin

Deploying in Warzone, Call of Duty’s take on the Battle Royale genre. In the loading screen, Bio Sans is used plentiful here for both big and small text

Landing in Verdansk, OCR-B is used for the compass above

Winning 3rd place in Warzone. Noto Sans can be seen on the bottom right for the chat window

Modifying a gun. Note ITC Conduit being used here for the gun statistics.

Unlocking a new weapon

Pause menu. Bio Sans and ITC Conduit are both used here. Noto Sans is seen below.

Scoreboard. Noto Sans is used here.

Futura used in the start of the first chapter

Helvetica used in the earlier cutscenes

From Wikipedia:

The Last of Us is an action-adventure video game series and media franchise created by Naughty Dog and published by Sony Interactive Entertainment. The series is set in a post-apocalyptic United States ravaged by cannibalistic humans infected by a mutated fungus in the genus Cordyceps.

Considering how most survival games during its era take a grungy approach to their UI (for example, Left 4 Dead 2), this series user interface sticks out like a sore thumb.

The franchise's title is set in Press Gothic. The same is used for the TV show's logo.

FF DIN Regular and Medium, apart from certain instances is the only typeface used for the game's user interface. Neue Helvetica Bold is used for title cards during chapter transition sequences. What looks like Helvetica Condensed is used for the credits sequence in both Part 2 and Part 1, while the original just used Neue Helvetica. These typefaces continue to be used

Series’ logo

The Last of Us (2013), menu screen

The Last of Us: Part I (2022), menu screen

The Last of Us: Part 2 Remastered (2025), menu screen

The Last of Us: Part I (2022), beginning of chapter 1.

The Last of Us: Part I (2022), options screen

The Last of Us: Part I (2022), reading a note

The Last of Us: Part 2 Remastered (2025), completing a stage in No Return

The Last of Us: Part 2 Remastered (2025), modifying a gun

The Last of Us: Part I (2022), crafting sequence

The Last of Us: Part I (2022), credits sequence

Les Burgers de Colette is a hamburger restaurant franchise that emerged in 2019 in the city of Bordeaux, France. To revamp its identity, Studio OUAM took on the project, breathing life into a complete renovation. This involved the creation of innovative graphic elements, ranging from new typefaces to captivating illustrations. Furthermore, they worked on an updated menu and a graphic style that exudes a cozier and more familiar atmosphere.

On their portfolio website, the creative studio describes the new proposition as follows:

Colette's burgers is the story of a family at heart. A family united around your favorite Auntie, Colette, who is madly in love with burgers, good products and simple pleasures.

The typography features four different typeface families. For headlines, Ginto Nord Ultra Condensed (Dinamo), Gig Thin (Franziska Weitgruber), and Rosso Alt Regular (W Foundry) are used. Beatrice Regular (Sharp Type) complements them for body text.

Source: www.imdb.com License: All Rights Reserved.

From around 1970, the logo of Romper Room was based on the Condensed style of Benguiat Newlock.

From Wikipedia:

Romper Room is an American children's television series that was franchised and syndicated from 1953 to 1994. The program targeted preschoolers (children five years of age or younger), and was created and produced by Bert Claster and his presenter wife, Nancy, of Claster Television. The national version was presented by Nancy Terrell. Romper Room was also franchised internationally at various times in Canada, the United Kingdom, Japan, Finland, New Zealand, Puerto Rico, Paraguay, Argentina, and Australia.

Source: www.flickr.com Detail of a scan by Stephen Coles. License: CC BY-NC-SA.

One-line sample of Benguiat Newlock Condensed in Photo-Lettering’s 1971 catalog

The words are placed inside a TV screen-like shape. Together with a triangular roof, the superellipse formed a stylized house. The wordmark featured in the opening titles as well in other graphics in the show. It was also applied on record covers and packaging for toys and other products related to the franchise. Over the years, the letterforms were redrawn more than once. Not all applications hence are a perfect match for the original design by Ed Benguiat.

Source: www.youtube.com License: All Rights Reserved.

1972 title card

License: All Rights Reserved.

Studio graphic

Source: www.pinterest.de License: All Rights Reserved.

Source: www.flickr.com Loïc Boyer. License: CC BY-NC.

Source: www.flickr.com ablekay47. License: All Rights Reserved.

Front cover of a Romper Room album released by Music for Pleasure, Australia [More info on Discogs]

Source: www.youtube.com License: All Rights Reserved.

1970s commercial for Romper Room Toys

Source: vintagetoyarchive.tumblr.com Vintage Toy Archive. License: All Rights Reserved.

Scoop-A-Loop action game, USA, 1970. See also the Fun Time Puzzle Clock and Mr. Magnet Man from the same series.

Source: vintagetoyarchive.tumblr.com Vintage Toy Archive. License: All Rights Reserved.

Roundabouts building set, USA, 1970

Food Society is a company opening food courts through big French cities. As for now, one has been opened in Lyon and one in Paris, although at least another opening is planned. The food courts house a collection of small stalls ran by already existing restaurants from each city, often offering a smaller and adapted menu than their main venue. Besides their food function, the places also offer a range of cultural events, from DJ sets, concerts, conferences…

Situated in rather commercial neighborhoods (malls) close to big train stations, Food Societies distinguish themselves by a strong interior architecture led by Belgian architect Lionel Jadot, himself inviting many different designers from The Zaventem Ateliers to contribute an eclectic collection of hand-made furniture (seats, lamps, tables…).

The branding was created by AAAAA Atelier in collaboration with Studio Triple for the logo and all typographic aspects. Triple created a two-headed custom type family including 65 titling styles – Poivre – and six text styles – Petit Poivre. The all-caps titling family is set up across a wide range of widths and weights together with outline styles that also span across multiple weights. Combining the outline styles with the plain ones allows for multi-color type-setting. The typeface mixes inspirations from Art Deco and street art in a playful and irreverent way.

The fonts are used for signage and packaging all over the place, painted on ceramic tiles by ceramic artists Mon Colonel & Spit, and part of the distinctive architecture. The identity makes a good use of variable fonts through animated logos and a website randomly flexing all the styles of the fonts when users over titles.

Art Direction by AAAAA Atelier
Ceramic art by Mon Colonel & Spit
Architecture by Lionel Jadot
Pictures by Julia Grüßing, Studio Slurp, Vincent Frances

Panda Express is a large fast food chain with franchise restaurants located mainly in North America and Asia. Their in-store menus – the ones shown here were photographed around 2009-2011) – have shown an array of typefaces. ITC Styleboy takes a prominent place. Designed by Chester Wajda, it was released in 1999, a year before ITC was acquired by Agfa Monotype. The main supporting typeface on the signs is Trebuchet, designed byVincent Connare and released by Microsoft in 1996.

Druk Wide and Druk Condensed are paired on the website of Tiger Milk. From the article on type.today:

Tiger Milk is a chain of restaurants in France and Belgium; the brand was named after a marinade made with lime juice and red onion. Besides its slightly wild illustration, the project website offers a booking option, a chance to explore the menu, and a form to apply if you’d like to join the team.

The headings and subheadings are set in Druk Wide by Commercial Type; a narrow typeface from the same collection is charged with all the info graphics.

Smaller text is set in Hoefler & Co.’s Archer.