I've just found this magazine from Peru in Budapest, only God knows why.

Textual is the journal of the Peruvian National Institute of Culture. Concerned with literature, humanities, and arts, it was published between 1971 and 1975. CEDOC (Centro de Documentación de la Biblioteca Central UNMSM) has digitizations of all ten issues. The logo is based on Amelia, in lowercase letters and with filled-in counters.

Number 9 is dedicated to philosopher, educator and journalist Augusto Salazar Bondy (1925–1974). Display typefaces used in this issue include Michel, Thalia, and Ludlow Garamond. Body text is set in Helvetica and Permanent, with drop caps from Neo Script.

Thalia with enlarged and descending caps

Colophon (left) and a black-and-white version of Salazar Bondy’s portrait as seen on the cover (right)

All-caps Michel and Thalia in mixed case

More Michel caps combined with pre-Columbian symbols

Text in Helvetica is printed on top of the title in reversed caps from Michel

A mix of caps and lowercase letters from Thalia for “Educación”

This creature apparently is a raptorial bird as depicted by members of the Chavín culture

Spread with drop caps from Neo Script

Detail from the colophon, with text set in two weights of Permanent

Rotated Ludlow Garamond for “Bibliografía”

In August 1942, the Second World War was in full swing and Wehrmacht troops were approaching Stalingrad. At home in the German Empire – in Nuremberg, the city that previously hosted the Nazi Party rallies – the population was offered distraction and entertainment in the form of “true-to-nature geography and ethnology”.

Each week, the Kaiser-Panorama (est. 1888) in the Mauthalle presented a different virtual journey. This time, visitors could view stereoscopic glass slides depicting fifty three-dimensional scenes from the Republic of Peru in South America, from the Pichu-Puchu [sic!] to a herd of llamas. Students and DAF members paid a reduced entry fee; soldiers, children, seniors and disabled persons even less.

The typography of the leaflet combines blackletter and non-blackletter typefaces. There are two sans serifs, the bold rounded Block and the wide Industria, both from before the First World War. The price information at the bottom is set in an Art Nouveau roman that’s even older, Schelter-Antiqua halbfett from 1906. The two blackletter typefaces are the youngest designs: the dates are shown in Straßburg, released in 1926, and the list of scenes in Thannhaeuser-Fraktur, first cast in 1938.

The names are set in a different, older sans of German origin: it’s Akzidenz-Grotesk mager. Peter Trunk’s name lacks an R.

Folio breithalbfett in use with its biform alternates for an album by the Klaus Doldinger Quartet featuring Attila Zoller. Released in 1965 on EmArcy Records, it shows influences from Latin music which the group had gained on their tour through South America.

Klaus Doldinger died this week at the age of 89. Outside jazz circles, the saxophonist and composer is best known for the film scores to Das Boot (1981) and The NeverEnding Story (1984). In Germany, Austria and Switzerland, his musical theme for Tatort can still be heard regularly on television – first aired in 1970, the crime series is the longest-running German-language TV drama.

[More info on Discogs]

Track list, credits and liner notes on the back cover are set in different styles from Monotype Grotesque.

From Wikipedia:

Raiders of the Lost Ark is a 1981 American action-adventure film directed by Steven Spielberg and written by Lawrence Kasdan, based on a story by George Lucas and Philip Kaufman. Set in 1936, the film stars Harrison Ford as Indiana Jones, a globetrotting archaeologist vying with Nazi German forces to recover the long-lost Ark of the Covenant which is said to make an army invincible. Teaming up with his tough former romantic interest Marion Ravenwood (Karen Allen), Jones races to stop rival archaeologist Dr. René Belloq (Paul Freeman) from guiding the Nazis to the Ark and its power.

The opening credits pair Open Kapitalen with Eurostile. Eurostile Extended is used for "of the Lost Ark" and "South America, 1936," whereas other credits use the Regular, optically stetched to around 150% its original width to give the impression of the Extended. The map, seen during location transitions, features Legende (with alternates) and ITC Serif Gothic, with both set in all caps. The end credits are set in Friz Quadrata.

Titles by MGM Title Department, credited as MGM Titles.

See also the title sequences for Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade.

To commemorate the 80th anniversary of the attack on Pearl Harbor, Semana magazine prepares the great special “Atlas of Nazism in South America”, an x-ray of how this event affected the politics of some countries in the hemisphere, the key events during the war and the characters who were relevant in it.

Semana BT is a custom typeface family consisting of Semana Sans and Semana Serif, designed for an extended editorial use. It has humanistic features and organic strokes inspired by the main typographic characteristics of the logotype.

Cosmosis advocates non-western pop music with a series of concerts in concert venue Ekko in Utrecht, The Netherlands:

This planet consists of colorful, diverse and amazing sounds, that we ought to embrace and celebrate. What to expect? No traditional 'world music', but urgent and contemporary music from distant lands.

With the use of architectural shapes taken from the particular artist’s country of origin, handmade aquarel paintings combined with the crude, natural YWFT Mullino, Cosmosis’ newly formed identity is vibrant and lively — while holding in high regard the history from a cultural perspective.