Type history

Tipoteca Italiana Fondazione web app2025

• Otium
• Damiano Fraccaro
• Martino Podzinkova

Contributed by CAST

Wilke Antiqua folder and type specimenc. 1988

• Martin Wilke
• Ralf Rudorf

Contributed by Hans Schumacher

Modern Ways of Historic Printingc. 2019

• Studio Böreck

Contributed by Studio Böreck

Sabon: Tschichold & Hochuli2021

• Corvus Works
• Christopher Wakeling

Contributed by Christopher Wakeling

Claude Garamond, Corvus Works2022

• Corvus Works
• Christopher Wakeling

Contributed by Christopher Wakeling

Futura: The Typeface2016

• Isabel Naegele
• Stephanie Kaplan

Contributed by Lali Rossy

‘Franklin Gothic Goes on Forever’ lecture flyers2022

• Nick Sherman

Contributed by Nick Sherman

Guide déraisonné des collections du Musée de l’imprimerie et de la communication graphique2020

• Bureau 205

Contributed by 205TF

250th anniversary of the Portuguese National Press book series (Pato Lógico)c. 2020

• Pato Lógico
• INCM

Contributed by R-Typography

SANS (FR) 1628–1924 by Sébastien Morlighem2022

• Sébastien Morlighem

Contributed by Sandrine Nugue

Reviving Ange Degheest, Poem Pamphlet No.62022

• Jérôme Knebusch

Contributed by Jérôme Knebusch

AaBbCc – History and Form of the Latin Script2021

• TGG Hafen Senn Stieger
• Roland Stieger

Contributed by Nouvelle Noire

Schrift. Wahl und Mischung by Kai Büschl and Oliver Linke2021

• Kai Büschl
• Oliver Linke

Contributed by Kai Büschl

Women in Type website2021

• Mathieu Triay
• Alice Savoie

Contributed by Mathieu Triay

Typefoundries in the Netherlands by Charles Enschedé (1978)1978

• Bram de Does
• Charles Enschedé

Contributed by Blythwood

Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman2021

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Louis Hoell and the making of the Eckmannschrift, Poem Pamphlet No.42020

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Cast It 32019

• Tipiblu
• CAST Foundry

Contributed by CAST

Cyrillize it by Yana Vekshyna2020

• Yana Vekshyna

Contributed by Alex Slobzheninov

Erhard Ratdolt’s Index characterum, the earliest known type specimen, Poem Pamphlet No. 32020

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Robert Thorne and the origin of the ‘modern’ fat face, Poem Pamphlet No. 22020

• Jérôme Knebusch

Contributed by Jérôme Knebusch

hoch, tief, durch 20192019

• Chiara Schwarz
• Dingpress
• Janine Wichmann

Contributed by Dingpress

Transfers are not stickers2019

• Alessandro Latela
• Giorgia Florenzano

Contributed by Alessandro Latela

Gutenberg – der Mann, der die Welt veränderte by Klaus-Rüdiger Mai, Propyläen2016

• Manja Hellpap

Contributed by JAF

La Lettre du Musée, nº13, janvier 20082008

• Matthieu Cortat

Contributed by 205TF

Dutch Type by Jan Middendorp2004

• Bart de Haas
• Peter Verheul

Contributed by Stephen Coles

Hans Reichardt’s websitec. 2016

• Hans Reichardt

Contributed by Florian Hardwig

Haüy’s Essay on the Education of the Blind (1786)1786

• Valentin Haüy

Contributed by Blythwood

ADI Awards2016

• TwoPoints.Net

Contributed by Two Points

Alphabet Stories by Hermann Zapf2007

• Hermann Zapf

Contributed by Chris Purcell

Zhurnalnaya Roublennaya: A Poor Man’s Futura

• unknown
• Jüri Kaarma
• Leonhard Lapin

Contributed by Ivar Sakk

Intertype ads: “Intertype vs Linotype”1913

Contributed by Stephen Coles

Typo90102015

• Radek Sidun
• Zuzana Lednická
• Tomáš Brousil

Contributed by Tomas Brousil

History of the Linotype Company2014

• Marnie Soom

Contributed by Stephen Coles

Contrapunção2015

• André Maya
• Rafael Dietzsch
• Corina Cotorobai

Contributed by Estereográfica Editorial

ATypI 1995 Barcelona program1995

• Javier Mariscal
• Estudio Mariscal

Contributed by Stephen Coles

ITC Serif Gothic in U&lc, Vol. 1 No. 2, 19741974

• Herb Lubalin

Contributed by Stephen Coles

Pulp – We Love Life album art2001

• Peter Saville
• Jarvis Cocker
• Howard Wakefield

Contributed by Stephen Coles

Linotype Library ad in U&lc, 19921992

• Linotype

Contributed by Stephen Coles