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    <title>inscriptional</title>
    <link>https://fontsinuse.com/tags/1447/inscriptional</link>
    <description>Examples of fonts in use tagged with “inscriptional”</description>
    <atom:link xmlns:atom="http://www.w3.org/2005/Atom" href="https://fontsinuse.com/tags/1447/inscriptional.rss" type="application/rss+xml" rel="self"/>
    <language>en</language>
    <copyright>Copyright 2026 , FontsInUse.com LLC</copyright>
    <pubDate>Sat, 18 Jul 2026 23:52:20 +0000</pubDate>
    <lastBuildDate>Sat, 18 Jul 2026 23:52:20 +0000</lastBuildDate>
    <ttl>3600</ttl>
    <item>
      <title><![CDATA[St Augustine’s Church, Hammersmith]]></title>
      <link>https://fontsinuse.com/uses/47504/st-augustine-s-church-hammersmith</link>
      <description><![CDATA[Contributed by <a href="/contributors/25050/abyme">Abyme</a><br/><a href="https://fontsinuse.com/uses/47504/st-augustine-s-church-hammersmith"><img src="https://assets.fontsinuse.com/static/use-media-items/166/165738/upto-700xauto/69b588e8/abyme_persona_2.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">John Morgan studio/Abyme</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>Philip Surey applies gold leaves onto the painted letters.</p><br/><a href="https://fontsinuse.com/typefaces/89996/persona"><img src="https://assets.fontsinuse.com/static/samples/11/10064/440/4/6306213b/persona.png"/></a><br/><br/><p>Inscriptions designed by <a href="https://morganstudio.co.uk/">John Morgan studio</a> for <a href="https://en.wikipedia.org/wiki/St_Augustine%27s_Church,_Hammersmith">The Order of St Augustine’s Church</a> in Hammersmith, London, restored and refurbished by <a href="https://rozbarr.com/">Roz Barr Architects</a> (completed February 2018). This is the first application of the typeface <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/89996/persona" data-entity-code-id="89996" data-entity-code-type="TypeEntity">Persona</a></strong>, released by <a href="https://www.abyme.net/">Abyme</a> in June 2022. <a href="https://www.abyme.net/catalogue/persona/">Persona</a> is a display sans serif based on Hans Möhring’s <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/32717/florida" data-entity-code-id="32717" data-entity-code-type="TypeEntity">Florida</a> (c.<span class="nbsp">&nbsp;</span>1931) and inspired by Renaissance letterforms characteristic of the Florentine architecture, painting and sculpture of the fifteenth century.</p>

<p>Inscriptional text is set in a new cast iron light ring suspended above the altar, also designed by Roz Barr Architects, and gilded across the apse wall and below the Stations of the Cross by <a href="https://www.philipsurey.co.uk/">Philip Surey</a>.</p>

<p>The inscription on the apse wall reads: <em>Qui vult vivere, habet ubi vivat, habet unde vivat. Accedat, credat ut incorporetur, ut vivificetur</em> (Those who long for life have here its very source. Let them come here and believe, unite with You and live).</p>

<p>Read more about the project <a href="https://www.abyme.net/revue/st-augustines-church-hammersmith/">at the Abyme Revue</a> and at <cite><a href="https://www.architectsjournal.co.uk/buildings/roz-barr-architects-completes-restoration-of-west-london-church">The Architect’s Journal</a></cite>.</p><br/><a href="https://fontsinuse.com/uses/47504/st-augustine-s-church-hammersmith"><img src="https://assets.fontsinuse.com/static/use-media-items/166/165737/upto-700xauto/69b588e8/persona_10_edit.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">John Morgan studio/Abyme</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>The apse wall and cast iron light ring.</p><br/><a href="https://fontsinuse.com/uses/47504/st-augustine-s-church-hammersmith"><img src="https://assets.fontsinuse.com/static/use-media-items/166/165740/upto-700xauto/69b588e8/persona_8.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">John Morgan studio/Abyme</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>Gilded apse wall inscription.</p><br/><a href="https://fontsinuse.com/uses/47504/st-augustine-s-church-hammersmith"><img src="https://assets.fontsinuse.com/static/use-media-items/166/165741/upto-700xauto/69b588e8/persona_7.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">John Morgan studio/Abyme</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>Gilded apse wall inscription.</p><br/><a href="https://fontsinuse.com/uses/47504/st-augustine-s-church-hammersmith"><img src="https://assets.fontsinuse.com/static/use-media-items/166/165742/upto-700xauto/69b588e8/abyme_persona_5.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">John Morgan studio/Abyme</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>Cast iron light ring inscription.</p><br/><a href="https://fontsinuse.com/uses/47504/st-augustine-s-church-hammersmith"><img src="https://assets.fontsinuse.com/static/use-media-items/166/165743/upto-700xauto/69b588e8/persona_6.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__credits fiu-text--captioning">John Morgan studio/Abyme</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>Phil Surey painting the Stations of the Cross.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/47504/st-augustine-s-church-hammersmith">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/47504/st-augustine-s-church-hammersmith</guid>
      <pubDate>Thu, 23 Jun 2022 18:03:35 +0000</pubDate>
      <author>Abyme</author>
    </item>
    <item>
      <title><![CDATA[2018 Brand New Conference]]></title>
      <link>https://fontsinuse.com/uses/26282/2018-brand-new-conference</link>
      <description><![CDATA[Contributed by <a href="/contributors/4/stephen-coles">Stephen Coles</a><br/><a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference"><img src="https://assets.fontsinuse.com/use-media/88010/upto-700xauto/69b5414b/1/png/BN_Conf_2018_Case_Study_Concept_Logo_Treatments.png"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_2018_brand_new_conference_by_underconsideration.php" target="_blank" rel="noopener">www.underconsideration.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/41650/chap"><img src="https://assets.fontsinuse.com/static/samples/4/3133/440/4/582439c6/chap.png"/></a><br/><a href="https://fontsinuse.com/typefaces/73593/peristyle"><img src="https://assets.fontsinuse.com/static/samples/5/4166/440/4/5a5630af/peristyle.png"/></a><br/><a href="https://fontsinuse.com/typefaces/38299/valter"><img src="https://assets.fontsinuse.com/static/samples/2/1741/440/4/570e2100/valter.png"/></a><br/><a href="https://fontsinuse.com/typefaces/32629/beausite"><img src="https://assets.fontsinuse.com/static/samples/2/1447/440/4/570e20cf/beausite.png"/></a><br/><a href="https://fontsinuse.com/typefaces/99682/bosca"><img src="https://assets.fontsinuse.com/static/samples/6/5629/440/4/5cd3386d/bosca.png"/></a><br/><br/><blockquote>
<p><a href="https://underconsideration.com/brandnewconference/">Brand New Conference</a> is a two-day event on the development of corporate and brand identity projects by some of today’s most active and influential practitioners from around the world.</p>

<p>This year’s identity is based on a cliché but we liked where that cliché took us so we went with it: New York is a “Concrete Jungle”, ergo we are going to use <a href="http://fontsinuse.com/tags/2522/undefined">concrete</a>. This wasn’t conceived as a metaphor but as the literal, core ingredient through which we would standardize all the materials.</p>

<p>One style that we thought we could expand on is the high-contrast sans serif with its calligraphic/chiseled structure. As a way to further channel the cacophony that New York can be we decided that instead of choosing just one font or type family we would use a bunch of high-contrast sans serifs together. We chose <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/41650/chap" data-entity-code-id="41650" data-entity-code-type="TypeEntity">Chap</a></strong> (Black to be specific) from Schick Toikka as the primary font and we added Hoefler &amp; Co.’s <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/73593/peristyle" data-entity-code-id="73593" data-entity-code-type="TypeEntity">Peristyle</a></strong>, Typotheque’s <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/38299/valter" data-entity-code-id="38299" data-entity-code-type="TypeEntity">Valter</a></strong>, Fatype’s <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/32629/beausite" data-entity-code-id="32629" data-entity-code-type="TypeEntity">Beausite</a></strong>, and <a href="https://frerejones.com/">Frere-Jones Type’s</a> <strong>Bosca</strong> and Bosca Compressed — that are not yet available but we got to take out for a trial spin.</p>
</blockquote>

<div data-oembed-url="https://vimeo.com/290771039">
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<p></p><br/><a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference"><img src="https://assets.fontsinuse.com/use-media/88011/upto-700xauto/69b5414b/1/jpeg/BN_Conf_2018_Case_Study_Concept_Inscriptions.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_2018_brand_new_conference_by_underconsideration.php" target="_blank" rel="noopener">www.underconsideration.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference"><img src="https://assets.fontsinuse.com/use-media/88000/upto-700xauto/69b5414b/1/jpeg/BN_Conf_2018_Case_Study_Program_Cover_03.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_2018_brand_new_conference_by_underconsideration.php" target="_blank" rel="noopener">www.underconsideration.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference"><img src="https://assets.fontsinuse.com/use-media/88002/upto-700xauto/69b5414b/1/jpeg/BN_Conf_2018_Case_Study_Badges_04.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_2018_brand_new_conference_by_underconsideration.php" target="_blank" rel="noopener">www.underconsideration.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference"><img src="https://assets.fontsinuse.com/use-media/88003/upto-700xauto/69b5414b/1/jpeg/BN_Conf_2018_Case_Study_Cubes_04.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_2018_brand_new_conference_by_underconsideration.php" target="_blank" rel="noopener">www.underconsideration.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference"><img src="https://assets.fontsinuse.com/use-media/88004/upto-700xauto/69b5414b/1/jpeg/BN_Conf_2018_Case_Study_Bags_02.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_2018_brand_new_conference_by_underconsideration.php" target="_blank" rel="noopener">www.underconsideration.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference"><img src="https://assets.fontsinuse.com/use-media/88005/upto-700xauto/69b5414b/1/jpeg/BN_Conf_2018_Case_Study_Tshirt_01.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_2018_brand_new_conference_by_underconsideration.php" target="_blank" rel="noopener">www.underconsideration.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference"><img src="https://assets.fontsinuse.com/use-media/88006/upto-700xauto/69b5414b/1/jpeg/BN_Conf_2018_Case_Study_Stage_Letters_02.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_2018_brand_new_conference_by_underconsideration.php" target="_blank" rel="noopener">www.underconsideration.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference"><img src="https://assets.fontsinuse.com/use-media/88007/upto-700xauto/69b5414b/1/jpeg/BN_Conf_2018_Case_Study_Stage_Letters_04.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_2018_brand_new_conference_by_underconsideration.php" target="_blank" rel="noopener">www.underconsideration.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference"><img src="https://assets.fontsinuse.com/use-media/88009/upto-700xauto/69b5414b/1/png/BN_Conf_2018_Case_Study_Concept_Logo_Treatments_Original.png"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_2018_brand_new_conference_by_underconsideration.php" target="_blank" rel="noopener">www.underconsideration.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference"><img src="https://assets.fontsinuse.com/use-media/88008/upto-700xauto/69b5414b/1/png/BN_Conf_2018_Case_Study_Concept_Type.png"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.underconsideration.com/brandnew/archives/new_logo_and_identity_for_2018_brand_new_conference_by_underconsideration.php" target="_blank" rel="noopener">www.underconsideration.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/26282/2018-brand-new-conference">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/26282/2018-brand-new-conference</guid>
      <pubDate>Wed, 08 May 2019 19:47:30 +0000</pubDate>
      <author>Stephen Coles</author>
    </item>
    <item>
      <title><![CDATA[Temperance Permanent Building Society sign]]></title>
      <link>https://fontsinuse.com/uses/6878/temperance-permanent-building-society-sign</link>
      <description><![CDATA[Photo(s)  by Elena Veguillas on Flickr.<br/><a href="https://fontsinuse.com/uses/6878/temperance-permanent-building-society-sign"><img src="https://assets.fontsinuse.com/use-media/20460/upto-700xauto/69b3d4c2/1/jpeg/14065786579_8028df41cc_o.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://www.flickr.com/photos/la_nina_graphics/14065786579/" target="_blank" rel="noopener">www.flickr.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Uploaded to Flickr by Elena Veguillas and tagged with “grotesqueno9”</span>. </span><span>License: <span class="fiu-attribution__license"><a href="http://creativecommons.org/licenses/by-nc/3.0/" target="_blank" rel="noopener">CC BY-NC</a></span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/6101/grotesque-no-9"><img src="https://assets.fontsinuse.com/static/renders/7/6101/400/4/6a12d184/grotesque-no-9.png"/></a><br/><br/><p>Weekend trip to Manchester, March 2014.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/6878/temperance-permanent-building-society-sign">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/6878/temperance-permanent-building-society-sign</guid>
      <pubDate>Sat, 20 Dec 2014 04:23:46 +0000</pubDate>
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    <item>
      <title><![CDATA[The Garda Memorial Garden]]></title>
      <link>https://fontsinuse.com/uses/2179/the-garda-memorial-garden-1</link>
      <description><![CDATA[Contributed by <a href="/contributors/255/lettersfromswe">Letters from Sweden</a><br/><a href="https://fontsinuse.com/uses/2179/the-garda-memorial-garden-1"><img src="https://assets.fontsinuse.com/use-media/7185/upto-700xauto/69b3c60e/1/jpeg/blog_exemplar_garda_01.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://www.smashingmagazine.com/2012/09/20/carved-stone/" target="_blank" rel="noopener">www.smashingmagazine.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Anne Brady</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>
	Detail showing the carved dual-language granite plinth leading into the memorial garden.</p><br/><a href="https://fontsinuse.com/typefaces/3712/exemplar"><img src="https://assets.fontsinuse.com/static/samples/5/4902/440/4/5b8ae658/exemplar.png"/></a><br/><br/><p>
	The Garda Memorial Garden, or Gaird&iacute;n Cuimhneach&aacute;in an Gharda S&iacute;och&aacute;na, is located in the heart of Dublin city. This memorial is a contemplative garden with large stone plinths and a lot of names and numbers. The list of names, this &ldquo;roll of honor,&rdquo; records individual police officers (garda&iacute;) who have lost their lives violently and tragically in the line of duty since the formation of the Irish state in 1921.</p><br/><a href="https://fontsinuse.com/uses/2179/the-garda-memorial-garden-1"><img src="https://assets.fontsinuse.com/use-media/7186/upto-700xauto/69b3c60e/1/jpeg/blog_exemplar_garda_02.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://www.smashingmagazine.com/2012/09/20/carved-stone/" target="_blank" rel="noopener">www.smashingmagazine.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Anne Brady</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>
	An example of an uppercase &ldquo;G&rdquo; and &ldquo;A&rdquo; carved in granite and infilled.</p><br/><a href="https://fontsinuse.com/uses/2179/the-garda-memorial-garden-1"><img src="https://assets.fontsinuse.com/use-media/7187/upto-700xauto/69b3c60e/1/jpeg/blog_exemplar_garda_03.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://www.smashingmagazine.com/2012/09/20/carved-stone/" target="_blank" rel="noopener">www.smashingmagazine.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Anne Brady</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>
	The stonecutter placed full-sized printed sheets onto the stone before carving.</p><br/><a href="https://fontsinuse.com/uses/2179/the-garda-memorial-garden-1"><img src="https://assets.fontsinuse.com/use-media/7188/upto-700xauto/69b3c60e/1/jpeg/blog_exemplar_garda_05.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://www.smashingmagazine.com/2012/09/20/carved-stone/" target="_blank" rel="noopener">www.smashingmagazine.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Anne Brady</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/2179/the-garda-memorial-garden-1">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/2179/the-garda-memorial-garden-1</guid>
      <pubDate>Wed, 26 Sep 2012 20:20:10 +0000</pubDate>
      <author>Letters from Sweden</author>
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