Monument Records

Raymond Lefèvre and his Orchestra – Paris Cancan album art

Florian Hardwig — Sat, 13 Sep 2025 06:24:00 +0000

Contributed by Florian Hardwig

Staudel Xenotype K is based on an alphabet shown by J.M. Bergling in his Art Alphabets & Lettering from 1914. Photo-Lettering made the phototype adaptation as part of their Art Nouveau Xenotypes 1895–1905 series in 1962. Here it can be seen in use for the cover of an album by Raymond Lefèvre and his Orchestra, released by Monument Records in 1966. The group’s name is added in Inserat-Grotesk.

The French release on Barclay Records (see the last image) uses the same photograph – by Herman Leonard – and a similar typeface: this time, it’s Staudel Xenotype A, another of PLINC’s Art Nouveau Xenotypes for which I haven’t been able to find the original source yet. The s is more angular than in a 1971 specimen. This suggests that the glyph is either an alternate or was modified, or that the letterforms were taken from a different source, possibly even the original. The secondary text here is set in caps from Auriol.

[More info on Discogs]

The back cover rearranges the name in Inserat-Grotesk and the title in Staudel Xenotype K in six stacked lines. Track names are set in Trade Gothic and the liner notes by Aaron Sternfield in Helvetica.

The French version with Staudel Xenotype A and Auriol was released by Barclay in their Super Panache series in 1966.

This post was originally published at Fonts In Use

Kris Kristofferson & Rita Coolidge – Breakaway album art

Garrison Martin — Sun, 13 Mar 2022 10:00:00 +0000

Contributed by Garrison Martin

Source: www.ebay.com lifeofvinyl. License: All Rights Reserved.

Breakaway is the second of three duet albums recorded by country/folk musicians Kris Kristofferson and Rita Coolidge. It was released in 1974 on Monument Records. The uncredited cover design pairs extrabold caps from Gothic (Nesbitt) with a delicate ampersand, from Caslon No. 540 Italic or similar.

[More info on Discogs]

This post was originally published at Fonts In Use

Billy Swan – I Can Help album art

Garrison Martin — Mon, 10 Sep 2018 09:30:29 +0000

Billy Swan’s debut album I Can Help from 1974, featuring the hit single of the same name.

Cover design by Bill Barnes and Julie Holiner, with photography by Ken Kim. The typeface is Blimp C (solid), designed by Seymour Chwast for Photo-Lettering in the late 1960s. The text on the sticker is in caps from an extrabold geometric sans, possibly Spartan Extra Black [or rather Airport Black, see comments]. Note the use of sign painters’ quotes.

This post was originally published at Fonts In Use